FREDERIQUE AND THE CITY BY ELLEN VON UNWERTH

Frederique and The City

Frederique van der Wal by Ellen von Unwerth

Clothing by Georgine

Makeup by Romero Jennings

There is no denying that Ellen von Unwerth and Frederique van der Wal are legends in the fashion world. Between the photographer and Supermodel, there is a prolific collection of coffee-table compendium worthy images that, through the years, have inspired a generation of photography enthusiast and fashion fanatics alike. 

The universe brought the two fashion juggernauts together when they discovered they lived in the same New York City apartment building. Together, with fashion designer Georgine Ratelband the two icons have created images in Ellen von Unwerth’s unmistakable aesthetic of “sex, fun and rock & roll.” Iris Covet Book documented the chat between Ellen, Frederique and Georgine on how this shoot came together, staying creative during lockdown and their plans for 2021.

IRIS: Hi ladies, can you give us a little background on how you and Ellen met and how long you have known each other.

ELLEN: Ok yes, we know each other because we live on the same floor in the same building in New York and we run into each other often. You know, we’ve always said let’s shoot together but never found the right time. But this one morning I came home and saw Frederique with a totally new look. Her hair was totally blonde and you know how I love a blonde! I said “Oh my God this is the moment. We have to shoot!”. So, I called Georgine and I asked her if she wanted to join and Georgine offered us pieces from her collection.

FREDERIQUE: I’ve always adored Ellen’s work and strangely enough we had never yet worked together. Somehow it hadn’t happened until both of us, this past September were stuck in New York City.
Then it all came together…this sexy rock and roll Ellen element mixed with the city and the roof. It was very inspiring. For me sometimes, you have these moments when you really get your adrenaline going and that’s how the shoot felt for me. It felt great! It was a day where the playfulness was there, the fun, the sexiness, the rock and roll. It was so Ellen and then the fantastic clothes by Georgine.

GEORGINE: It was very spontaneous And it came together very effortlessly which I enjoyed very much! I think Ellen called me two days before the shoot, I pulled a variety of looks for Frederique that I thought would suit her and we were ready to rock & roll!

ELLEN: Yes, but also you look incredible in the pictures! It’s one thing to see you coming in and out of our building every day but when you see the pictures, you’re like “Wow! There’s Frederique the supermodel!”. I was really blown away when I saw the pictures. Also, it’s very intimate because it’s in my apartment and our roof. A small home production with friends.

IRIS: Frederique, I was reading about a new venture that you have called lifecycles. Is that a project of yours that we can look forward to later this year?

FREDERIQUE: Yes, I created a series with newswire.fm where I visit friends and or celebs from different industries. I’m always riding around on my bike and I talk about life in New York and what keeps them there and we discuss their ups and downs and inspirations. We did our first seven and we featured a bunch of people from different artistic backgrounds. As in fantastic singer Marieme Diop, actor/director Griffin Dunne, designers Badgley Mischka, architect Winka Dubbeldam who did both Ellen and my apartment. An amazing mix of people and it’s coming out this year. It was really fun and it’s a good thing to show the love we all have for New York City. It’s funny, I’m not a Native New Yorker but I do feel like I’m a Dutch-New Yorker.

Whatever happens, the city breathes a sort of inspiration. It’s the mix of people, the wild experiences which can happen in the city at any moment. It just makes it such a special place. I think New York has such a heartbeat. It keeps you coming back to it.

ELLEN: Each time I’m coming from the airport and I see the skyline I just think “Wow, I’m coming home.” You know? I really feel like this is my city. It is so special because even when I’m in Paris, Berlin and all these other beautiful cities, it’s still not like being in New York. Of course, it’s a sad time at the moment, but I love how quickly and creatively they built up all the outdoor seating restaurants. Some of them with really nice decorations and music. It’s nice to see how New York always overcomes challenges.

FREDERIQUE: And also, that resilience of a New Yorker. It’s interesting to see it from a European perspective. For example, the Dutch if you would say to people you have to take another job or you have to come up with an idea to have a different approach to what you’ve been doing, it’s harder for them. But here in New York people are like “Yes let’s go for it! Come on let’s do it!” And I love that.

GEORGINE: New Yorkers are so strong and also very flexible and easy to adapt to a new situation.

ELLEN: It’s also kind of a survival mode of being a New Yorker. You don’t have the luxury to wait things out, you have to be creative to make it there.

IRIS: What are some things you have been doing during the lockdown to stay creative?

ELLEN: I still have been working but of course much less than normal. Productions have slowly started again with many precautions with testing and mask and everything. You never know how the virus reacts so it’s always stressful after a shoot to not know if you might have it or how your body might react to it. I also did some facetime shoots. Like facetiming a shoot in Paris and another in LA. So, I guess we have found new ways of being creative which is the good side of things I suppose.
It can be kind of fun because you feel very voyeuristic since you’re practically in somebody’s apartment.
And then I’m like “Oh, I want to see what is over there… ok you could just sit over there you know and pose like this.” It does feel weird. I would much rather be with somebody in person of course.

FREDERIQUE: I think that the future will be more about coming together. I think we will see more value in what we are doing because of this time of reflection. And be a little bit more focused on what we really want to do. And I think when you do that, as in organizing this shoot and being surrounded with people you like, it creates something great.

ELLEN: I don’t always photograph the people I love for jobs, but I think we can definitely focus more on what we want to say through our work. Now that we see that time is precious and we can’t waste it, I think it’s more important than ever.

IRIS: One of the things that you talked about is reflection. Since we all had much more time for personal reflection, was there anything that you learned about yourself this past year?

FREDERIQUE: Well, I was quite lucky that I could escape to upstate New York where I have a farm. We were able to go back and forth from there and back to the city. It was so nice to be in nature, how healing that was actually. And I realized how much I loved the time I spent in nature and in the garden. Planting and gardening with all this free time felt new to me and it was different to have this solitude with just a few people at my house. Of course, I miss going out and I’m dying to go dancing and to go to all the fun events, but it was interesting to realize how much I actually love being more in nature and working with my hands. So, I ended up creating gardens, planting vegetable, and painting. I loved it.

GEORGINE: We got back from Paris Fashion Week and doing a last minute trunk show in Texas and enjoyed the time off. We are always on the run between places and running around so it was great to have a moment to relax. Catched up on a lot of tv shows and re-watched some classic movies and of course did a lot of cooking.But after a couple of weeks I felt very restless and needed a project. We have always wanted to renovate our showroom and give it new light. This seemed the perfect time for it. If not now, then when? We started with the kitchen area, and before I knew it, we reimagined our entire space and were living in a construction zone for the next 8 months!

ELLEN: And we went to our country home and we always go there for winters. We have a huge cherry tree in the garden and we actually got to see it blooming this summer and it was so amazing. It was a good time to really appreciate it. We also did some vegetable gardening. I also just photographed everything in sight from rain drops on the leaves, to the bees, to my neighbor’s horses. And I really feel like I experienced nature in a very intense way.

IRIS: What new projects should we expect from you this year? Frederique let’s start with you.

FREDERIQUE: Yes, there’s a couple of shoots that I did. I did a story for Vogue Living on my place in upstate New York and I’m actually working on a television program. It’s a bit futuristic where we will use virtual reality. We will follow how certain products come to us. In 2D and also in 3D. For example, the artists from Studio Drift, they create amazing light art and we follow their journey through their creative process. I’ve also decided that I should write a book. It came to me while I did a ‘journey’. I will see once I start writing if it indeed moves me and if it’s something I would like to see to completion and published.

IRIS: Georgine?

GEORGINE: Actually, as I’m talking to you guys, I’m sketching some proposals for the First Lady. It’s very exciting! After redoing our space I’ve ventured into interior design besides designing collections because many of our clients that have come over to our space since we did the renovation were so enamored by the space that they asked me to help them redo their homes! I’m also working on a new spring line and trying to improve my italian by taking classes via zoom.

IRIS: And then Ellen what about your plans for 2021?

ELLEN: I am planning to do another photography book because people are still so fascinated with the time of the supermodels and I lived that time you know? I shot with Naomi when she was 16, I discovered Claudia and Eva and I have so many pictures. So, I think it’s actually a good time to pull them all out. The glamourous fashion from the nineties in a book will be my next project. I also got asked to do a very exciting project which is to create a cabaret burlesque show in Los Angeles in a very special venue. It’s not really what I do but why not? I want to try different things, so why not? It’s good to go in a bit of a different direction sometimes. Everyone is going to be so ready to go out, so I’m super excited about it.

Frederique with designer Georgine

Photography: Ellen von Unwerth @ellenvonunwerth

Model: Frederique van der Wal @frederiquevdwal

Makeup: Romero Jennings @romerojennings

Clothing: Georgine @georginestudio

SK Manor Hill

Clothing by SK Manor Hill (Fall/ Winter 2019)

Photographer: Jason Rodgers @jasonrodgersphoto
Art Direction: Paul Hamann @pablomoses
Styling: Ian McRae @iannxo
Hair and Grooming: Matthew Tuozzoli @tuozzoli
Featuring: Alioune Badara Fall @aliounebf
Amber Chandler @ambermchandler
Dominic Sondag @skminorhill
and Garfield

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

Clothing by SK Manor Hill (Fall/ Winter 2019)

SAME AS IT EVER WAS

From Edward Steichen’s early black and white gelatin prints of fashion models in the 1900’s to the digitally enhanced fantasies of today’s social media age, the fashion image remains a seductive subject of the gaze, same as it ever was.

Photographer: Alex Black
Fashion Stylist: Brit Cato
Models: Vitalina Burton w/ Muse Models, Emily Grace w/ Elite Models, Skyler Hawkins w/ Anti MGT, David Chiang w/ Major Models 
Hair: Mike Fernandez using EVO Hair Products
Make-up: Juan Jaar using Mac Cosmetics
Producer: Associate Editor, Ben Price
____

 


On Emily: Satin Black Puffed Blouse by Namilia


On David: Multicolored sequined blouse by Saint Laurent by Anthony Vaccarello

On Skyler: Hat by Leila Jinnah, Black Suspender trousers by Tibi, White Singlet by Tibi, Colonial heels by Thom Browne, socks by  Ozone Socks

On Emily: Black dress by Roberto Cavalli, Long black sheer skirt by Mimi Prober, Grey & White Pinstripe cape by Thom Browne, Black Colonial Platforms by Thom Browne, Pony Hair handbag by Brother Vellies, Silver Rings by Shiny Squirrel

On Vitalina: Green long sleeve blouse and skirt by Jason Wu, Pale Blue Embellished Slingbacks by Rene Caovilla, Net hat by Leila Jinnah


On Skyler: Navy Blue knit hat by Leila Jinnah

On David: White & Black leopard print dress by Roberto Cavalli, Black Fur collar by Georgine

On Vitalina: Black & Silver embellished Chain Dress by The Blonds

On Skyler: White lace up blouse by Thom Browne, Silver/Red chandelier earring by Saint Laurent by Anthony Vaccarello


On Vitalina: Black Lace bodysuit and Ostrich fur fan by Maison Close, Gold link bracelet by Shiny Squirrel, Triangle Earring by Shiny Squirrel

On Skyler: Multi colored full length coat by Georgine, Silver Chain by Shiny Squirrel

Fashion Assistant: Kristen Wiltshire, Fashion Intern: Jeffrey Chempere, Makeup Assistant: Chloe Grae

WEB EXCLUSIVE – PAINT IT RED


Earrings by Victoria Hayes

Photography by Dustin MansyurStyling by Airik Prince | Model Marina Nery @ IMG models
Makeup by Nina Soriano of Artists and Company using Makeup Forever USA
Hair by Gonn Kinoshita using TIGI BedheadNails by Jini Lim using Chanel Le Vernis


Earring by
Slight Jewelry


Blouse by Chikimiki, Ring by Slight Jewelry


Earrings by Victoria Hayes


Earrings by Victoria Hayes, Dress by Georgine


Jacket by Victoria Hayes, Blouse by Chikimiki

The Atelier with Alina Cho: PROENZA SCHOULER

The next Atelier with Alina Cho will feature designers Jack McCollough and Lazaro Hernandez of Proenza Schouler, on Thursday, October 12, at 7:00 p.m. at The Metropolitan Museum of Art. American design talent standouts, Jack and Lazaro rocked the fashion boat in July with their journey across the Atlantic to show their Spring/Summer 2018 ready-to-wear collection during the Fall/Winter 2017 haute couture shows in Paris. Pioneers of style and craft since they launched their brand 15 years ago, the fathers of the 10-year-old perennial “It Bag” known as PS1, will chat with journalist Alina Cho about why they showed in Paris, how they manage their personal and professional relationship, and what inspires their collections.

Now in its fourth season, The Atelier with Alina Cho has featured fashion visionaries such as Alber Elbaz, Diane von Furstenberg, Michael Kors, Olivier Rousteing, Donatella Versace, Alexander Wang, and Anna Wintour in conversations that explore the intersection of fashion and art along with a range of personal topics.

This series is made possible by the Doris & Stanley Tananbaum Foundation in memory of Doris Tananbaum. Proenza Schouler is a New York-based womenswear and accessories brand founded in 2002 by designers Jack McCollough and Lazaro Hernandez while they were students at Parsons School of Design. Known for drawing inspiration from contemporary art and youth culture, Proenza Schouler has played an important role in reinvigorating American fashion. Named after the designers’ mothers, using their maiden names, Proenza Schouler won the inaugural CFDA Vogue Fashion Fund Award and has won five CFDA awards including Womenswear Designer of the Year and Accessory Designer of the Year. The brand has six freestanding stores, the first of which opened in New York City in 2012, and is sold in more than 350 stores worldwide.

Alina Cho is currently Editor-at-Large at Ballantine Bantam Dell, responsible for acquiring and co-editing books in the fashion and lifestyle categories. She was previously National Correspondent at CNN and host of Fashion: Backstage Pass.

Tickets start at $40. Premium seating is available.
For tickets and information, visit www.metmuseum.org/tickets or call 212-570-3949. 
Tickets are also available at the Great Hall Box Office, which is open Monday–Saturday, 11 a.m. –3:30 p.m.
Tickets include Museum admission on the day of the event.
Prices are subject to change.