LUNAR NEW YEAR

Photography: Dennis Tejero (@dennistejero) | Model: Ting Yan at Silent Models (@xitingyan2387) | Styling: Marti Arcucci (@martiarcucci) | Hair: Takashi Yusa (@takashiyusa) | Makeup: Michael Chua (@michaelchuabeauty) | Casting: Eric Cano (@cano_castings) | Set Producer: Jess Zuluaga (@jesszuluagaO) | Photo Assistants: Nathan Sweet and Bryant Lopez

Dress by Alena Akhmadullina, Earrings by Laruicci, Vintage Ring

Dress by Alena Akhmadullina, Vintage Pants,  Earrings by Laruicci, Vintage Ring, Boots by Lena Erziak

Dress by Georgine, Coat by Victoria Hayes, Boots by Lena Erziak

Vintage Sequin Top, Vintage Levi’s Jeans, Shoes by Lena Erziak

Suit by CHAE, Turtleneck by Victoria Hayes, Vintage Shoes by Manolo Blahnik

Vintage Top, Earrings by Laruicci

Dress by Kalmanovich, Stockings by Spanx

Blouse by Georgine, Pants by Victoria Hayes, Vintage Shoes by Manolo Blahnik

Dress by Victoria Hayes, Vintage Sheer Shirt, Vintage Levi’s Jeans, Vintage Shoes by Manolo Blahnik, Rings by Ralph Masri

Dress by DELACRUZ, Shoes by Lena Erziak, Stockings by Spanx

EMMIE

Dress by Zaid Affas, Earring by Vanessa Mooney

Photography by Raul Romo (@raulromo) | Styling by Katie Qian (@katieqian) | Hair and Makeup by Francie Tomalonis (@francieluxe) | Model is Emmie Nielsen @ IMG (@emmienielsen @imgmodels)

Dress by Zaid Affas, Earring by Vanessa Mooney

Dress by Zaid Affas

Jacket by Malan Breton, Earrings by Ettika

Dress and Jacket by Zaid Affas

Dress by Maison the Faux

Dress by Maison the Faux

Dress by Maison the Faux

Dress by Maison the Faux

Dress by Maison the Faux, Shoes by Nike

Dress by Maison the Faux, Shoes by Nike

Jacket by Malan Breton, Earrings by Ettika

Jacket by Malan Breton, Earrings by Ettika

Dress by Pam Hogg, Earrings by Ettika

Earrings by Ettika

NO VACANCY

All Clothing by Tom Ford

Photography by Go Minami
Styling by Jungle Lin
Model by Flora Carter @ MUSE Models
Hair by Koji Ichikawa for LAICALE
Makeup by Ayana Awata using MAC Cosmetics

Top Image: Top by Jil Sander, Coat by Roberto Cavalli, Shoes by Lacoste
Bottom Image: Coat by Oscar de la Renta, Sweater Dress by Lacoste, Shoes by Mulberry

Turtleneck by Ulla Johnson, Coat by Jil Sander, Shoes by Thom Browne

Top Image: Suit by Adeam, Shirt by Salvatore Ferragamo
Bottom Image: Coat and Skirt by Issey Miyake, Sweater by Prabal Gurung

Coat by Mulberry, Sweater, Shirt, Pants and Shoes by 3.1 Phillip Lim

Top Image: All Clothing by Thom Browne
Bottom Image: All Clothing by Mulberry

WEB EXCLUSIVE: SPEED RACER

Top by Linder, Pants stylist own, Necklace by Laruicci, Shoes by Yuulyie

Photography by  Allegra Messina, Model Jieun Hyeon at Supreme, Fashion Styling by Kimberly Nguyen, Prop Styling by Bradley Armstrong, Hair by Jenni Iva Wimmerstedt, Makeup by Michael Chua using MAC Cosmetics

Sweater by Rag and Bone, Skirt by Livné, Gloves by Wing & Weft, Fishnet stockings by We Love Colors

Jacket by Adam Selman, Earrings by Laruicci, Gloves by Wing & Weft

Button-Down Top by Marcelo Burlon

Leather jacket by REDValentino, Top by Tommy Hilfiger, Skirt by Tommy Hilfiger, Boots by REDValentino, Bag by Yuulyie

Top by Maje, Earrings by Laruicci, Skirt by Linder

Top by Versus Versace, Jacket by Versus Versace, Pants by DROMe, Boots by Adam Selman

Jacket by Belstaff, Trouser by Maje

Top by Versus Versace, Jacket by Versus Versace, Gloves by Wing & Weft

T-shirt and Top by Kenzo, Skirt by Kenzo, Gloves by Wing & Weft, Earrings by Lauricci

CELAYA BROTHERS GALLERY

Celaya Brothers Gallery (Mexico City), in collaboration with INEZ SUEN (Brooklyn)  is pleased to announce its first participation in TX Contemporary Art Fair

Celaya Brothers Gallery is presenting a selection of artworks by Agostino Iacurci (Italy), Camila Rodrigo (Peru), Josh Reames (USA), Juan Carlos Coppel (Mexico), and Mathew Zefeldt (USA) at Booth 517 at George R. Brown Convention Center in Houston, Texas October 4-7 with special exhibitions by Houston’s own, Rene Garza (USA).  TX Contemporary will begin with the Opening​ Night​ Preview (Thursday, October 4, 6-10pm) and will open to the public October 5-6 (11am-7pm) and October 7 (12-6pm).

The exhibition pieces discuss the relationship between man and nature by way of still lifes, burning landscapes and eroded mountains. The artists explore -in various disciplines such as photography, sculpture, and painting and in a wide range of styles – how capitalism has driven societies to perceive progress as a (de)construction and to understand humanity as the opposite of nature.

Agostino Iacurci – Through his work with synthetic forms and bright colors, by means of an essential language, Agostino Iacurci is able to manage multiple layers of interpretation. This approach sets his tales on the perennial threshold between innocence and artifice, serenity and catastrophe; on a magnetic tension that is the interpretative key to our very existence. His recurrent themes include self-perception, uncertainty, imagination, and play. His work has a cynical and critical vision of reality —pessimistic at times— setting the stage for drama, and at the same time sublimating it, alleviating it. Iacurci’s work challenges the limits of sinuosity by presenting an image that seems familiar and innocent but is, fundamentally, malicious. And in that uncertainty lays its richness, a half-open door that leads to other interpretations.

●  Agostino Iacurci’s work has been exhibited at the MACRO Museum in Rome, Italy; the Italian Cultural Institute of New York, USA; the Media Library of Orly in France and the Biennial of Urban Art in Moscow, Russia.
●  Has collaborated with Adidas, Urban Outfitters, Penguin Books, La Repubblica, TBWA, Mailchimp, Laterza, Minimum fax, Herman Miller, L’ Unità, Orecchio acerbo, Sugar Music, Edizioni Lapis, , Cielo Tv, Smemoranda, WALLS_Contemporary Public Art, Rat Creatives, Roma 3 University, B5 Production and more.

Camila Rodrigo works with photography, sculpture and installation to reflect on the effects of erosion and wear, focusing on the idea of progress as a (de)construction, a contrast between past and future. Her images examine the passage of time, the transformation of the natural space parallel to the reorganization of society.

●  Finalist in the 2010 Lacoste Elysée Prize
●  Exhibited at the National Museum of Lima, Peru; the Museum Rosphoto in St. Petersburg, 
Russia; the Musée de L’Elysée in Lausanne, Switzerland; and the Palais de l’Árchevéché in Arles, 
France
●  Part of several private collections such as Juan Mulder (Lima, Peru), Eduardo Hoeschield (Lima, 
Peru), Jorge Villacorta (Lima, Peru), Fola (Buenos Aires, Argentina)
●  Published in: 77 Artistas Peruanos Contemporáneos by Mario Testino, YOUTH by: Prestel 
(Random House), Re Generation: tomorrow photographers today (Aperture foundation), and E l Placer es más importante que la Victoria (Tasneem Gallery), among others.

Josh Reames’ paintings use contemporary tools available on the Internet to create surreal patchworks of contemporary signs and symbols that portray the flattening of artistic hierarchies in our postmodern world. Reames employs computer drawing applications and Google images to create assemblages of “modern hieroglyphs.” His work considers abstraction and painting in relation to the Internet and is informed by the strange, new space where a majority of viewership takes place: online through blogs and websites. His conceptual framework functions as a kind of filtration device for cultural byproducts and its attending relativism, flattening signs, text and symbols, cultural objects and icons to the same-level composition, thereby removing their hierarchy.

●  Represented by industry leading galleries.
●  Named one of the 30 Emerging Artists During Frieze Week by Artsy
●  Juror’s pick in the 2011 New American Paintings, Midwest Edition #95
●  Was artist-in-residence at Ox Bow (funded by Joan Mitchell Foundation)
●  Exhibited at the Museo Di Capodimonte in Naples, Italy; Urban Institute of Contemporary Art in 
Michigan; Luis de Jesus Gallery in Los Angeles, The Hole in New York, and Guerrero Gallery in 
San Francisco, among others.
●  Published in Artcritical, Artnews, Artsy, Hyperallergic, New American Paintings, Chicago Tribune, 
Chicago Art Review, among others.

Juan Carlos Coppel 
The burning of tires is a practice carried out by farmers to raise the temperature of the fields and avoid the crops to frost during the winter preserving months of work, one of the main economic activities of the state. This procedure poses an ethical and environmental problem related to the ecological devastation of the agricultural field, even in the context of a rationalized production. The images, taken in a field to the north of Sonora, play ironically with the nineteenth-century painting by pondering, on a romantic mood, a concern of our time.

●  Took specialized courses in photography with Jay Dickman (Pulitzer Award winner) at the National Geographic, in Paris with Manuel Abellán and at the International Center of Photography in New York.
●  Won the Acquisition Prize in Fotoseptiembre and the Acquisition Prize in the XV Bienal de Artes Visuales del Noroeste.
●  Exhibited in the National Center for the Arts CENART (MX), Sonora Museum of Art MUSAS (MX), the Santa Barbara Museum of Art (USA), among others.
●  He was invited to the 4th edition of Salón Acme (MX), the XVII Biennial of Photography in Centro de La Imagen (MX), the VII Biennial of Visual Arts MIRADAS in Tijuana (MX), Guatephoto (GT) and Foto España (SPA).
●  He was member of the 2016-2017 Young Creators Program of the National Fund for Culture and Arts FONCA and the Contemporary Photography Program in North Mexico.
●  He is part of the private collections of the Santa Barbara Museum of Art in California and the Sonora Museum of Art in Mexico.

Mathew Zefeldt – His work uses representational imagery as an element within a larger composition. It’s less about what the repeated image represents necessarily, but rather the interplay and relationships of the parts to the whole, and each other— reflecting the pluralist landscape we find ourselves in today. Zefeldt uses images from our life and culture, to reproduce them in an almost lifeless, systematic way. His interest in the aesthetics of digital collage is addressing the multiple visual languages and bringing them together in one plane, creating an overlay of styles and gestures that echo the fragmented, heterogeneous nature of contemporary reality.
●  One of two national recipients of the Dedalus MFA Fellowship in 2011
●  Exhibited at the Santa Monica Museum of Art, the Contemporary Art Museum of St. Louis, the 
Minneapolis Institute of Arte, the Minnesota Museum of American Art, the Marin Museum of 
Contemporary Art, Circuit 12, Joshua Liner Gallery, and Lisa Cooley among others.
●  Published in LA Times, Art Ltd., New American Paintings, and Art Fuse, among others.

Rene Garza is a New York based Artist that is in residency in Houston, TX where he was raised. Garza has spent over 15 years as a fashion and celebrity stylist traveling the world in a business ruled by visceral aesthetics. Using this time to create a body of work that reflects his long standing love of conceptual art. As an artist in many mediums, Garza notes his inspirations usually comes from travel, minimalism, geometry, dark gothic and romanticism. Garza currently has a public art installation in Houston, Texas called “A Moment” that covers an entire building’s facade and is meant to inspire calmness in our busy lives. “A Moment” follows up the exhibition of a drawing of graphite on paper at The Metropolitan Museum of Art.

ABOUT Celaya Brother Gallery – IG @celayabrothers

Celaya Brothers Gallery (CBG) is a unique space that challenges the creative limits of the participating artists. A contemporary art gallery with a proactive offer that invites international artists to develop unique concepts and defy the parameters of their time.

ABOUT INEZ SUEN  –  IG @inezsuenart

INEZ SUEN is a multi-service international creative company for a changing art market. INEZ SUEN offers a wide range of services such as strategic planning, advising and consulting, and art exhibition production.

ABOUT TX Contemporary

Texas Contemporary, Houston’s leading contemporary and modern art fair, brings top galleries to the area’s discerning collector base. Now going into its seventh edition, Texas Contemporary 2018 will feature 65 exhibitors and an innovative program of special projects and public installations.

WEB EXCLUSIVE – ON THE MOVE

VICTORIA HAYES jacket

Photography LILY & LILAC (@lilyandlilac)
Styling TATIANA CINQUINO (@tatianacinquino)
Model ROSE SMITH @ Marilyn Model Management

VICTORIA HAYES jacket and pants

VICTORIA HAYES suit  | HUF striped sweater | RAF SIMONS for ADIDAS slides | & OTHER STORIES socks

JOHN PAUL ATAKER coat | HUF button up shirt | GEORGINE pants | GUCCI loafers

JOHN PAUL ATAKER coat | HUF button up shirt

ANNA SUI @ FRAMD STUDIO Eyewear | VICTORIA HAYES jumpsuit | GUCCI loafers

FIORUCCI @ FRAMD STUDIO Eyewear | VICTORIA HAYES top | JOHN PAUL ATAKER pants

 

 

STYLIST OWN vintage shirt | KYLE’LYK jumpsuit | CAROLINA SARRIA fur & denim jacket | GUCCI loafers | & OTHER STORIES socks | STYLIST OWN earrings

GALILEO @ FRAMD STUDIO Eyewear | VICTORIA HAYES top | KYLE’LYK denim jacket and pants

GALILEO @ FRAMD STUDIO Eyewear | VICTORIA HAYES top

CIRCADIAN LANDSCAPE BY JESSICA ANTOLA

Jessica Antola’s debut monograph is set in contemporary Sub-Saharan Africa and debuts with Damani Books. For the project, Antola traveled mostly by car to capture everyday life in Benin, Burkina Faso, Cote d’Ivoire, Ghana, Togo, Senegal, and Ethiopia from 2011 to 2014. Each image reflects the astonishing variety of ways people create and define themselves daily through dress and ritual, work and play.
 
The photographs follow a nonlinear path and trace the variety of ways people live their lives. None of the images were posed; none of the backgrounds were created — there are two men dressed head-to-toe in elaborate African wax textiles who share a motorcycle; a gold jewelry-clad Kumasi king performs a warrior dance; and a girl in an oversized straw hat steers a boat affixed with a patchwork sail. 

Tofinu Girls, Benin 2014

“The Tofinu people of Ganvie built houses on stilts in Lake Nokoué during the 16th and 17th centuries to escape capture by Fon warriors and avoid being sold to European slave traders. This location provided a safe haven for the Tofinu people, who still live here and use boats for transport.”

Lundi and His Shoes, Burkina Faso 2014

“We drove deep into Burkina Faso to visit the Lobi people, ‘the children of the forest.’ Their strong ties to the spirit world were evident from the shrines around their clay homes. Lundi, who was born on a Monday, was wearing an oversized patterned shirt that had been carefully repaired several times. I felt his pride in his clothing and indestructible shoes.”

Brothers at the Mami Wata Festival, Benin 2014

“African and Dutch wax textiles are important to West African history, folklore, tradition, and identity. Numerous times I saw a mother with her children all dressed head to toe in the same print. Bridal dowries often include several symbolic wax fabrics to ensure desirable things for a marriage, such as fertility, prosperity, and love.”

 

 

 

Egungun Child Spirit, Benin 2014

“The Egungun masquerades represent the spirits of the departed Yoruba ancestors, but locals say that they actually are the deceased. During this Egungun ceremony in the Dassa region, spectators immediately collapsed as if they had died when spirits touched them. Moments later, they were resurrected to rejoin the celebration.”

 

African Soil, Ghana 2014

“This photograph was taken on a road in rural Ghana that was under construction by a Chinese company. The earth was being leveled and red dust blanketed the landscape. The first time I visited Kenya, the rich, red soil stained the white soles of my running shoes. I liked carrying this physical reminder of Africa with me once I returned home.”

 

 

 

 

Hamar Woman, Ethiopia 2013

“Around 430 BCE, the Greek historian Herodotus wrote of Libyan women in garments of goat leather with hair “fringed at the edges, and colored with vermilion.” I was reminded of this in the Omo Valley when I saw Hamar women with their hair covered in a mixture of red ocher and ghee wearing beaded goat skins.”

 

Khat Market, Ethiopia 2013

“Ethiopia has dangerous roads and thus sometimes apocalyptic scenery, like overturned cargo trucks with blood on the driver’s seat and bees swarming the crushed produce in the back. The faster the trucks move, the more money the drivers make. Khat, a legal narcotic and major cash crop in Ethiopia, is used heavily by truck drivers and contributes to the carnage.”

Circadian Landscape by Jessica Antola is available for purchase at Damiani Books

ROOM 229

Photographer: Justice Apple @justiceappleStylist: Isaiah Walls @theisaiahwalls
Producer: Tarayn Sanders @taraynsandersGroomer: Samantha Tobin @samjomakeup
Models: Christian Dion: @we_staycoolinLevi Berlin @levithejedi

 

Christian wears Suit by 5000

Levi wears shirt by Comme des Garcons

Levi wears Tank Top by Rick Owens, Pants by Comme des Garçons 

Christian wears Jacket by 5000

Christian wears Jacket by 5000, Pants by Comme des Garcons, Belt by Levi’s, Necklace Model’s Own
Levi wears Tank Top by Hanes, Jacket by Levi’s, Pants by 5000

Christian wears Jacket by 5000, Pants by Comme des Garcons, Belt by Levi’s, Necklace Model’s Own
Levi wears Tank Top by Hanes, Jacket by Levi’s, Necklace Model’s Own

Christian wears Top by Helmut Lang, Pants by Siki Im, Shoes by New Balance
Levi wears Jacket by Calvin Klein, Pants by Acne, and Boots by Saint Laurent

Levi wears jacket by Maison Margiela, Pants by Damir Doma 

Christian wears Top by Helmut Lang, Pants by Siki Im, Shoes by New Balance
Levi wears Jacket by Calvin Klein, Pants by Acne, and Boots by Saint Laurent

 

CHELSEA LOPEZ

 
Red Jacket by 3.1 Phillip Lim, Black Boot by Gianvito Rossi, Nude Dress by Spanx

Actress Chelsea Lopez plays in front of the camera while giving us a peak into her minimal world of art and object. Chelsea changes the context of each prop through her interaction with them, and her personality shines as a character amongst objects. Peak inside her white box stage. 

Photographer – Cara Friedman – @caracallsitcomplicated
Model – Chelsea Lopez – @chelsealjlopez
Styling – Sarah Toshiko West – @hellotoshiko
Makeup – Courtney Hart – @courthart
Hair – Dritan Vushaj at Forward Artists – @drtn
Photo Assistant – Lindsay Ellary


Dress by Mario Dice, Boots by Le Silla


Dress by Marine Serre, Shoe by Marine Serre, Leather Corset Belt by Helmer Accessories


Dress by Peggy Hartanto, Belt by Leilou, Black loafer by Dr. Scholl’s


Dress byPeggy Hartanto, Earring by Lilou


Dress byPeggy Hartanto, Earring by Lilou

ISSA LISH BY NOBUYOSHI ARAKI

Photography by Nobuyoshi Araki | Styling by Shun Watanabe | Model Issa Lish @ Women Management

Known for his prolific exploration of Kinbaku-bi (緊縛美), “the beauty of tight binding”, subversive still-lifes, and controversial erotic imagery, iconic fine art photographer Nobuyoshi Araki teams up with top model Issa Lish in Tokyo, Japan for an invitation into his world.

Coat by Adam Selman, Bodysuit by Wolford, Boots by Christian Louboutin

Dress by Moschino, Shoes by Manolo Blahnik

Jacket (on the daybed) by Tom Ford, Bodysuit by Stella McCartney, Boots by Alexander Wang

Coat by Miu Miu, Chemise by La Perla

 

Tights by Tom Ford, Underwear by Wolford and Shoes by Gianvito Rossi

Makeup by Ken Nakano, Hair by Koji Ichikawa using LAICALE, Manicure by Yuko at reAulii, Art Direction by Louis Liu, Editor Marc Sifuentes, Stylist Assistants: Leonard Arceo and Yohei Yamada, Makeup Assistant Sunao, Hair Assistant Hiromitsu Yahune.