STEPHAN JAMES

Full Look by Z Zegna

With a Golden Globe nomination for Homecoming under his belt and rounds of praise for his work in If Beale Street Could Talk, actor Stephan James is a storytelling force to be reckoned with.

Photographer: Karl Simone | Fashion Editor & Stylist: Marc Sifuentes | Interviewer: Stacy-Ann Ellis | Creative Director: Louis Liu | Groomer: Tara Lauren for Epiphany Artist Group using Kiehl’s | Features Editor & Producer: Ben Price | Photo Assistant: Ned Witrogen

Full Look by Z Zegna

Stephan James is well aware of the power of his eyes. For the better part of If Beale Street Could Talk’s two-hour run time, his gaze as Alfonso “Fonny” Hunt from James Baldwin’s 1974 novel of the same name, is plastered across the full length of the cinema screen. As his deep, pleading eyes focus maddeningly on his fiancée, Tish Rivers (played by KiKi Layne), or well up from behind prison walls, they wring out raw emotions from the audience scene by scene.

We’ve seen these penetrating eyes before in films like Selma and Race, and in the FOX TV series, Shots Fired. “Some actors, they use their eyes to carry a lot of emotion, I think that’s part of what I do,” James says over an early morning phone call, humbly attributing his affecting stare to the skills he’s honed as an actor. “It’s the subtleties sometimes.”

James’ grasp on director Barry Jenkins’ vision and intention for the Baldwin adaptation is clear, as is the importance of his role in delivering it. The first time the Toronto, Canada native read the novel, or any Baldwin literature for that matter, was after he’d read and fallen in love with Jenkins’ screenplay. However, the gravity of Baldwin’s words (and the necessity to be a proper vessel for them) were not lost on him.

“I was really blown away by the language of Baldwin,” he says, even describing his verbiage as Shakespearean. “Just how descriptive and vivid he was, the way he described love, the way he described tragedy in the same breath. The poetry in which he went about doing it. And then again those themes, the fact that this man wrote this book in 1974 and it just felt so relevant.”

Jenkins’ Beale Street follows the newly engaged black Harlem couple as they navigate major life hurdles occurring at the same time. (Shortly after Fonny is falsely ID’d and imprisoned for the rape of a Puerto Rican woman, Tish finds out she is pregnant with his son.) As the story weaves in and out of the befores, durings and afters of Fonny’s grim predicament, Jenkins explores topics such as community, vulnerability, restraint and sacrifice. However, one particular theme is paramount: bonafide black love. “This film is showing what the power of black love is able to help us get through,” he says.

IRIS Covet Book caught up with Stephan James to dig into his future as a leading man, the threads that bind him with his character, Fonny, and the way If Beale Street Could Talk challenged society’s narrow expectations of black men.

Full Look by Z Zegna

Full Look by The Saltings NYC, Shoes by Bally

Once If Beale Street Could Talk wrapped, what was your experience watching the finished film for the first time?

The first thing that struck me about the film was it felt very much like a Barry Jenkins film. It felt like a movie about faces more so than places, and I think that it’s pretty striking when you have these characters talking directly to camera, cutting out the middleman. And Barry Jenkins, by the way, would never tell us when he’s doing those shots. He would never plan them. He would feel it out as a scene was going along and say, “Okay, well now I’m going to put it directly in your face, so let’s go.” It’s a great tool to cut out the space between the audience and the characters and just have a direct line of conversation.

When pursuing the role, what part of yourself did you see in Fonny reading from the page?

First and foremost, Fonny is an artist. He’s an artist much like I’m an artist. Outside of acting I also like to paint, and Fonny is a sculptor. He’s deeply, deeply sentimental and artistic and he loves a lot, so I found some similarities with just his artistry. And then maybe a couple of months before hearing about this film, I had become infatuated with the Kalief Browder story. It was striking because as soon as I read this screenplay, I thought of Kalief immediately. I thought that their stories were so similar, almost unfortunately similar. The fact that Baldwin wrote these words in 1974 and they had so much resonance in 2017 when I was reading this script and when I was reading this novel. It was just something inside of me that told me, wow, Fonny is Kalief’s story. Fonny is an opportunity to give a voice to young men like Kalief and so many other young men across the country who are going through the same sort of ordeal. So I feel like I kind of made the connection really quickly. And ultimately it just felt important. It felt important to embody somebody like Fonny. Although he is a fictional character, and all these characters are fictional characters, they’re representative of very real people.

It was refreshing to see a black man being just an artist—not sketchy, not a hustler—on screen. What does that communicate about the scope of the black man?

This film challenges a lot of ideologies in terms of what it means to be a black man, what black love means and the idea of what black families mean. Seeing Fonny as this deeply sentimental artist—he’s a sculptor, he takes something that is seemingly nothing and it’s a labor of love for him—I think that it’s important for the psyche of black men, young black men, watching this film. Often, especially in state of mind and art in general, I feel like there’s a very limited perspective when it comes to the portrayal of black men and what black masculinity looks like. Especially when it comes to these men who have been criminalized. We never get to see them as artists, sculptors, lovers, fathers, husbands. I think that this film is revolutionary in that way.

You look at some of the scenes—particularly the scene between Daniel and Fonny. To have these two young black men who have been criminalized be able to sit down at the table and open up to one another, be completely vulnerable with each other and share their deepest darkest secrets with each other, their fears, the things that keep them up [at night]. What a special thing that is, just for the psychology of these young men watching this film. The fact that they get to see that we can be like this, we can lean on our brothers like this… If it’s only one person, then we can use our brothers in this way and love in this way. I just think it’s a powerful, powerful message that’s being said.

Did you find yourself at any point angry just thinking about the helplessness conveyed in Fonny’s story?

Yeah… I mean the thing is this. Baldwin says, “to be a black person in America is to be in a constant state of rage,” but on a bigger scale, I think that the biggest theme in this book and in this movie in general is love. And in particular, it’s black love. It’s this idea that for hundreds of years the black community in general has been born into a world where the chips are stacked against them. Where we have an unjust system, a system that’s supposed to be a place to protect us but is seemingly failing to protect a group of people time and time and time again. I think that this film is showing what the power of black love is able to help us get through.

I think that despite these tumultuous circumstances thet Tish and Fonny find themselves in, the darkest times, it’s this love. It’s this unbroken, undying love in the face of adversity that has kept them going. That’s the only reason why at the end of the film, despite the circumstances, Fonny is still in prison, but it’s this love that’s helping to raise their child, this five-year-old boy now. That’s the only thing that’s kept them going. That’s the bigger message. So of course you get angry, and it’d be impossible not to get angry. It’s sort of the world that we live in, but I think Baldwin’s making a statement on the power of black love.

Full Look by Roberto Cavalli

Jacket and Shirt by Helmut Lang, Pants by Burberry

The nuance of that love really presents itself at the grocery store. After Fonny defended Tish from a creep in the store, Tish had to protect Fonny from a racist police officer who threatened to arrest him and called him “boy” in the same breath. Tish didn’t think twice when she spoke up to Officer Bell and said, “He is not a boy.” There’s so much energy packed into the scene where Fonny defends Tish, then she turns around and defends his manhood from a racist police officer. There’s tension between you and the officer, the restraint you have to exercise, and Tish’s fearlessness overcoming her physical fear.

I definitely saw that. I saw the restraint that many young men have to learn at a very young age and black men have to learn at a very young age, in terms of how to deal with police. It’s something we’re sort of instructed to [do] as young men. There’s definitely a lot of energy between Tish and Officer Bell, the idea that a black woman can be strong and stand behind her partner in this way. I saw a level of frustration, too, maybe between Tish and Fonny. Almost like, I don’t need you to protect me, and I should be the one protecting you. It’s ironic that I was protecting you and now you have to protect me. It’s interesting how the shift in the scene happens so quickly.

It seems to also speak to the power of the black woman in general. In the film, we see Tish, her mother, Sharon, and her sister, Ernestine—even Fonny’s mother, Mrs. Hunt, has a powerful (albeit negative) presence. Do you feel like there’s something to intentionally be said about women with this film?

In general, our ideologies have been challenged in this film. What it means to be a strong black woman. The fact that it wasn’t Frank who went to Puerto Rico to find Fonny’s accuser, it was Sharon. She hopped up on the plane and she went to find the accuser to see if she could plead for Fonny’s innocence and for his freedom. I think there’s something to be said for the family dynamic and how there’s a balance of power. Especially if you look at Tish’s family, how sometimes it’s Frank that’s out working and trying to make sure that everything’s good before the baby comes out. Sharon’s version of working is, I’m gonna hop on a plane and go to Puerto Rico. It’s just the balance of sharing those duties of the responsibilities. It’s Tish showing the strength of a black woman. She’s working all the way up until the last minute that this baby’s supposed to come into the world. There’s a lot of commentary in terms of what it means to be a strong black woman. This whole novel, this whole story, is told from the perspective of a strong black woman. It’s told from Tish’s eyes, and I think that Tish really grows into herself in this film. You see her grow up pretty quickly and step into that womanly, motherly type of role.

Jacket by Alexander McQueen, Shirt by Roberto Cavalli

Jacket by Alexander McQueen, Shirt by Roberto Cavalli

Jacket by Alexander McQueen, Shirt by Roberto Cavalli

Do you think that you would be able to maintain that sense of togetherness—in terms of love, sanity, optimism—if you were in Fonny’s legal situation? Especially if there was not a guarantee of freedom in sight.

I really couldn’t say, man, I really couldn’t say. I’ve never been to prison. I have no clue what that’s like. Those walls are meant to break people—physically, mentally, spiritually, all the above. So I can’t say. I really, really, can’t say. I’m thankful I’ve seen examples now in cinema of Fonny who was able to sustain himself through all this, but I’ve also seen examples of Kalief Browder who even after two years after his release from prison committed suicide. So there’s no telling what a thing like that puts you through.

That plays out with Fonny and Daniel’s conversation. Fonny tried to console him about his post-prison emotions and his acclimation to the world, and Daniel stressed that he just didn’t understand.

Absolutely, and like I said, these walls are meant to break these men, so after they come out, they’re still dealing with all of this trauma. This PTSD, if you will. So the conversation is not only about why they’re in there—obviously wrongfully, of course—but what to do to them and with them after they come out? How do we treat them? Especially when we know that we’ve wronged them. The system has wronged them. Is there a system in place now to help them get their lives back together and to regain humanity? What do we do with these young men who have been wrongfully imprisoned and are now having to deal with the trauma and the acclimation back into civilian life in general?

After both this performance and your role in Homecoming, the world is paying attention. How does it feel to see that growth and recognition?

We don’t make art from a place where we want a bunch of awards and stuff like that. I appreciate the recognition, that the people are seeing the work, and ultimately if that sort of recognition means that more people will see the work, you know, because it’s being regarded and respected as such, then that’s what I want. If [Golden Globe] nominations mean more people get to see Beale Street and more people get to see Homecoming, then I’m all for it.

Were there any key professional takeaways from working with Barry Jenkins for Beale Street and Julia Roberts for Homecoming?

There’s just so much. I’m so grateful for Barry Jenkins, who’s probably one of the great humanists that we have in this business. One of the incredible storytellers who’s always pushing the envelope, I believe, in cinema. I’m grateful to be able to tell stories with a man like that. Probably one of the most patient directors I’ve ever worked with who just allows moments to breathe and live. And then Homecoming, obviously I’m in a position where I’m sitting across from one of the biggest actresses in the history of acting. I’m able to pick up gems from her on a daily basis about etiquette, how you go about your work day, and how you do your homework. I wouldn’t say it’s one particular thing, but getting to spend months with these people with my favorite filmmakers and to be able to pick up the nuances in their work, it’s really an invaluable experience, altogether.

You’ve tackled stories of black love, injustice, tragedy, etc. Are there any stories or characters you’d like to explore next?

I don’t know, I wanna be in a comedy. I wanna be James Bond, I wanna do a Mission Impossible. I wanna be Batman. I don’t see any limits in terms of what I wanna do. I just see a whole world of… I mean I really feel like I’m scratching the surface, honestly. I want to do everything.

Jacket and Shirt by Bally

Jacket and Shirt by Bally

JOEY KING

Dress by Zhivago

Photography by Greg Swales | Styling by Lisa Jarvis | Creative Direction by Louis Liu | Hair by Dimitri Giannetos | Makeup by Jamie Greenberg | Interview by Benjamin Price

Equipped with a dazzling personality, expressive eyes, charming sense of humor, and a girl-next-door smile, it is no wonder that 19 year-old Joey King has found herself to be one of the most promising young actors in Hollywood today. In what stands to be her most emotionally challenging role to date, Joey King has transformed herself into the abused victim-turned-convicted-killer Gypsy Rose Blanchard for Hulu’s new series The Act. Gypsy Rose lived in an environment of abuse, manipulation, dependence, and exploitation at the hands of her mother Dee Dee Blanchard, played by the Academy Award winning actress Patricia Arquette, which Joey King portrays in a shockingly sincere and earnest performance in this disturbing, re-telling of true events.

Joey King’s career and devoted fan following surged after her performance in Netflix’s The Kissing Booth, which was one of the streaming service’s most watched and re-watched films – landing the cast a sequel to be released sometime in 2020. Now, in her new role for Hulu’s latest series The Act, King proves her acting can range from cute, romantic comedy ingenue to psychologically disturbing and multi-dimensional true-crime dramatic starlet.

Taking a break from filming her upcoming productions, Joey King takes the stage as Iris Covet Book’s spring cover. The teenage actress sat down with Iris Covet Book to discuss The Act, the importance of badass women and minorities in Hollywood, and why she would love to direct the next Girl,Interrupted.

 

Dress by Zhivago

Hi Joey!

Hi, how are you?

I’m doing well, thank you – Ok, so let’s jump into this! Can you tell us about your start as an actress at 4 years old? Did you think as a kid that you would be starring in major film and television projects today?

No, definitely not! But it’s interesting because when I started acting, my very first job was actually a LIFE cereal commercial. I thought this was what I was always going to do and had no doubt about that, but I never imagined I would be where I am today. It’s just been an insane journey and opportunity to be where I am, and to meet the people I have met along the way. I have been so incredibly lucky.

That’s a good point. Making the right connections is important in any career – especially as a young actress in the industry I imagine it can be hard to trust everyone.

Exactly! With all of the things that have happened in the past few years with the Times Up Movement and Me Too, I think it’s so exciting to see what new things are happening and how people can feel more safe in the industry. I’ve been in this business for a pretty long time and I feel like I have been pretty lucky to have avoided most of that. I mean of course I have experienced it every now and then, but I know what it looks like, I know how to stay clear, and I haven’t seen a really really dark side as much as other people have. And I feel very lucky for that.

And starting out young would definitely teach you what to avoid later on as you grow and mature by meeting more experienced actors who can show you the lay of the land. And speaking of the Times Up Movement and what’s going on in America at-large, but specifically in Hollywood, what changes have you seen personally in the industry?

I see a lot of inclusiveness and I think it’s beautiful. I just think it’s fucking awesome that more African American people and more Asian people get to tell their stories on-screen more often now, and that’s a new thing to see. I’m really happy that I get to see more of that. It’s great that I am not just being cast to be the daughter anymore, or the little best friend role, and seeing the change in available roles for young women like me is really exciting. I love it so much and I hope we get to continue on this path because things are really starting to change for the better!

It seems to be a really exciting time to be an actor or actress right now. It brings to mind Reese Witherspoon’s production company that works with female-led and female-centric stories, and I wonder if you have any interest in going into writing or producing something like that?

I do! I’m always amazed by writers and directors and how you can come up with a story in your mind and translate it onto paper. I’d love to learn more about the writing process and to direct one day. I feel like now that I am a bit older I have such an interest with what goes on behind the scenes, like I love to hear the Director of Photography talk about the shots, the order of the scenes, and all of those things. I am actually paying attention, and it’s so cool to see how much work and thought goes into making a film or TV show. It’s the coolest thing in the world! I am amazed every day with what they do.

It’s such an exciting time to be listening and aware of all of the different stories out there, especially with social media. You have nearly 9 million Instagram followers and have the ability to tell your story to all those people around the world. How do you feel as an actress and role model to have access to all of your fans directly?

It’s so cool! I get to hear from people every day who look up to me, and I am lucky to have them. My fans are so so sweet, and I am excited that I get to have such direct contact with them. I mean, they are the reason that I am where I am, you know? The Kissing Booth couldn’t have the success that it had without them and some fans watched it over and over again and because of that it became Netflix’s #1 movie in 2018!

 

Dress by Murmur

Dress by Stella McCartney, Jacket by Roberto Cavalli

Paris Hilton said in The American Meme documentary that she loves her fans because she can feel so alone on the road, and doing press, and she feels like her fans are like her family.

Absolutely! I totally agree with that, and I love that she said that. It’s true, like now I am filming in Georgia and working every day, but when I have free time it’s nice to hear from my fans and feel their support through social media.

Yeah absolutely! To pivot the conversation a bit, I really want to hear more about your upcoming role as Gypsy Rose Blanchard on Hulu’s The Act.

Yes! I’ve actually really never been able to transform myself like this before and this is the first time where I can become a different person – a real person! She is alive and in prison as we speak, and the experience has just been incredible! Playing Gypsy was weird…I want to do right by her and I want people to understand her situation, and why she did what she did. Not that what she did was right, but I also don’t think that she deserved to be completely blasted for her thought process. And working with Patricia Arquette is just genuinely the greatest experience of my life.

Were you able to meet Gypsy to prepare for the role or during the process? Does she know about it?

I know that she knows about that show, but I wasn’t able to contact her. I would have loved to get to know more about her as a person, but all I can do is research her story and try to do the best I can and do right by her.

When the story of Gypsy Rose and Dee Dee came out three years ago were you aware of it? Did you watch the HBO documentary?

When I got the call to come in and read for Gypsy I had heard of the story, but I didn’t know a lot and hadn’t seen the documentary. I watched it before the audition and was like, “Are you freaking kidding me??” I went into the audition and was so nervous, but I am so happy that I got to portray her story.

Was there a lot of added pressure playing somebody real? Many actors and actresses have said it can be a bigger challenge.

It is a challenge, and I want people to understand and think about this, and I have conflicting emotions myself over Gypsy. She was raised by a master manipulator and so she kind of became one herself. I understand why a lot of people have a hard time sympathizing with her but I also think this show will hopefully open people’s eyes and show how messed up the conditions really were. It’s a lot of pressure playing a real person, one who is literally just sitting in prison right now, but at the same time I feel really good about it. I hope that I am doing right by her and if she sees it one day she will be like, “Thank God they portrayed me that way!” The series is partially fictional, it is a TV show, but a lot of the shit we are putting in there is true as hell!  

This is one of those stories, like you were saying earlier, that needs to be told. And it’s a story that people can see multiple sides of this very famous, national news story retold in a different way.

Absolutely and there are parts of the show where you will start to feel bad for DeeDee or maybe not like Gypsy very much. The show goes over several years of their life, and you can’t help but go through a lot of emotions while watching it.

It’s real life and there are multiple dimensions and you won’t always like it. I think that’s what is so amazing for actors today because it seems like there are so many dimensional roles for women.

It’s amazing how many female directors we have on the show! It is so awesome getting to work with these super smart women. I have a lot of “firsts” on this show, and these amazing male and female directors made me feel safe to try new, uncomfortable, and weird things.

 

Blouse by Queenie Cao, Pants by Marc Jacobs

Dress and Shoes by Versace

How was the experience as an actress immersing yourself into such a dark space?

It really feels like being born again into this world. I’ve never been able to experience this before, and I am so lucky to have Patricia Arquette by my side every day because she was so supportive, she is so talented, and just a super kind person. And I know being her shooting partner that there are no judgments ever, and I feel like it is honestly so important who you work with because you are in such a vulnerable place as an actor. If you feel judged or feel that the other person is not there for you 100%, then it’s really freaking hard to do your job. She has just been the best partner, and I am so grateful for her, and I am so excited to have everyone see her work on the show. She’s mind-blowing–I mean it’s fucking Patricia Arquette!

Yeah that’s such an amazing opportunity! Have you had any moments while working with her where she has shown you a new layer of the craft?

Definitely! Patricia has definitely shown me a new way of looking at acting. She has such great advice, personally and professionally. She’s just so amazing and I have learned so much from her in the past three months that we have worked together.

That’s fantastic, you are so lucky to have that opportunity.

I know, I can’t believe it! Like every day I’m like, “Oh my god, I get to work again!”

(laughing) That’s great! Are there any other projects that you can hint at in pre-production?

Yes! But…I can’t tell you about any of them. (laughs) I am going to be in Georgia for awhile, and I cannot wait to start doing more press for The Act’s premiere.

What advice would you give another young actress? What would you warn them about?

I would absolutely warn them of people trying to use them or people being friends for the wrong reason, and when you find someone who is there for the right reasons then you have to be sure to hold onto them. Whether it’s a friend, a relationship, a peer, or a mentor, just make sure to hold onto the good people and steer clear of the bullshit! (laughs)

I think that’s good advice for everybody!

I think so too! And it’s so hard to find the right people, but you know I am so lucky to have my family. Not everyone has a strong and supportive family, and if you don’t then you need to surround yourself with really great people and create your own family. It’s going to be hard and it will take awhile, you’re going to cry a few times, but in the end it’ll be worth it!

I love that, that’s good advice! Following-up on our discussion of #TimesUp, minority roles, and the great projects coming out, especially in today’s political climate, is there any movie that you would want to re-tell from your perspective or some story that you would love to produce or direct one day?

Oh my god! That’s such a good question… I don’t know…if I would want to retell a story and direct it myself…the movie I really am thinking about is Girl, Interrupted. I don’t know why that is the first thing that came to mind, but I would love to direct the shit out of that.

Oh my god! Please do that! That’s one of my favorite movies of all time, but I would definitely be very critical of it because it’s just such a fantastic movie.

I would expect nothing but honesty from you! (both laugh) I love that movie so much and I am so happy you love it too. If I were to ever direct something, then that is the first movie to come to mind. I honestly would be open to anything. I have a lot more to learn about this business and a lot more to experience, so I couldn’t tell you exactly what my directorial debut would be just yet!

Well even if it is not Girl, Interrupted, then I think that theme that we have been discussing of women’s stories is so important and telling female-centric, multi-dimensional stories like that would be a great path for you.

I agree with you, that shit’s awesome!

 

Dress by Murmur

Special Thanks to Hammer and Spear in Los Angeles and Larissa Saenz at i-D Public Relations

LORENZO “TOTO” FERRO – THE STAR OF LUIS ORTEGA’S “EL ANGEL”

Buenos Aires, 1971. Carlitos was a seventeen-year-old with movie star swagger, blond curls and a baby face. Together with his friend Ramon, the two embark on a journey of discovery, love and crime in Director Luis Ortega’s breathtaking film “El Angel,” produced by the legendary Pedro Almodovar, a twisted “coming of age” tale based on the true crimes of the “Baby Faced Monster” Carlos Robledo Puch.

Lorenzo “Toto” Ferro plays the titular character of Carlitos in a very memorable and haunting acting debut. Luis Ortega, Lorenzo Ferro, and the talented cast behind the film take us on a beautiful journey into the half-real half-imagined life of one of Argentina’s most famous killers. We had the chance to speak with the young actor about his newfound fame, growing up around the movie-making business, and his future as an actor/rapper.

Interview by Rene Garza
Transcribed by Daniel Gomez

“El Angel” is your first leading role as an actor, as well as your first feature film, how did you find yourself in an audition for this role and were you surprised when you got it?

My father actually told me about the film. He said they were looking for someone to portray “The Angel,” but I really didn’t know his story or who he was. But I did a lot of research and went to a casting the following week. The week after, I got a call that the director wanted to meet with me. I ended up doing seven call-backs until they said “you’ve got the movie,” and that all took about six months.

Were you surprised when you landed the role? Or having gone through seven castings, did you feel that you were going to get it?

Well, I was going to be very sad if they said no. (laughs) Obviously I was surprised, I had dropped everything to be in the movie, without knowing if it would ever happen. It was blind faith.

Good, you have to give it your all.

Yes, you always have to give it your all.

Did you always want to be an actor? Did you have interest in movies or theater growing up?

Acting interested me because my father is an actor. I remember as a kid I went on to movie sets where he was filming. He always showed me movies or took me to the movies. So unconsciously I started to be interested in that world…and obviously the theater too, but more movies. As a kid I would ask my dad to watch three movies a day. I remember that when I was 6 years old I got to see “Kill Bill”, and we went to the cinema to see it. Later, when all this (El Angel) happened, I thought maybe it’s in my blood or something… or, let’s say, it was ingrained in me.

How did you get into the character of Carlitos? Even though in real life he was a notorious criminal, did you relate with Carlitos on some level?

Well…after the initial six months of casting, I worked for another seven months with the director Luis and an acting coach. The three of us met almost every day to read the script, to dance, to shout, to do everything. Luis would put a camera in front of me and say “go and try to break into this house” and we filmed it, we documented it. Then, little by little, the three of us got into the skin of the characters… He is so simple yet so complex, at least that’s how I see him… And it helped listening to Luis talk all the time, all the information he threw at me, and his thoughts on how he saw the character. What I really had to do to get into the character was to get rid of the pressures I put on myself and laugh my ass off, as if there were no problems in life. I was looking at life through rose-colored glasses, more or less how I think Carlitos is.

Are you personally interested in crime? Did you find the material fascinating?

Yes. I mean, I’m interested, but not so much that I’d be a criminologist. Those stories attract because they happened in real life and could have happened to you. And that really draws you in and gives you goosebumps, and it’s very rich material to make movies with. Crime is much better to do on film; unless you want to go to prison. (laughing)

How was your experience working with director Luis Ortega?

The truth is that it was great because of his process. We became friends, we became like brothers, and when we started shooting the film we were like siamese twins. If he was scratching, I was scratching. (laughs) With just a look we already understood what one or the other wanted. Then a bond of friendship formed through the work, it was like getting on a boat in which we only reached land when we wrapped filming, receiving the love from all the people. But the experience was the best, and I think that that is what I take away most of all. Maybe it will never happen again, but for now it’s the only movie I have done, so that’s my idea of what it’s like to make movies.

The main character is a beautiful and famous killer/thief, did the material intimidate you?

Ah no! To tell you the truth, you have to open your wings and let yourself fly like…a proper angel… It did not scare me; it intrigued me more than anything because one tries to understand these kind of people, but one only has assumptions. We will never know how it is, and the good thing is our movie is pure assumption. We did not want to get to the real case; Luis based the story on that picture of Carlitos coming out of the patrol car, the one that looks like a criminal shampoo ad. (laughs) The truth is that it did intrigue, it did not scare me, it made me curious.

Carlitos sees himself as a spy for God, how did you feel about his views of human nature vs Christianity? Did you find it difficult to separate the two?

Yes and no. You see, if you judge the character then things will go wrong. It is better to put on their skin and their shoes, because if there is distance between you and the character then that will be seen in the film. You have to stop judging because otherwise it will be seen in the camera, regardless of whether it is moral or not, you need to understand it. Even though acting is a job, it’s also a game, and if you do not let yourself play…then you have to rethink why you are doing it.

Do you have a role of your dreams?

I’m not sure “of my dreams,” but I would like to do Joker’s childhood for example, eh…and also maybe a gymnastics teacher addicted to heroin.

Do you have a director that you would like to work with?

Here in Argentina, I would like to work with Luis again, maybe with Lucrecia Martel, I’m interested in her films, she has a lot of personality. If we’re speaking in the United States, I do not know; I have a huge list of directors. I saw a new director, who was an actor, called Paul Dano. He made a cool movie called Wildlife, so if I go to the United States I would like to work with Paul Dano.

Many of the actors you worked with in the film are veteran actors. Did some of them take you under their wing and teach you some things? And what was the best advice you received from them?

No, it was not exactly like that, but they gave me all the experience they had through a glance. They did not need to say anything, just watching them I already understood what the situation was like, and  at the same time, I helped them too because I had the fresh perspective of a child who had never made movies. It became something reciprocal, we fed off one another, some with the freshness and others with experience.

Did your dad give you advice on acting?

Yes, but not on acting. As every parent gives advice, he did not give me advice on acting or working, but about life. If I try to explain now, it would take three hours or more on the phone.

Pedro Almodovar and his company were the executive producers for “EL ANGEL;” was he on the set?

Not on the set, but he was present in France and in Spain when we screened the film. I had the opportunity to meet him, not in the manner I would have liked, but what little I learned about him is astonishing; you see that magic that he has from afar.

Were you a fan?

Um no, to tell you the truth, no. I don’t know even know if I  am now, but I do not have to be a fan of his films. I’m a fan of his career, maybe of his imprint. But I have not seen all of his movies, I saw some, and the ones I saw I like. I would have to see them all to be able to say it, but they have a lot of personality.

In what movies or television programs can we expect to see in the future? Or what upcoming projects can you tell us about?

The truth is that I have enough circling, but I still do not know which ones to say yes. So I better not tell you anything, so I do not lie to you. What I can tell you is that I am currently making rap music with my friends, and between November and December we are going to drop a mixtape. I am the rapper and my friends are producing.

How do you feel about all the attention the movie is getting in Latin America?

It is very difficult, because I became famous over night, and I don’t know if that’s what I want… But hey, it’s also great because people received the movie with a lot of love. On that note I’m very happy, but on the other hand I’m a bit paranoid.

But there have been many actors who also make music, do you think that makes it easier?

I did rap before I made the movie, but after the movie I forgot about it a bit, and once I finished and was able to get the weight of the movie off my shoulders, I started doing music again. I knew I wanted to make music, even before being an actor.

Will you concentrate on one or the other? Or see what comes your way?

I don’t know if something is more important than the other, but the importance that one assigns to something gives it importance. I think both are like therapy.

There’s a phrase in the movie that says “I am a thief by birth” do you think that life is predestined from birth?

Ehh… no. I do not think so…uhh, maybe in my case, yes, but no, no. Like I was saying before, it’s just an assumption, but I don’t think it is destined from birth. I know that everything we do is a gift. There are people who would die to find it and live being a slave of the system.

Carlitos based his life on destiny, what is Toto’s destiny?

The destiny of Toto is: to continue working, to continue being happy, to get together with his friends, and to make more music.

“El Angel” is released in US theaters November 9.

CAMP IN FASHION – COSTUME INSTITUTE’S SPRING 2019 EXHIBITION AND MET GALA

(New York, October 9, 2018)—The Metropolitan Museum of Art announced today that The Costume Institute’s Spring 2019 exhibition will be Camp: Notes on Fashion, on view from May 9 through September 8, 2019 (preceded on May 6 by The Costume Institute Benefit). Presented in The Met Fifth Avenue’s Iris and B. Gerald Cantor Exhibition Hall, it will explore the origins of the camp aesthetic and how it has evolved from a place of marginality to become an important influence on mainstream culture. Susan Sontag’s 1964 essay Notes on ‘Camp’ provides the framework for the exhibition, which will examine how fashion designers have used their métier as a vehicle to engage with camp in a myriad of compelling, humorous, and sometimes incongruous ways.

“Camp’s disruptive nature and subversion of modern aesthetic values has often been trivialized, but this exhibition will reveal its profound influence on both high art and popular culture,” said Max Hollein, Director of The Met. “By tracing its evolution and highlighting its defining elements, the show will embody the ironic sensibilities of this audacious style, challenge conventional understandings of beauty and taste, and establish the critical role this important genre has played in the history of art and fashion.”

In celebration of the opening, The Costume Institute Benefit, also known as The Met Gala, will take place on Monday, May 6, 2019. The evening’s co-chairs will be Lady Gaga, Alessandro Michele, Harry Styles, Serena Williams, and Anna Wintour. The event is The Costume Institute’s main source of annual funding for exhibitions, publications, acquisitions, and capital improvements.

“Fashion is the most overt and enduring conduit of the camp aesthetic,” said Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute. “Effectively illustrating Sontag’s Notes on ‘Camp,’ the exhibition will advance creative and critical dialogue about the ongoing and ever-evolving impact of camp on fashion.”

The exhibition will feature approximately 175 objects, including womenswear and menswear, as well as sculptures, paintings, and drawings dating from the 17th century to the present. The show’s opening section will position Versailles as a “camp Eden” and address the concept of se camper—”to posture boldly”—in the royal courts of Louis XIV and Louis XV. It will then focus on the figure of the dandy as a “camp ideal” and trace camp’s origins to the queer subcultures of Europe and America in the late 19th and early 20th centuries. In her essay, Sontag defined camp as an aesthetic and outlined its primary characteristics. The largest section of the exhibition will be devoted to how these elements-which include irony, humor, parody, pastiche, artifice, theatricality, and exaggeration-are expressed in fashion.

Designers whose works will be featured in the exhibition include Gilbert Adrian, Cristóbal Balenciaga, Thom Browne, Jean-Charles de Castelbajac, John Galliano (for Martin Margiela, House of Dior, and his own label), Jean Paul Gaultier, Rudi Gernreich, Guccio Gucci, Demna Gvasalia (for Balenciaga and his own label), Marc Jacobs (for Louis Vuitton and his own label), Charles James, Stephen Jones, Christian Lacroix, Karl Lagerfeld (for House of Chanel, Chloe, and his own label), Herbert and Beth Levine, Alessandro Michele (for Gucci), Franco Moschino, Thierry Mugler, Norman Norell, Marjan Pejoski, Paul Poiret, Miuccia Prada, Richard Quinn, Christian Francis Roth, Yves Saint Laurent, Elsa Schiaparelli, Jeremy Scott (for Moschino and his own label), Viktor Horsting and Rolf Snoeren (for Viktor & Rolf), Anna Sui, Philip Treacy, Walter Van Beirendonck, Donatella Versace (for Versace), Gianni Versace, Vivienne Westwood, and Charles Frederick Worth.

The exhibition is organized by Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute, with Karen Van Godtsenhoven, Associate Curator. Theater scenographer Jan Versweyveld, whose work includes Lazarus with David Bowie as well as Broadway productions of A View from the Bridge and The Crucible, will create the exhibition design with The Met’s Design Department. Select mannequin headpieces will be created by Shay Ashual. Raul Avila will produce the gala décor, which he has done since 2007.

A publication by Andrew Bolton with Fabio Cleto, Karen van Godtsenhoven, and Amanda Garfinkel will accompany the exhibition and include new photography by Johnny Dufort. It will be published by The Metropolitan Museum of Art and distributed by Yale University Press.

The exhibition is made possible by Gucci.

Additional support is provided by Condé Nast.

HARI NEF X HILTON DRESDEN EXCLUSIVE

Actress, model, and bona-fide trendsetter Hari Nef has made her feature film debut this week, in the electrifying social media horror movie ‘Assassination Nation.’ She stars as Becks, one of four high school girls caught up in a violent frenzy of small-town hysteria after a mass leak of private cell phone data. Hilton Dresden sat down with her to chat about the nuanced role, her dream collaborators, and how she’s carving her own path in Hollywood.

Interview by Hilton Dresden

THE MANY FACES OF DOMINIQUE FISHBACK

Jacket by Carolina Sarria

Photography by Dustin Mansyur | Styling by Julia Morris @theindustrymgmt| Interview by Benjamin Price | Hair by Monae Everett | Makeup by Daniel Avilan using MAC Cosmetics @theindustrymgmt

Talent: Dominique Fishback

Dominique is a theatrical chameleon. Whether playing a prostitute in 1970’s New York on HBO’s The Deuce, or a high school girl in a violent and disenfranchised neighborhood in the upcoming The Hate U Give, or playing in a series of sketch comedies in HBO’s midnight show Random Acts of Flyness–Fishback effortlessly glides between personas. Born and raised in Brooklyn, NY, Fishback started her artistic path in her local elementary school. Dominique has propelled herself both onto the silver screen and onto one of the most globally recognized cable networks as an inspirational young voice.

The Hate U Give, Random Acts of Flyness, Night Comes On, and much of Dominique’s personal writing and performances celebrate diversity and critique the constructed barriers between us. The writer, actress, and artist clearly has a wide breadth of talents, but what is truly spectacular is her ability to apply these to helping shed light on systemic problems in our society. Watching Dominique perform is a true joy, as you are immersed into the world of the characters she embodies and witness a complex array of emotion enfold on screen. Here, with Iris Covet Book, Dominique dives deep into the many layers of social discourse in her work, her roots as a child drama queen, and her plans to change Hollywood.

 

Jacket and Skirt by Victoria Hayes

We recently attended a screening of The Hate U Give and your performance felt so natural that it made me wonder how you first got into acting. Were you always a natural?

When I was 10 years old my mom said I was so dramatic and should give acting a try! She really believed that I could do it which was awesome! I had been writing little poems and I wanted to perform anyway. My mom tells stories of when I was 5 years old and pretending that I was the Wicked Witch of the West saying, “I’m melting! I’m melting!” When I was 10 I auditioned to be part of a children’s theater organization called Ta-Da! I auditioned three times but never got accepted…but 10 year-old Dom didn’t let it stop her, she just kept going! We got pulled into one or two scams after that, but when I was 15, I got into a company that requires you to write and perform your own material which I think helped make me into the artist that I am today.

But you know there is so much rejection and hate out there with actors, especially on social media. Everyone has an opinion or something to say about your performance, your look, or a mistake you make. It’s hard; you need a tough skin.

Speaking of exposure, social media, and having a tough skin–do you think your exposure in The Deuce and The Hate U Give has changed  your day to day life or are you still that girl from Brooklyn?

I’m definitely still that girl from Brooklyn!  Sometimes I bump into people from my childhood who say I still look the same and are surprised to see I’m still down-to-earth, but I think I am really a chameleon personally and professionally. But because of The Deuce I have had some people come up to me on the street, as well as my episode on (HBO’s) Random Acts of Flyness. I have been receiving such a great reception.

It seems like you are cast in roles that exist in chaotic and disadvantaged environments – playing a sex worker in The Deuce in 1970’s New York, convicted felon in Night Comes On, and a young girl in a rough, drug-filled neighborhood in The Hate U Give. What attracts you to these roles and what would you say is the common thread with the characters you like to play?

The characters really find me, and they refuse to let me go! For Night Comes On I was introduced to the character and the story after playing Darlene on The Deuce and I didn’t want to be typecast into tough characters all of the time because I am fun and silly…but I took the weekend and read the script considering what my agent was saying, and I just really felt like I had the experiences and authenticity to really go after this character! But I love to play dress up and dance and perform too, which I think really shows another side of me, like the photoshoot we did for this. When I was a kid I would watch I Love Lucy, and Lucille Ball was a big inspiration for me and I would stay up and watch her until 1:00 am every day! I would love to do a show like that, whether I write it myself or not.

Dress by Kelsey Randall, Gloves by Livne NYC, Earrings by Laruicci

Bralette, Pants, and Clear Jacket all by Livne NYC

It sounds like you really are a chameleon and are interested in so many genres! So back to The Hate U Give and the messages and layers that it has within it such as racism, police brutality, Black Lives Matter, etc. — how did that layer of commentary affect your performance?

Well, actually, I have a one-woman show that I wrote and have performed for the past 5 years called Subverted where I play 22 different characters, and it’s about the destruction of black identity in America. The show has a slavery-era side and a modern-day-era side, and both comment on issues like police brutality, education deficits, lack of healthy food in areas like East New York, Brooklyn where I grew up. So I was already very aware of these issues and the injustices that African Americans experience, and that I experienced, in my neighborhood or when I was working at the local movie theater just praying and hoping to be on the screen. When I was at Pace University I was often the only African American person in my classes. I remember in one of my classes this caucasian boy said that African American males in low-income communities would not be stopped by the police at random if they “dressed normally.” I was infuriated, choking on my words, debating with him, and I realized that no one around me could understand my point of view, so instead of getting mad and yelling and cursing I decided to use this as an opportunity to start my one-woman show, educate people, and have them watch and relate to a character who they normally wouldn’t. Just like the few scenes of Khalil in The Hate U Give change the way you see the representation of him later on through the movie. I graduated from my high school as valedictorian in Brownsville, BK, but when I got to Pace I was admitted as below average in a curriculum for students who needed more academic attention. Then I looked around and realized that these schools only prepare you for colleges at the same level…but we need to overcome this adversity and talk about this issue on a bigger scale.

I think The Hate U Give really achieved that and personally it took me from laughing to crying to anger…What are the main points that you want people to take away from the movie?

I would want them to take away the moments where they felt sad for Kahlil, where they laughed with him and saw his eyes twinkle at the beginning of the film, and when another (police brutality) event like this happens in America they can care about that victim in the same way. I really believe that art changes people’s minds and hearts the most and gives power to our feelings. Being able to see it, not just hear a name or see a mugshot, is so powerful.

Jacket and Pants by LEHHO, Gloves by Livne NYC

Jacket and Skirt by Victoria Hayes

As a woman of color, how do you feel about the changing castings and views of POC and women in Hollywood?

I definitely believe that it has changed over the years, and as a younger person I can sometimes only see the injustice because that’s all I know, but when you ask people who came before and hear their stories then you can really see how far we’ve come. I have been honored to have my first feature film on demand and online called Night Comes On, starring myself and this 10 year old African American girl named Tatum Marilyn Hall, and it is great to be able to watch African American girls not have to be super funny or sexy in a film, but that wasn’t possible a few years ago. It was still hard, and the director would tell us about how difficult it was to get funding with the subject matter, and as a female director, but we are fighting the fight and are very hopeful.

I am very excited to see Night Comes On, and hopefully it just means we will see even more diverse story-telling in the future. What would you want to change or add to the world of film and television if you owned a studio?

I would want to tell more stories about African Americans and people of color and celebrate diversity from the casting to the writers’ room. I don’t want to have the question of “What was it like working with a female director?” Like why does that matter if you are a woman or a person of color? I really don’t know though, and I am just researching, writing, and taking it day-by-day. I just finished writing my feature film that takes place in 1968 which is about a male Black Panther who falls in love with a girl who isn’t a part of that culture and over the course of the film they learn more about each other, and I think that is an important story to tell.

I hope we can see that soon! What can you tell us about upcoming roles or screenplays that you are working on?

The Deuce is coming back September 9, and then The Hate U Give comes out so of course I am very excited for both of those opportunities! I am very excited about my role in Random Acts of Flyness on HBO, and it’s just a really fun way to show different sides of myself as an actress. I am excited about the projects I am writing and being seen as a writer for theater, films, and graphic novels. I am excited to start my own production company one day and have longevity in the industry as a CEO.

Jacket by Victoria Hayes

WEB EXCLUSIVE – LEX SCOTT DAVIS

Leather Jacket by All Saints, Bra by For Love and Lemons, Vintage Leather Pants

Talent: Lex Scott Davis | Photographer: Raul Romo | Stylist: Mimi Le | Hair Stylist: Malaika Frazier | Makeup Artist: Rob Scheppy @ The Only Agency

Lex Scott Davis started off as a dancer but soon diverged onto the road towards acting in commercials and television and eventually starring in one of this summers blockbuster hits. After landing the role of Toni Braxton in the television-movie Toni Braxton: Unbreak My Heart, the snowball started rolling and Davis’ career has taken off. Now starring as the lead heroine in The First Purge, Lex Scott Davis is a no-nonsense force on-screen, and her performances in The First Purge and SuperFly have proved that Davis is here to stay.

In this exclusive interview with Iris Covet Book, we learned more about her role in the latest installment of the Purge thriller franchise and how the film and her character resonated with her personal story.

Where are you from originally?

I’m originally from Baltimore, Maryland, then made the move to Philly, then New York, and now Los Angeles. The move to New York was challenging in the beginning,  especially when you don’t have family there. New York wasn’t necessarily the safest place either. Living in Bed-Stuy, Brooklyn and commuting to work in the city everyday was a culture shock, but also a great growing experience.

When did you first know that you wanted to go into acting?

I went to Drexel University in Philadelphia and majored in dance and physical therapy. I started to grow out of it; I didn’t see the longevity of becoming a dancer. So in my third year in the program I decided to leave and move to NYC where I started acting classes at the New York Film Academy.

Was there a certain incident that confirmed in your mind you needed to pursue acting?

When I begin to realize that dancing had a cap to it. I think after a certain age you either become a teacher or a choreographer and I knew that wasn’t what I wanted for myself.  I understood from a very young age that I loved performing, so for me it was like ‘what can I do that will allow me to perform for people the rest of my life?’ and the answer was acting. You never run out of opportunities as an actor. They will always need some 80-year-old black lady to come in and play someone’s grandma, you know what I mean? (Laughing). 

How do you compare the differences between living and working in New York versus Los Angeles?

Well, they were two totally different experiences for me. NY was really about school and learning the craft of acting and when I moved to LA it was all about auditions and hustling for the jobs. When I first moved to LA I realized I wasn’t really as prepared as I would like to have been. I knew I couldn’t just dive straight into grabbing a professional acting job. I definitely had to work my way up with commercials and stage plays until I eventually found my way into the audition for the Toni Braxton biopic which was the first real opportunity within my first year of living in LA.

Dress by Stella McCartney

Leather Jacket by All Saints

How was it to work alongside Toni Braxton on the production of her biopic?

When I booked the movie my manager called to tell me I had to be on a plane to meet her in Vegas the next day.  I attended her show that night and she pulled me up on stage. That was our first time ever meeting. She was very involved in all the pre-production, table reads, and made herself available to us if we ever had any questions. She would do whatever it took for us to get to know her. I choose to be more of an observer and watched her every move, even when she didn’t know she was being watched (laughs). I wanted to see how she interacted with people and the little nuances that she does.  I think I learned more about her that way.

Tell us about your latest film The First Purge. What should fans know going in?

Well I think each Purge is a stand alone story, so you don’t have to see the previous movies to understand this one. And this is the prequel, so it’s setting you up for the previous ones. It’s not a horror slasher film like some would assume, it’s actually way more evolved. The film is more of an action thriller and has a refreshing storyline where we get to see young black people being the hero’s of their community. It’s really fun to watch and I don’t want to give too much away but it’s very exciting. Oh, and the music is DOPE.  

Tell us a how you prepared for your role in The First Purge?

This role was so hard, and I fought very hard to get it. I went in to audition at least four times in a pretty rigorous process. In terms of preparation–I felt I could really relate to the script because of how I grew up, the people I grew up with, and the circumstances these characters lived with that were very relatable to me.  I’m from Baltimore and was raised around the circumstances of lower income neighborhoods.

So you felt a strong connection to your character?

It’s a relatable story. Nia’s story isn’t exactly my story or how I grew up but it’s definitely a story that I know and it is close to me. I think it’s relatable to any woman in this scenario.  Nia is taking care of her brother and her household. She’s working multiple jobs to make sure her family is supported and is a strong voice for her community. I know a lot of women who are that person. Women who are trying to make things work despite their circumstances, who push for resistance against the political matters at hand that are up against them.

Bikini Top by All Saints, Pants by Stella McCartney, Heels by Jimmy Choo

Jacket by Stella McCartney, Bra by Thistle and Spire, Pants by COS

We get to see a small glimpse of you as an action hero in The First Purge. Do you see yourself playing more parts like this?

Yes, definitely. I remember one of my earlier experiences that made me want to be an actor was when my mother took me to see Tomb Raider when I was young. Seeing Angelina Jolie in a kick ass role made me say, “Oh my god, I want to do that!” She was so beautiful and so physical and strong, and that was something I could relate to at the time because I had the dance background. To see her on the same playing field as men, and showing that dominance and strength, was amazing to me.

Is there a favorite movie that you would love to star in if there were ever a remake?

I would love to be in a role similar to Charlize Theron’s character in Monster.  To be someone that is so put-together but then stripped down from all of that and completely raw. Seeing a different component of her level of acting and the layers and complexity of the role is to bring truth to the story. It’s equally as beautiful as when she’s all done up and doing her J’adore commercial. It was just a brilliant film. My mother showed me that film years ago. (Laughs)

What advice would you give to aspiring actors?

Even while Toni Braxton happened for me within my first year, a lot of people didn’t see the other side when I was working at a salon. I worked for a massage therapy office, I was driving a Lyft–there were so many things going on. It certainly wasn’t easy. Yes, I acknowledge it was quicker than some to obtain, but it certainly wasn’t handed to me. There was a lot of hard work in between.

Nothing is by coincidence, and I’m a firm believer that if you truly love and are persistent in the thing you know you can do, then keep on doing it. What people don’t always see is that on a day-to-day basis actors are handed a handful of auditions a week and it only takes one of those for something to happen. My advice would be to keep being persistent and to not be defeated by the ‘no’s’. Remember those ‘no’s’ are leading up to that ‘yes’, and it’s not by coincidence. Maybe the role that passed on you allows you to find a role thats going to catapult you into that big break. Everything happens for a reason.

Bra Top by All Saints

EXCLUSIVE: ERIKA JAYNE


Photography by Alexandra Gavillet | Styling by Rafael Linares @ Art Department | Interview by Cecily Strong

From dancing on gin-soaked stages in the dive bars of West Hollywood, navigating the many dramas of the Real Housewives of Beverly Hills, to being immortally satirized on Saturday Night Live, the reality star, pop culture icon, and now New York Times best-selling author is taking the world by storm.

Erika Jayne is embracing opportunities with open arms, switching at the drop of a hat between author, international performer, “housewife,” and the icon we didn’t even know we needed. The Real Housewives franchises are filled with meme-worthy moments, unforgettable quotes, and exciting drama, but few women from the reality series have become household names to the degree of Erika Girardi, AKA Erika Jayne. In an exclusive interview between Erika and Saturday Night Live’s Cecily Strong, who parodied Jayne on the legendary sketch show and cemented Erika’s status as a cultural touchstone, the two women discuss ageism in the entertainment industry, creating a public persona, and her new Simon & Schuster bestselling book, Pretty Mess.

Jacket by Tom Ford, Earrings by House of Emmanuele

Earrings by House of Emmanuele

Hello! How are you Erika?

Hi Cecily, I am so good—it’s so nice to talk to you.

You too, what a treat! I am such a fan! A real fan, not just an Instagram fan. I am so excited. I’ve been bragging to everyone at SNL about getting to do this interview! So, starting with your new book, how did the idea to publish a memoir take off?

I was approached to do the book and said yes because these days I am just saying yes to everything. Obviously, you see a little bit of it on TV, but sharing 45 minutes of screen time with five other women is difficult. Writing a memoir is a way to give the audience a more in-depth peek into my life.

How open are you in this book and are you nervous about revealing too much?

There’s always the version of the truth which you can never tell or else all of your friends and family will never talk to you again (laughs), and then there is the book that I wrote, and then there is the book that got published – which went through two legal processes. Hopefully it works out well and people like it.

(laughs) What was the most challenging part writing the book?

Well, my mother and I were discussing how my father left when I was nine months old, and then she remarried and divorced again. I feel like I had blocked out that part of my childhood. I went back with her trying to piece it all back together. I was looking at it through 46 year-old eyes and thinking it was basically ten years of bullshit!

Do you think that your childhood experiences are the reason that you have this amazing life and personality and are so fabulous and youthful—or in other words, do you think that you’re basking in the things you didn’t have in your childhood?

I feel like I’m eternally 16. I had a nice car, a hot boyfriend, good grades, was performing all the time, and I looked cute. I don’t know if that’s because of my childhood, but I definitely know that all of that has an effect on you growing up.

Well, I understand feeling like you’re eternally a teenager because I feel like I’m 16 even though I’m like… 34, but have you confronted ageism in your industry? Is it something you even think about? I know I don’t think about it much.

Good, and I’m glad you don’t, and the only time I do is when someone tells me, “Oh, aren’t you a little too old to be doing this?” and I’m like, “No, actually I’m not.” I think that it’s important to keep doing it and keep pushing and dreaming because that’s an old way of thinking that is falling by the wayside as women continue to improve and show how powerful we are. You know, when you’re in your 40’s you’re not dead, you’re not done! I feel the most powerful now. I didn’t feel powerful in my 20’s, I was a ding-dong!

I couldn’t wait to turn 30 because I thought, “Finally, people will take me seriously!” And I can’t imagine someone saying to you that you’re too old, that’s insane to me. I’d be like, “Just watch me perform!”

Thank you! Could you imagine telling a man that? Could you imagine telling a man, “Sir, don’t you think you’re a little too old to be running the company?” It’s not fair for us to get a tap on the shoulder like, “Sit down honey, you’ve had enough fun, you’ve had your day, people don’t find you attractive, you can’t sell anything, and your time is up” No! I’m not going to do that.

Good, me neither. We’re taking a vow! What do you hope that people take away from your book and your personal story?

First off, I want people to laugh and have fun. It’s an easy read and a fun read, and if one person walks away inspired to go to dance class again or back to college or just see that, through this human story, we are all the same. My experience is just this way, but it’s the same bullshit for everybody, so don’t quit. You never know what the future holds.

So let’s talk about your persona Erika Jayne, how she was born and how you found her within yourself?

I was about 35 years old, had been married to Tom for six or seven years, and had been exclusively living his lifestyle. I was going to every event and socializing with a whole new set of very educated, super interesting people. I am glad I did it because it was an invaluable education, but it wasn’t me. I was wealthy and living in a bubble where I would shop, go to the gym, and then go to dinners, but what the fuck was I really doing with myself? I longed to go out, create again, and have my own identity.

I just don’t think that Tom expected the book deal, concerts, or this interview in my future. I don’t think anybody did! I started to create on my own, it was something that I loved, and here we are today. And thank God he has been so supportive. I have learned so much, and I am really grateful because without him I wouldn’t be here at all.

That’s so great, and good for you two! You’re a great example for couples. So, when did you get your big break and what was the beginning of your career as Erika Jayne like?

Well, if you take the Erika Jayne Project, it was very small potatoes. It started at my kitchen table and it was just something that I wanted to do. I created the persona with a friend of mine from high school. He took me to a producer friend of his and we made the Pretty Mess album, and I started to perform because that’s what I really love to do. It was the typical beginning. A few people in some terrible dump, no one paying attention, and just begging to get on stage. I thought to myself, “I don’t have to fucking do this, I’m rich! What the fuck am I doing?” (Cecily laughs) I hate to break it down and sound so rude, but there are a lot of naysayers and rejection. I kept putting one foot in front of the other and building it, and slowly but surely people started to pay more attention and come to my shows. The biggest break into pop culture was definitely being cast in the Real Housewives because it took Erika Jayne out of the clubs and into people’s homes, and she even became a parody on Saturday Night Live! (laughs) But I think the most interesting thing was seeing young women, like high school and college-aged girls tell me how much they love my music and style, and I’m like, “Wow, really? I’m old enough to be your mom.” That acknowledgement makes it all worth it.

 

Jacket by Vitor Zerbinato, Dress by Nookie, Boots by Christian Louboutin, Earrings and Ring by Glynneth B.

Jacket by Vitor Zerbinato

Most of my circle of friends are gay men, and so I’m curious when did your relationship with the gay community start?

Children’s theater! (laughs)

Oh my God! Same for me! I was raised in a theater in Chicago by a group of gay men.

That was where I started! And then I went to a performing arts high school where everyone in dance and theater was gay, even our instructors were gay. They were always a part of my life. These are my people and that’s that.

Right, it’s so true, and it’s so funny that I had a very similar experience. When my parents split up I felt that the gay men of my Chicago theater were raising me while my family was a mess.

And I think that’s a wonderful thing to have and I can’t imagine life without gay people in it. They are my closest confidants.

Now what about drag culture? Has drag had an influence on your life and career?

I mean, just take one look at me! What do you think? (laughs) Of course! I love drag because you get to transform into a superhuman. It’s a true art form that is not for the faint of heart. Your costumes, hair, makeup, the whole look, and your style of drag too! There are so many different styles.

What style would you be?

Hooker drag! I want to be hooker drag (both laugh). Are you kidding? Basically that’s what I already am so why not? Keep it going!

So let’s talk Housewives of Beverly Hills! Obviously I am a huge fan, but how has being on the show changed your life? Cameras catching you crying, drunk…I drink a lot, so I could never do reality TV.

I don’t really like crying on camera because you are embarrassed worldwide, and that sucks. But without that exposure I wouldn’t be talking to Cecily Strong and I wouldn’t have a book out today! See what I’m saying? You have to roll with the punches and make the best of it. At the end of the day, it is reality television and I try to be as authentic as I can and have a good time doing it!

As I say in my book, it’s like professional wrestling. There are heroes, villains, costumes, pyrotechnics, but at the end of the day the injuries are real! It’s like we are participating in this absurd narrative, but these are still my feelings and sometimes they get really hurt.

People are awful! Celebrity in general, people feel like they have some sort of ownership over you, and because you get to do your job they get to hurl insults at you. It seems even worse for people in reality TV because it is your name and your life.

Thank god I am 46 and not 26! I have lived a full life, have a successful marriage, had an unsuccessful marriage, I have an adult child, I can pay the bills. Forget it, if I were a kid and did not know who I was, I may not have made it and I would have been crazy-town. Honestly, I consider myself pretty fucking normal.

I think about that all the time. Like I was crazy enough at 22—

Right! I didn’t need anyone telling me I sucked and was awful and should kill myself. You can imagine how the younger ones feel.

I will say that my favorite piece of advice I’ve ever gotten, and I don’t mean to name drop, but it was from Jim Carey at a host dinner for SNL and he told me “Don’t ever let anyone tell you the narrative of your career.”

He’s right, and thank you for sharing that. I’ll split when I’m ready and I’ll do what I need to do. That’s very well said.

Well, thank you Jim Carey! So, what’s next for you? What do you see in the future?

I am on my way to a book signing in New Jersey which is right across the street from a terrible go-go place I used to go-go in when I was younger.

Wow.

I know, it’s really interesting, Cecily. I’m continuing to create, and there’s going to be more music and more shows, and who knows what’s coming, but I feel like it’s going to be really good.

 

Jacket by The Blonds, Bangles, Cuffs, Earrings and Hat by Glynneth B.

Jumpsuit by Any Old Iron, Shoes by Christian Louboutin

Dress by Gucci

Makeup by Etienne Ortega @ The Only Agency using NARS and KKW Beauty, Hair by Castillo @ Tack Artist Group using Sexy Hair styling products & T3 styling tools, Art Direction Louis Liu, Editor-in-Chief Marc Sifuentes, Photo Assistant Mallory, DP Vanessa Konn, Gaffer Zachary Burnett, Production Assistant Benjamin Price, Produced by XTheStudio.com, Special Thanks to Jack Ketsoyan, Laia and Mikey Minden

EXCLUSIVE: RICKY MARTIN

Jacket by Tom Ford

Photography by Greg Swales
Styling and Interview by Marc Sifuentes

Taking over the legendary Sin City strip, making history as the first Latino to headline a Las Vegas residency, and jumping headlong into the world of acting, Ricky Martin shows he is one of the most intriguing and impactful entertainers of our time.

Father, husband, singer, dancer, and actor. Ricky Martin is constantly juggling his many roles with seemingly effortless ease. Currently a resident on the Vegas strip at the Park Theater at Monte Carlo for his solo show, Martin is also eager to further pursue his acting career, release a new album, create a new world tour, and continue helping the people of Puerto Rico and the victims of human trafficking. Filled with love, down-to-earth spirituality, and an effervescent charm, Ricky Martin has proven himself to be an everlasting icon of pop culture.

In an exclusive interview with Iris Covet Book Editor-in-Chief Marc Sifuentes, the Puerto Rican star gets personal about his daily life with his husband and twins, life in the limelight, and his continuous efforts to make the world a better place.

Hi Ricky! I wanted to thank you for doing this interview and for being so fun and easy-going on the day of the shoot.

Well, thank you! You and your team were amazing and had such a beautiful energy in the studio.

Thank you! So, I want to start with asking about your second “back by popular demand” Vegas residency at the Park Theater, what is the key to producing such a successful and in-demand show?

I give credit to the people that I work with: the producers, directors, all of the people behind the scenes, the musicians, and the dancers. It really takes a village, and I wouldn’t be able to do this show without an amazing group of people behind me. I’m happy to have these talented producers and directors who can translate my vision and make it magic! To be the first Latino male to have a residency in Vegas is a big responsibility. What I love about this show is having the opportunity to perform every night in front of a very international crowd. Just to be on stage and see all of these faces from all over the world really motivates and inspires me. What I want to do is break boundaries and unite cultures. To see the crowd disconnect from their everyday problems in life and leave the theater with a smile is a very beautiful thing. I wish we could do this show for many more years.

Will you be taking this show on the road at the end of it’s Vegas run?

Well since I have an exclusivity contract I won’t be able to take this particular show on the road or perform it outside of the Park Theater. But I will hopefully be on the road touring a new show next year through Latin America and the United States. The idea is to take a new show all over the world, hopefully by next year.

I was watching clips of the show and it just looks amazing, you seem larger than life and so confident. Do you ever feel insecure? And if you do, what do you tell yourself to get out of that headspace?

I am very insecure. I am insecure when I write music, when I perform, when I act…but what gets me through are my years of experience. I am human and I go through a lot of highs and lows before I go on stage. If you see the show, for the first song I’m coming down from a 300-foot drop! I may look super confident, but I’m not! (laughs) I suffer from vertigo and it can be very difficult to focus, but it is part of confronting my demons and breaking that trauma that triggers my vertigo. By the time the music starts, I just have to forget everything and jump into storytelling mode.

Well it’s been getting really great reviews! Would you consider extending your residency for a third round?

Oh, I would love that! And funny you should ask because that’s exactly what we are in discussions about at the moment, and if we do, I will need to create a whole new show for the international audience.

jacket and t-shirt by Philipp Plein, jeans by Tom Ford, rings by John Hardy

t-shirt by Philipp Plein, jeans by Tom Ford, ring by John Hardy

shirt by Ferragamo, jeans by Tom Ford

You recently teased your fans with a new single, “Fiebre”, when can we expect a new full length album?

I am thinking hopefully by the beginning of next year, but right now we have been pretty focused on the Vegas show and American Crime Story, which we were shooting for eight months. Today, the record company no longer needs the record out at a very specific time so the artists have more freedom, and if a song is ready then I can just release it. Obviously numbers are important in this industry, but it gives us an idea of what the audience likes or dislikes, and I have never felt more relaxed doing music.

Since you mentioned American Crime Story, how did you become involved and what made you say yes to the story?

A few years ago I had the opportunity to work with Ryan Murphy on an episode of Glee. We’ve kept in touch and he invited me to dinner to tell me that he thinks he has a role for me. Once I read the script I immediately said yes because it was personal. I knew I wanted to be a part of telling Versace’s story. I wanted to remind the viewers the injustice behind what happened. Because it’s not how Gianni Versace died, but how we allowed it to happen. What angers me most is that Cunanan was on the FBI’s Most Wanted List, living on Miami Beach which is a very small community, but the FBI turned the other way because he was a gay man killing gay men. There is no denying to me that this was really an issue of homophobia. I think we did a great job covering that aspect of the story.

I read that Ryan Murphy wants to give you your own show, any word on that project?

Well he told me about it and then made it public, and I got really excited! We haven’t spoken in detail about it because he is transitioning from one network to another and he told me that he will be busy until June, but I’m not in a rush. (laughs) I would love to do something behind the scenes as well. But no, we haven’t talked about it yet.

You brought up the issue of homophobia and it made me think of your new music video. “Fiebre” and of course American Crime Story both show you openly embracing your sexuality. After being forced into the closet for so long, how does it feel for you to finally be able to express being gay through your music videos and now your acting roles?

Amazing! If I could go back and come out in the late ‘90s or early 2000’s then I would, because it felt amazing to come out. When I talk to people who are struggling with their identity, I tell them that it may be bumpy for awhile but in the long run the love that I received from my friends, family, from social media…it was spectacular. I know this is not the case for everyone but at the end of the day it is about dignity and self love.

You recently received a Trailblazer award from The LGBT Community Center in NYC, what did receiving that award mean to you?

Well like receiving any award, it is a big responsibility, but at the end of the day I am proud because it lets me talk about where I have been, who I am, and what I did to finally understand my real essence. In my case, I get to share my story. I meet so many people in the streets or on social media who tell me, “Ricky, thank you so much because I know what you went through and I can better understand my gay father, gay uncle, gay brother, lesbian aunt…” and I think it is a beautiful thing and it is important.

I wanted to talk about your husband, artist Jwan Yosef, a bit. You met on Instagram and I was reading you instant messaged for six months before meeting—

Yes! And nothing sexy! It was very romantic. We talked a lot just about our problems and lives. I never even heard his voice until six months later when I went to visit him in London, where he was based. I said to myself, “This is it. I just met the man who I am going to marry.” Two years later we were married. He is a great man, he loves my kids, and we have so many things in common.

He is a conceptual painter and I have mad respect and admiration for what he does. When I see him and his creative process… it is so sexy. I just love when he locks himself in his studio and starts creating. I become a fly on the wall, watching him paint and create works of art. I am in love, man, I am so in love.

jacket by DSquared2, ring by John Hardy


shirt, pants, and sneakers by Dior Homme, rings by John Hardy

 

shirt, pants, and shoes by Louis Vuitton, rings by John Hardy

You’ve mentioned in the past that you want more children, what do you love about being a father and what is the most challenging part of raising twins?

Yes, I want more; I’m just getting started! If it was my decision I would have six more, but Jwan says let’s take it one step at a time. (laughs) With kids, and I’m sure every parent out there will say this, but everything is new every day and being a single father with twins was extremely challenging, especially in the first year. No one is sleeping, and it’s two against one. Now that they’re older it’s still two against one, but they are amazing kids and the bonding time over the first year was so important. I took a sabbatical, and I did not accept any help. I wanted to do it all, change every diaper, bathe them everyday, and the relationship I have with my kids… there’s just so much love. They are almost 10 years old and this is when dads stop being cool and they start making fun of you! I’m really happy because I’m not there yet with them (laughs).

I’m sure your spirituality plays a big part in your parenting too, what helped you to discover your spirituality?

When we talk about spirituality we go back in time. Religion has nothing to do with spirituality, but I would say that growing up Catholic, even being an altar boy, was too much for me. I kept searching and looking for other philosophies and dogmas to ascribe to. There was a moment where I was obsessed with India and going about four times a year because they call it the “Cradle of Spirituality.”Then my kids became my religion. It doesn’t matter how late I go to bed, I religiously wake up at 7:00 a.m. everyday to have breakfast with them, and that bonding experience with the three of us is the only way I want to start my day. But once a Catholic, always a Catholic. To this day I sometimes look to God when the boys ask me questions because they ask some really hard questions, and I just want to give them the right answer.

I want to talk about Puerto Rico, from your experience can you give us an update on how the country is doing currently? I know that you were and still are very involved in fundraising after hurricane Maria.

Oh man, well 43% of the island still has no power, and if you go up to the more rural mountain areas, even now nine month later, people still have no power, no running water, and are bathing in the river and using candlelight. It is really frustrating and I wish the federal government would have done more. You have to wonder, if this were any other city in the continental US, would we ever hear that nine months later people have no power? No, I don’t think that would happen. But we have to do our part, and Puerto Ricans have experienced a great level of compassion, empathy, and care from volunteers, and the country has become creative and adapted. This too shall pass, but it will take a long time to go back to normal.

Another cause that is close to your heart is bringing awareness to human trafficking, can you explain where this compassion comes from and tell us more about the Ricky Martin Foundation?

With natural disasters like hurricanes for example, the community becomes more vulnerable and human traffickers take advantage. Traffickers come to the island and see all of these people who have lost everything and need money to buy things, and these kids end up selling their bodies or getting forced into pornography.

jacket by Valentino, shirt by COS

 

sweater by COS, pants by Dior Homme, rings by John Hardy

How did it first come to your attention?

More than a decade ago a friend of mine was building an orphanage in India, and this was when I was looking for any excuse to go to India. I flew to Calcutta, and he took me to the slums and said, “Come on, let’s rescue girls!” I had no idea what this meant, but when I got to the slums he started to point out girls like, “You see those three? They could be forced into prostitution.” and I’m standing there like, “What?! What do you mean? That girl must be five and her sister must be eight and her older sister must be eleven” and he says, “Yes, Rick. This is human trafficking. These girls live on the streets and they need money to help their family and they get paid for selling their bodies.” I was so astounded and went back home and started to educate myself on the subject. I went to Congress and told them we needed to bring more awareness to this global $150 billion industry. The victims are sex slaves.

Did you know there are more slaves today then back in the slave trade of the 18th century? Today, as soon as you open your computer you could easily fall victim to a criminal persuading you into the world of prostitution.

It’s encouraging to hear you are using your platform to educate others of these injustices.

It’s not easy. Ten years ago I wanted to stop. I said I couldn’t do it anymore because we couldn’t keep up. We were working so hard but I felt like I didn’t see any change. My mentor looked at me and said, “Ricky, you’ve got to stop being so arrogant. Who do you think you are? Do you think you will change the world? You’re not Superman! How about focusing on saving one life? And one life can become two.” We went back and built a holistic center in Puerto Rico in an area affected by trafficking, and right now we have 132 children coming to the center. We are educating them about human trafficking and opening their eyes to the predators. It’s a lifetime commitment. We are not going to save everyone, but we will save one person at a time.

What else can we expect from you this year?

I’m getting more prepared as an actor, meeting with great writers, producers, and directors and I think there are some great opportunities on the table. I am so lucky to be at a place where I can pick and choose the projects that speak to me. Aside from still making my music, I really want to jump into acting more and playing amazing roles that can have a positive impact on society. My acting career is very personal to me right now; I am obsessed and don’t want to stop!

coat and shirt by Prada, pants by COS, sneakers by Dior Homme, ring by John Hardy

Hair by Joey Nieves @ Grey Matter LA using Hanz de Fuko, Makeup by Maital Sabban @ MS Management, BTS Video by Lavoisier Clemente, Photo Assistant Amanda Yanez, Art Direction by Louis Liu, Editor-in-Chief Marc Sifuentes, Production by Benjamin Price

EXCLUSIVE: EVA LONGORIA


Dress by Helo Rocha, Earrings by Bulgari

Photography by Greg Swales  | Styling by Charlene Roxborough | Interview by Olivia Munn

Inspired by David Hockney’s series of pool polaroid collages, Eva Longoria becomes a modern day Venus in the waters of the Waldorf Astoria Beverly Hills as she celebrates the miracle of motherhood.

They say there’s no rest for the weary, but Eva Longoria is anything but weary. Co-starring alongside Anna Faris and Eugenio Derbez in the remake of the Goldie Hawn fan-favorite Overboard, producing a new television show entitled The Grand Hotel, throwing her hat into the television directing ring with the ABC hit Blackish, designing an eponymous fashion line, being the face of L’Oreal, championing the Time’s Up Movement, and carrying her first child would even make Wonder Woman tired, but Longoria sees no reason to slow down. Amidst these ever unfolding projects, Eva spent an afternoon with Iris Covet Book for an exclusive photoshoot at the Waldorf Astoria Beverly Hills, channeling the glamour of the poolside scenes of Old Hollywood.

Longoria began her career competing in the pageant circuit of her hometown of Corpus Christi, Texas, eventually moving to Los Angeles, playing small roles in daytime TV until landing her big break in the hit television series Desperate Housewives. After eight seasons of success on the ABC show, Eva put her political interest to work by touring across the U.S. with Barack Obama on his re-election campaign, finding a personal and ardent activist voice for immigration reform. Keeping up at marathon pace, Longoria continued her work in Hollywood, while balancing multiple businesses and projects in the world of fashion and restaurants. With her first child on the way, it seems like the perfect time for Longoria to celebrate her many achievements including her greatest one to date, becoming a mother.

Eva has granted Iris Covet Book the exclusive opportunity to document this miraculous moment in her life, her first pregnancy. Interviewed by friend and fellow actress Olivia Munn, Eva Longoria is glowing and glamorous as ever, lounging pool-side in Beverly Hills.

 

Dress by Nili Lotan, Earrings and Bracelet by Bulgari

Dress by Nili Lotan, Earrings and Necklace by Bulgari

Hi Eva! It’s so funny, I was just thinking about us in Miami because usually women are so tired at the beginning of their pregnancy, but I was the one sleeping all day, and you were staying up with me all night and still getting up early in the mornings! (laughs)

I know, I have it reversed… I am so tired now! I was doing so well and had so much energy, running around directing and producing. Then about a week ago I just hit a wall and now get knocked-out four times a day. This was what everyone was talking about! (laughs)

Have you had to pull back on a lot of your projects? It felt like you had a new show to direct every day.

Yeah, my Hollywood Walk of Fame ceremony was the last official thing I had to do for work, and I have some press for Overboard left to do. I was on the Ellen show the other day and I felt like I was going to fall asleep, like uncontrollable sleep, and I was like, “Ellen, if I fall asleep can you edit around it?” (laughs)

You’re growing like literal body parts inside of you and that takes a lot of energy!

Yeah it takes so much energy making a human. (laughs)

So, I heard that the cover story you shot for Iris Covet Book is the only magazine cover you shot while pregnant?

Yes it is!

I cannot believe this is your only magazine shoot while pregnant! Did it feel weird?

It was so awesome and freeing because I didn’t have to suck in! You know how it is on a shoot or on the red carpet and you have to suck in and pay attention to your posture? But this time I was just letting it all hang out! (both laugh)

You were telling me that now the dialogue has changed with the paparazzi from when they would take pictures of you before—

Oh yeah! Before I was pregnant, I would just be eating a burger or something and they would write, “Baby Bump Watch!” (laughs) When we found out I was pregnant, my husband Pepe was worried about hiding it, and I said, “It doesn’t matter, they say I’m pregnant all the time. It’s fine.” And then the paparazzi would say “Oh, Eva’s getting fat! Eva’s overeating!” and I’m like, “No, no, no! Now I’m really pregnant!” (laughs)

One thing I don’t think people realize about you is that it’s not fun to be around this constant speculation, but you just let it roll off your back and it’s so admirable. I have learned a lot from you because of that.

I think I’ve always been like that. I grew up with three older sisters so I think I developed a thick skin. I read this amazing book called The Four Agreements by Don Miguel Ruiz and one of the agreements is to not take things personally. It stuck out to me because I really never let things get to me. I try not to be affected by a bad audition, not getting the part in a movie, having a bad breakup. I was kind of born optimistic and it was how I grew up. We were a family of four daughters who were all very sharing and loving. My parents always taught me that failure was just another step to success.

I’ve thought about that a lot, and I was talking to a friend who did not get a role recently and told her what you told me when you had gone out for some big movie and did not get the part, but right after that denial you got Desperate Housewives. At that moment, getting a big movie could have really catapulted your career and it’s hard to see that in a positive light. Were you bummed at all or did you just move on?

Well you know I really just forgot about it! Like what part? Which movie? Maybe I’m not that invested! (laughs) But no, I remember when I got that call I said, “Oh, ok no problem!” If it’s your role, it’s your role. There’s no one who can play your role and nobody can take it from you.

Right, that’s true. You’re just able to roll through so much in life and still look so freaking young! It’s so interesting to think of you as a first time mother. You are just so nurturing and it is so weird to think of you as having your first child because I feel like there’s no big change. You’ll have the baby and keep rolling. Does it feel like a shock to you?

My friends always say the same thing, that I have been a mother to so many in my life. But I’m not freaked out at all, even with all of the other mother’s advice and everyone telling me how exhausted I’m going to be and blah blah blah, I’m like… yeah, that sounds about right. There’s nothing new that is being said to me or that I haven’t already read which…I mean, unless a monkey comes out of me, nothing is really going to shock me! (both laugh)

And even if a little maltese came out of you, you would just say, “Ok, so I had a dog!” and keep on rolling. (both laugh)

Yeah, I’d roll with it! And i’m not saying it is going to be easy because motherhood is never easy, but Im just saying that I’m prepared for the challenges in the greatest way possible.

Is there anything that worries you?

Health always worries me. You just don’t know what can happen with their health at any stage of life. From the time of their birth, to walking, to teething, to their first heartbreak. I want to protect my child from everything in the world, but there are certain things you won’t be able to.

Honestly, I think one of the best ways to protect your child from heartbreak is picking the right partner and Pepe, your husband, is literally one of the best human beings I have ever met. I love him so much and he is just one of those people who instantly becomes family. I think picking a great father for your child is so important, and your son will have it made with the two of you as his parents.

He really is the greatest human being in the world and he’s an amazing dad and husband. We can talk about anything from our day-to-day, politics, world events, or artificial intelligence, but at the same time we can just watch TV and he’ll laugh at me when I turn on my crime shows. There couldn’t be a better person made for me in the world. He is such a good father, so I already know that he will be a good father to our son. It feels like we’ve been together forever, but it also feels new and fresh every day.

Speaking of spirituality and being connected to people, how does the experience of being pregnant affect you spiritually, if at all?

It’s funny because the minute I got pregnant I wanted to know everything that was happening in my body. Not only physically, like “What to Expect When You’re Expecting”, but also spiritually. It is the greatest change you can experience, creating another human. My friend, Deepak Chopra, wrote a book about spirituality and pregnancy and it was just what I needed because it takes you through the whole pregnancy journey and what is happening metaphysically, physically, spiritually, what your baby can hear, when he can smell. He spoke about being careful of the images you take in because the baby can absorb fear from even a scary movie, for example.

It’s true, the baby is absorbing the energy around you. I read this interesting story about these horses which were the top competitors in all of the horse races and they were clones. The interesting thing is that the horse which was cloned had an incident with a water hose that hit him in the face and from then on he was always afraid of water hoses, and then his clone was born and since birth that clone horse would freak out in the same way whenever he saw a water hose. It raises the question of where our memories lie. People think it is our brain, but it is really in every cell of our body. So it makes sense that your baby is not only absorbing the food and drink but also the energy that is around you and produced by you.

Yes— energy, thoughts, meditation. I was really obsessed from the beginning wondering what is he feeling? What is he hearing? What is he thinking?

Bodysuit with mesh by Naked Wardrobe, Choker and Rings by David Webb, Robe by Ralph Lauren, Sunglasses by Celine

Bodysuit by Wolford, Wrap Dress by Murmur and Ring by David Webb

Bodysuit by Wolford, Ring and Necklace by David Webb

I learned a lot about sound therapy and it is really interesting because you can use this sound tool with the baby and it relaxes them, and then whenever they hear it again they instantly go into a state of relaxation.

No way! Well I’ve been playing meditation music with him and I do aromatherapy. I sleep with an essential oil diffuser with lavender oil at night, but that sound therapy sounds amazing!

To switch gears a bit, you are in the remake of Overboard which is such a beloved and highly anticipated release, is it a lot of pressure on you to work on a new rendition of such a classic movie?

Yeah…well it’s funny because I don’t have as much pressure as Anna Faris! She ran into Goldie and Kurt and they were like, “We heard you were doing Overboard”, and I would have freaked out! But it’s different because it’s a change in gender and it’s a much more contemporary version of the idea. It’s current for the time. I don’t think you could do the original today due to where we are socially. It’s funny, and I am such a big Anna Faris fan. I just think she’s a comedy genius. Eugenio Derbez, who is just the biggest Latin star ever, plays a wealthy playboy with a ton of money. It was so much fun shooting with them and playing with them, and seeing the movie was so exciting. People are going to love it!

Oh, I can’t wait to watch it! So you’ve directed the season finale of Blackish which is such a big show. It’s such a big deal to direct a season finale, and I know you want to direct more, but do you have a movie that you want to do?

Well I’ve been offered a couple of movies that I didn’t really connect to. I didn’t feel like I had a perspective to offer, and as a director I think that’s everything. I just love the medium of television, the pace of television, and working with actors who really know their characters. Not too much actor directing or motivation because they really know their role better than you do. So you’re really there to create camera choreography and make it better. I’d love to do a feature film, and I’ve been looking for one, but it’s just such a time commitment. You prep for six months, shoot for four months, and edit for a year…so it’s really just two years of your life dedicated to one project, one idea. It has to speak to me and I have to have a point of view and something to contribute. There’s a relevance and a purpose for a movie to be out there, even if it is just to make people laugh. I haven’t found that perfect script for me yet.

You have a project called Grand Hotel which you produced, did you direct as well?

No, I just produced it, but I will be directing if we go to series.

Was it hard to produce it then step back and let someone else take the director’s chair?

Well that’s why we usually pick a collaborative person, and Ken Olin (This Is Us) is an amazing director and was really perfect for this project. He brought so much to this project and I was excited to work with him, observe him, and have him mentor and teach me. He was so amazing and collaborative, and I asked him all of these questions like, “Why would you put the camera here instead of here? Why would you put the lens here instead of here?” I’m super nosy and curious and not scared to ask questions. So just using that opportunity to learn from someone who has been in the industry for a very long time was invaluable.

I think that is why you can do so many things and do them so well because you are so collaborative. I think the most successful people are some of the nicest and most collaborative, and you really show that with everything you do. You launched your eponymous clothing line in 2016. What have you learned from that process as a designer?

Well I’ve been sewing since I was seven, so for me it was a natural extension of what I wanted to do in my life. I love clothing, seams, textiles, and garment construction. It was really exciting, but also a completely different language for me. It’s a totally different industry and I’m not one of those celebrities who’s just like, “Put my name on a label! Look at my shirt!” I really wanted to get into the process, not just design, but everything from sourcing to design to marketing. It’s different press, different events, and the fashion world is its own animal. To jump in and navigate that was definitely challenging but so exciting because it challenged me in a different way then acting, producing or directing.

And I had no idea that you had a Master’s degree in Chicano studies. How did you have the time to get a Master’s degree!?

When I started it I was on Desperate Housewives and we were the #1 show in the world, and I was going to night school… it was crazy. It stressed me out, overwhelmed me, and I didn’t want the news to get to the press in case I didn’t finish. I was just taking classes, but the press found out and I was like, “Great, now I have to finish!” (laughs)

So were you in a private class or being taught with other students?

Yeah I was with other students, but they were graduate courses so they were smaller classes. I was with all these 22 year-olds who were way smarter than me! I’m sure people thought I would be the intimidating one, like a big star coming in, but it was the other way around. I walked in and they were like, “So, the Oedipus theory is applicable to…” and I was like, “Wait? I’m sorry…what is that…?” (laughs)

You know, it is so interesting what your intuition can pull you towards, like when I saw you give your speech at the DNC which was so eloquent and so articulate and smart and thought-provoking and it makes sense because all of those things that you spoke about were so powerful not just to the Latino community but to minorities in general. As an Asian-American, I felt that it connected us all whether going through those experiences or not.

I loved that time of my life because Desperate Housewives had ended and I was focusing all of my time on getting Obama re-elected, and so I spent eight months on the road with him and the campaign. People don’t realize how hard it is to be President because the states are all so different. We are so lucky to live in such a diverse country, but to unite all of those states is such a challenge because of our different needs and values. Just to travel the country and listen to all of these people was such a lesson in and of itself. I encourage it on a global level to reach across our state and country borders to learn about each other. I wish everyone could do what I did and listen to the people and hear their differences, but yet realize that we are all Americans and have that commonality.

We are all human beings and we are all trying to do our best, but we live in a time where people are being specifically targeted. Specifically, the Latin community. When you spoke at the DNC you did not mince words on your stance on immigration, and now we are forced to deal with the attack on DACA, The Dreamers and deportation. It makes me wonder if you have any advice you would give to young people who may be facing this reality?

There are so many things we can do to help The Dreamers who are great citizens, have a lot to contribute, and have been contributing with no criminal history. There are many great organizations, and a lot of progress is done locally on a state level. I know this is a national topic that has been on the administration’s agenda for many many decades, but a lot of these rules, regulations, and policies are on a state level—so figuring out what you can do locally is very important.

What’s interesting to me is that you are so busy and are doing so many things but you are also a huge philanthropist and activist. We are in such an amazing time in our world right now with the Time’s Up Movement and women’s rights being up front and center. What do you think is next for gender equality, and how do we keep pushing forward so justice continues on for future generations?

I think that’s it. We have to keep putting on pressure. There’s the private sector and the public sector, and in the private sector you can hold people accountable and create change in your industry. We started the Time’s Up movement in our industry, but it is not for actors, it is for all women in every industry to make sure men and women have a safe work environment. And something like that should be guaranteed and should be a no-brainer. Everyone should have a safe work environment. That’s when you should approach the problem through many aspects whether it is through legislation like equal pay, a pipeline for leadership from more women, and then there are just so many things we have to work for in the interest of gender equality. There are so many systematic barriers which have been ingrained, subconscious biases that people never see, and just getting our stories out and hearing women’s side is game-changing.

Allowing other people to tell their story and listen and be outraged, and whether you love this person or this actor, it doesn’t matter. People that you love can have dark and disappointing sides, and the line needs to be drawn.

Out of all of the hats you wear—from acting, directing, producing, designing, philanthropy—which do you connect to the most and which gives you the most excitement?

Definitely my family and friends give me the most excitement. You would think it would be my job, but there are so many adventures, so many great things in our life that happen to us, and if you can’t share that with your family and friends then none of it matters!

 

Vest by Maison Martin Margiela, Bottoms by Wolford

Hair by Ken Paves, Makeup by Elan Bongiorno @ Rouge Artists using Tatcha, BTS Video by Lavoisier Clemente, Photo Assistant Amanda Yanez, Art Direction by Louis Liu, Editor-in-Chief Marc Sifuentes, Production Assistant Benjamin Price, Special Thanks to Waldorf Astoria Beverly Hills, Christina Vu, Kendal Hurley of Ballantines PR, Liza Anderson and Whitney Peterson of Anderson Group PR, Marcel Pariseau of True PR