JOEY KING

Dress by Zhivago

Photography by Greg Swales | Styling by Lisa Jarvis | Creative Direction by Louis Liu | Hair by Dimitri Giannetos | Makeup by Jamie Greenberg | Interview by Benjamin Price

Equipped with a dazzling personality, expressive eyes, charming sense of humor, and a girl-next-door smile, it is no wonder that 19 year-old Joey King has found herself to be one of the most promising young actors in Hollywood today. In what stands to be her most emotionally challenging role to date, Joey King has transformed herself into the abused victim-turned-convicted-killer Gypsy Rose Blanchard for Hulu’s new series The Act. Gypsy Rose lived in an environment of abuse, manipulation, dependence, and exploitation at the hands of her mother Dee Dee Blanchard, played by the Academy Award winning actress Patricia Arquette, which Joey King portrays in a shockingly sincere and earnest performance in this disturbing, re-telling of true events.

Joey King’s career and devoted fan following surged after her performance in Netflix’s The Kissing Booth, which was one of the streaming service’s most watched and re-watched films – landing the cast a sequel to be released sometime in 2020. Now, in her new role for Hulu’s latest series The Act, King proves her acting can range from cute, romantic comedy ingenue to psychologically disturbing and multi-dimensional true-crime dramatic starlet.

Taking a break from filming her upcoming productions, Joey King takes the stage as Iris Covet Book’s spring cover. The teenage actress sat down with Iris Covet Book to discuss The Act, the importance of badass women and minorities in Hollywood, and why she would love to direct the next Girl,Interrupted.

 

Dress by Zhivago

Hi Joey!

Hi, how are you?

I’m doing well, thank you – Ok, so let’s jump into this! Can you tell us about your start as an actress at 4 years old? Did you think as a kid that you would be starring in major film and television projects today?

No, definitely not! But it’s interesting because when I started acting, my very first job was actually a LIFE cereal commercial. I thought this was what I was always going to do and had no doubt about that, but I never imagined I would be where I am today. It’s just been an insane journey and opportunity to be where I am, and to meet the people I have met along the way. I have been so incredibly lucky.

That’s a good point. Making the right connections is important in any career – especially as a young actress in the industry I imagine it can be hard to trust everyone.

Exactly! With all of the things that have happened in the past few years with the Times Up Movement and Me Too, I think it’s so exciting to see what new things are happening and how people can feel more safe in the industry. I’ve been in this business for a pretty long time and I feel like I have been pretty lucky to have avoided most of that. I mean of course I have experienced it every now and then, but I know what it looks like, I know how to stay clear, and I haven’t seen a really really dark side as much as other people have. And I feel very lucky for that.

And starting out young would definitely teach you what to avoid later on as you grow and mature by meeting more experienced actors who can show you the lay of the land. And speaking of the Times Up Movement and what’s going on in America at-large, but specifically in Hollywood, what changes have you seen personally in the industry?

I see a lot of inclusiveness and I think it’s beautiful. I just think it’s fucking awesome that more African American people and more Asian people get to tell their stories on-screen more often now, and that’s a new thing to see. I’m really happy that I get to see more of that. It’s great that I am not just being cast to be the daughter anymore, or the little best friend role, and seeing the change in available roles for young women like me is really exciting. I love it so much and I hope we get to continue on this path because things are really starting to change for the better!

It seems to be a really exciting time to be an actor or actress right now. It brings to mind Reese Witherspoon’s production company that works with female-led and female-centric stories, and I wonder if you have any interest in going into writing or producing something like that?

I do! I’m always amazed by writers and directors and how you can come up with a story in your mind and translate it onto paper. I’d love to learn more about the writing process and to direct one day. I feel like now that I am a bit older I have such an interest with what goes on behind the scenes, like I love to hear the Director of Photography talk about the shots, the order of the scenes, and all of those things. I am actually paying attention, and it’s so cool to see how much work and thought goes into making a film or TV show. It’s the coolest thing in the world! I am amazed every day with what they do.

It’s such an exciting time to be listening and aware of all of the different stories out there, especially with social media. You have nearly 9 million Instagram followers and have the ability to tell your story to all those people around the world. How do you feel as an actress and role model to have access to all of your fans directly?

It’s so cool! I get to hear from people every day who look up to me, and I am lucky to have them. My fans are so so sweet, and I am excited that I get to have such direct contact with them. I mean, they are the reason that I am where I am, you know? The Kissing Booth couldn’t have the success that it had without them and some fans watched it over and over again and because of that it became Netflix’s #1 movie in 2018!

 

Dress by Murmur

Dress by Stella McCartney, Jacket by Roberto Cavalli

Paris Hilton said in The American Meme documentary that she loves her fans because she can feel so alone on the road, and doing press, and she feels like her fans are like her family.

Absolutely! I totally agree with that, and I love that she said that. It’s true, like now I am filming in Georgia and working every day, but when I have free time it’s nice to hear from my fans and feel their support through social media.

Yeah absolutely! To pivot the conversation a bit, I really want to hear more about your upcoming role as Gypsy Rose Blanchard on Hulu’s The Act.

Yes! I’ve actually really never been able to transform myself like this before and this is the first time where I can become a different person – a real person! She is alive and in prison as we speak, and the experience has just been incredible! Playing Gypsy was weird…I want to do right by her and I want people to understand her situation, and why she did what she did. Not that what she did was right, but I also don’t think that she deserved to be completely blasted for her thought process. And working with Patricia Arquette is just genuinely the greatest experience of my life.

Were you able to meet Gypsy to prepare for the role or during the process? Does she know about it?

I know that she knows about that show, but I wasn’t able to contact her. I would have loved to get to know more about her as a person, but all I can do is research her story and try to do the best I can and do right by her.

When the story of Gypsy Rose and Dee Dee came out three years ago were you aware of it? Did you watch the HBO documentary?

When I got the call to come in and read for Gypsy I had heard of the story, but I didn’t know a lot and hadn’t seen the documentary. I watched it before the audition and was like, “Are you freaking kidding me??” I went into the audition and was so nervous, but I am so happy that I got to portray her story.

Was there a lot of added pressure playing somebody real? Many actors and actresses have said it can be a bigger challenge.

It is a challenge, and I want people to understand and think about this, and I have conflicting emotions myself over Gypsy. She was raised by a master manipulator and so she kind of became one herself. I understand why a lot of people have a hard time sympathizing with her but I also think this show will hopefully open people’s eyes and show how messed up the conditions really were. It’s a lot of pressure playing a real person, one who is literally just sitting in prison right now, but at the same time I feel really good about it. I hope that I am doing right by her and if she sees it one day she will be like, “Thank God they portrayed me that way!” The series is partially fictional, it is a TV show, but a lot of the shit we are putting in there is true as hell!  

This is one of those stories, like you were saying earlier, that needs to be told. And it’s a story that people can see multiple sides of this very famous, national news story retold in a different way.

Absolutely and there are parts of the show where you will start to feel bad for DeeDee or maybe not like Gypsy very much. The show goes over several years of their life, and you can’t help but go through a lot of emotions while watching it.

It’s real life and there are multiple dimensions and you won’t always like it. I think that’s what is so amazing for actors today because it seems like there are so many dimensional roles for women.

It’s amazing how many female directors we have on the show! It is so awesome getting to work with these super smart women. I have a lot of “firsts” on this show, and these amazing male and female directors made me feel safe to try new, uncomfortable, and weird things.

 

Blouse by Queenie Cao, Pants by Marc Jacobs

Dress and Shoes by Versace

How was the experience as an actress immersing yourself into such a dark space?

It really feels like being born again into this world. I’ve never been able to experience this before, and I am so lucky to have Patricia Arquette by my side every day because she was so supportive, she is so talented, and just a super kind person. And I know being her shooting partner that there are no judgments ever, and I feel like it is honestly so important who you work with because you are in such a vulnerable place as an actor. If you feel judged or feel that the other person is not there for you 100%, then it’s really freaking hard to do your job. She has just been the best partner, and I am so grateful for her, and I am so excited to have everyone see her work on the show. She’s mind-blowing–I mean it’s fucking Patricia Arquette!

Yeah that’s such an amazing opportunity! Have you had any moments while working with her where she has shown you a new layer of the craft?

Definitely! Patricia has definitely shown me a new way of looking at acting. She has such great advice, personally and professionally. She’s just so amazing and I have learned so much from her in the past three months that we have worked together.

That’s fantastic, you are so lucky to have that opportunity.

I know, I can’t believe it! Like every day I’m like, “Oh my god, I get to work again!”

(laughing) That’s great! Are there any other projects that you can hint at in pre-production?

Yes! But…I can’t tell you about any of them. (laughs) I am going to be in Georgia for awhile, and I cannot wait to start doing more press for The Act’s premiere.

What advice would you give another young actress? What would you warn them about?

I would absolutely warn them of people trying to use them or people being friends for the wrong reason, and when you find someone who is there for the right reasons then you have to be sure to hold onto them. Whether it’s a friend, a relationship, a peer, or a mentor, just make sure to hold onto the good people and steer clear of the bullshit! (laughs)

I think that’s good advice for everybody!

I think so too! And it’s so hard to find the right people, but you know I am so lucky to have my family. Not everyone has a strong and supportive family, and if you don’t then you need to surround yourself with really great people and create your own family. It’s going to be hard and it will take awhile, you’re going to cry a few times, but in the end it’ll be worth it!

I love that, that’s good advice! Following-up on our discussion of #TimesUp, minority roles, and the great projects coming out, especially in today’s political climate, is there any movie that you would want to re-tell from your perspective or some story that you would love to produce or direct one day?

Oh my god! That’s such a good question… I don’t know…if I would want to retell a story and direct it myself…the movie I really am thinking about is Girl, Interrupted. I don’t know why that is the first thing that came to mind, but I would love to direct the shit out of that.

Oh my god! Please do that! That’s one of my favorite movies of all time, but I would definitely be very critical of it because it’s just such a fantastic movie.

I would expect nothing but honesty from you! (both laugh) I love that movie so much and I am so happy you love it too. If I were to ever direct something, then that is the first movie to come to mind. I honestly would be open to anything. I have a lot more to learn about this business and a lot more to experience, so I couldn’t tell you exactly what my directorial debut would be just yet!

Well even if it is not Girl, Interrupted, then I think that theme that we have been discussing of women’s stories is so important and telling female-centric, multi-dimensional stories like that would be a great path for you.

I agree with you, that shit’s awesome!

 

Dress by Murmur

Special Thanks to Hammer and Spear in Los Angeles and Larissa Saenz at i-D Public Relations

WINDOW SHOPPING

Photography by Ruo Bing Li
Styling by Krisana Sotelo @ The Only Agency
Model Alexandra Elizabeth @ The Society

Silk green and black print dress and silk black belt worn over the shoulder by Marc Jacobs, Vinyl body corset by Alexander Wang, Crystal headband and kitten heels by Tom Ford, Spandex liquid leggings Stylist own

Sofa – Cloud by Richard Shemtov, Table – Double Zero by Richard Shemtov

Green and black print, silk dress and black silk belt worn over the shoulder by Marc Jacobs, Vinyl body corset by Alexander Wang, Crystal headband and kitten heels by Tom Ford, Spandex liquid leggings Stylist own

Sofa – Cloud by Richard Shemtov, Table – Double Zero by Richard Shemtov

Black velvet embroidered cape by Erdem, black latex cape + crystal and latex belt worn over the neck by Tableaux Vivents, crystal earrings and hair clip by Area

Mirror – Ledge by Michael Solis, Desk – Halo by Karim Rashid

Crystal embroidered colorful dress by Tom Ford, clear vinyl jacket by Philipp Plein, crystal embroidered kitten heels by Tom Ford, green spandex liquid full bodysuit stylist own, pastel pink pop socks by Maria La Rosa

Dining Table and Chairs – Margot by Sarah Fels, Stool – Jedi by Richard Shemtov

Crystal embroidered colorful dress by Tom Ford, clear vinyl jacket by Philipp Plein, crystal embroidered kitten heels by Tom Ford, green spandex liquid full bodysuit stylist own, pastel pink pop socks by Maria La Rosa

Dining Table and Chairs – Margot by Sarah Fels, Stool – Jedi by Richard Shemtov

Green and pink sequin dress with nude body cape by Gucci, Pink spandex leggings stylists own, pink pop socks by Falke, crystal sandal by Area

Sofa – landscape by Nina Edwards Anker

Pastel fur coat by Sies Marjan, turquoise sequin arm bands by DSquared2, purple latex liquid full bodysuit stylist’s own, pink pop socks by Maria La Rosa, crystal sneakers by Gucci

Cabinet – Fu Console by Nick Dine

Grey wool sweater with stones by Christopher Kane, metal mesh skirt worn around the neck by Paco Rabanne

Sofa – Deluxe by Richard Shemtov, Table – Four Forty by Michael Solis

Grey wool sweater with stones by Christopher Kane, metal mesh skirt worn around the neck by Paco Rabanne

Sofa – Deluxe by Richard Shemtov, Table – Four Forty by Michael Solis

Crystal and tulle sheer top by Givenchy, latex skirt with crystals by Tableaux Vivents, blue spandex liquid full bodysuit stylist own, crystal and mesh stockings by Area, vinyl and leather heel by Alexander Wang

Bench – Pipeline by Harry Allen

Iridescent vinyl jacket by Area, mesh nude gloves by Carolina Amato, pink pop socks by Maria La Rosa, crystal multi-colored sneakers by Gucci

Sofa – Stealth by Richard Shemtov

Makeup by Liset Garza @ The Wall Group using MAC Cosmetics
Hair by Yukiko Tajima @See Management
Production by Benjamin Price of LEO Creatives
Fashion Assistants Patrick Surach and Ashley Wooten
Production intern Louis Kang
Special thanks to Aaron Shemtov of Dune, for more information visit: dune-ny.com

RICHARD BERNSTEIN: STARMAKER

Kicking off New York Fashion Week, the Richard Bernstein: STARMAKER book launch party was celebrated at PUBLIC ARTS at Public in New York City earlier this month.

The venue walls were plastered with enlarged artwork of and cut outs of Interview Magazine covers spanning from 1972 to 1989. Legendary cover stars came to life on stage in a Studio 54 VIP Room setting while being catered to by a bevy of hunky bus boys. Performers who resembled Divine, Liza Minelli, Halston, Pat Ast, Jerry Hall and Grace Jones danced and partied the night away.

Celebrities in attendance were the creative director of the new Interview Magazine Mel Ottenberg, Pat Cleveland, Halstonette Karen Bjornson, famed Studio 54 publicist Carmen D’Alessio, Gaultier muse Stella Ellis, Angie Everhart, Amanda Lepore, Miss Jay Alexander, Dianne Brill, artist David Croland, Michael Musto, head of Warhol Enterprises Vincent Fremont and Jeffrey Deitch.

The private event was hosted by authors Mauricio and Roger Padilha whose book Richard Bernstein: STARMAKER Andy Warhol’s Cover Artist is now available in all major bookstores worldwide and is published by Rizzoli International Publications Inc. and presented by Alcone Company with FHI-Heat, Oralgen, Svedka and PUBLIC ARTS at Public.

Performers as Liza Minelli and Halston

Performers as Divine, Pat Ast, and Grace Jones

Stella Rose St. Claire

Mel Ottenberg, Stylist and Creative Director of Interview Magazine

John, Ellen, and Rory Trifon, family of Richard Bernstein

Jeffrey Deitch, art dealer and curator, and Mauricio Padilha, co-founder of  MAO Public Relations

Amanda Lepore.

Journalist Michael Musto

Angie Everheart, model and actress

Jonte Moaning, performer, dressed as Grace Jones

Dianne Brill, Queen of New York nightlife

Stylist Wouri Vice

(left) Chris Makos, famed photographer, (center) Shelly Fremont, film director and producer, (right) Vincent Fremont, film producer and head of Warhol Enterprises

Legendary models Karen Bjornson (left) and Pat Cleveland (right)

D’USSE RE-MIXER AT THE MCINTOSH TOWNHOUSE NYC

Drawing fascinating parallels between remixing a classic cocktail and remixing a classic song, the interactive series will travel to select destinations across the country, offering bartenders, influencers and journalists an intimate taste of D’USSE, the cognac category, and its role in both cocktail and music culture. You’ve never tasted Cognac like this before.

Three iconic Masters of their Craft lead the NYC launch sessions:
• Cellar master Michel Casavecchia – fresh from the brand’s home at the historic Chateau de Cognac, the legendary creator of D’USSE XO and D’USSE VSOP will reveal his inspirations behind each expression while offering tailored one-on-one tastings.
9TH WONDER – the Grammy Award-winning producer responsible for hits by Jay-Z, Kendrick Lamar, and Mary J Blige will unveil the fascinating parallels between remixing classic cocktails and tracks through an interactive DJ Masterclass utilizing The World of McIntosh’s renowned sound system
• Legendary Cocktail Expert DEREK BROWN and his team from D.C.’s award-winning Columbia Room, will provide guests with a sonic wave cocktail demonstration showcasing how using a singing bowl to stir cocktails with sound vibrations allows an interpretation of sound through drinks and impacts its flavor. Each of these artistic elements play off the core concept of how altering one simple ingredient – sound, tone, or even spirit base – can change the way something tastes or is perceived.

MICHEL CASAVECCHIA
Monsieur Michel Casavecchia is the Cellar Master of the prestigious Château de Cognac and the creator of both D’USSÉ VSOP and D’USSÉ XO. He is proud to be part of the privileged line of heirs of the Baron Otard, charged with perpetuating the tradition of the knowledge of blending ‘eau-de-vie’ (water of life) into Cognac.

Michel was born in Lorraine, in the eastern part of France to a father with a passion for collecting and enjoying fine Cognac. This passion, which Michel inherited at a young age, has driven him throughout his career. Though he has not followed the traditional path to becoming an elite Cellar Master, Michel’s relentless dedication to Cognac had led him to the Château de Cognac where he has spent more than a decade overseeing the Cognac making process of some of the world’s finest Cognacs.

After ten years as an apprentice at the Château de Cognac learning from his predecessor and refining his craft, Michel received the opportunity to move into the role he has wanted to achieve most of his life. After nearly 20 years as the curator for some of the most prestigious Cognacs in the world, Michel was tasked with developing a new Cognac for Bacardi, D’USSÉ VSOP.

9th WONDER
Patrick Douthit, better known as 9th Wonder, is a Grammy award-winning hip hop record producer, record executive, DJ, lecturer, and rapper from Durham, North Carolina, U.S. He began his career as the main producer for the group Little Brother, and has worked with notable musicians including Mary J. Blige, Jay-Z, Drake, Destiny’s Child, and Kendrick Lamar.

As a college professor, 9th is an adjacent hip-hop history professor at Duke University and has held several Artist-In-Residence positions at top universities across the country including University of Pennsylvania, University of Virginia, and Harvard University. Through his positions in academic, 9th seeks to educate students on the history of hip-hop as well as advocate for its future.

Derek Brown is a leading spirits and cocktail expert and president of Drink Company, which owns and operates 2017 Spirited Award winning “Best American Cocktail Bar” Columbia Room as well as PUB, a rotating pop-up bar that’s housed the wildly-popular Miracle on 7th Street, Cherry Blossom PUB and Game of Thrones PUB. Playboy magazine named him as one of “The 10 Entertainers, Thought Leaders and Heroes Who’ll Save Us in 2017.”
A native Washingtonian with deep ties to the city — his great-grandfather was once D.C.’s police chief — Derek admits that Washington provides a unique vantage point as the capital city, having mixed drinks for everyone from royalty, ambassadors and senators to fellow Washingtonians, interns and students. He’s concocted cocktails at the White House, clinked glasses with Martha Stewart and was even appointed Chief Spirits Advisor at the National Archives. Derek’s philosophy for crafting memorable drinks goes beyond what’s shaken, stirred and served in a glass. “When I think about cocktails, I think about how they connect to nature, I think about how they connect to history,” he explained to Imbibe magazine, which named him 2015’s Bartender of the Year. “I think about how they connect to the people who made them and the time they were living in.”
Derek’s passion for spirits has taken him across the globe, where he’s learned about the integral role food and drink play in the culture, customs and values of communities worldwide. He’s also written about drinks and drinking for The Atlantic, The Washington Post and Bon Appetit magazine, among other publications.

ABOUT D’USSE: D’USSE [dew-say] launched in 2012, D’USSÉ is an ultra-premium cognac that blends over 200 years of tradition with the modern inspiration of Cellar /Master Michel Casavecchia. D’USSÉ is a uniquely powerful, authentic cognac that starts off with distinguished intensity, giving way to a pleasantly smooth, balanced finish. With exceptionally blended expressions including D’USSÉ VSOP and D’USSÉ XO (launched in 2014), D’USSE lends itself to a variety of elegantly crafted rich, and complex cognac-based cocktails.

 

 

Guests enjoyed Derek Brown and Columbia Room’s sonic wave cocktail demonstration using a singing bowl.

Georgia Fowler enjoying the classic Sidecar at the NYC D’USSE RE-MIXER

Ron Hill crafting his own re-mixed cocktail with D’USSE VSOP

Jamal Jackson at the NYC D’USSE RE-MIXER at McIntosh Townhouse

TK Wonder with DJ Millie, in between her sets of the evening at the NYC D’USSE RE-MIXER

Martin Salomon enjoying the Side Chick cocktail – a riff off the Side Car – at the NYC D’USSE RE-MIXER

Quiana Parks and her friend at the NYC D’USSE RE-MIXER

Elijah Dominique and friends at the NYC D’USSE RE-MIXER at the McIntosh Townhouse

DJ Millie entertained guests with sets throughout the evening at the NYC D’USSE RE-MIXER

Grammy Award-winning producer 9th Wonder led guests through a DJ Masterclass using the World of McIntosh’s renowned sound system

Amrit at the NYC D’USSE RE-MIXER at the McIntosh Townhouse

Vashtie enjoying the Side Car at the NYC D’USSE RE-MIXER

WEB EXCLUSIVE – TIE ME WITH A SCARF AND JEWELS

Photography by Rosamagda Taverna | Fashion Editor & Stylist Stesy | Makeup and Hair by Adelina Popa | Model Sophia @Mp Management

Scarf by Emilio Pucci | Earrings by Iosselliani

Scarf by Mario Dice | Earrings by Dior | Brooch by Rosantica | Shirt by Dondup

Scarf by Gucci | Bra by La Perla | Earrings by Iosselliani

Scarf by Hermes | Earrings and necklaces by Iosselliani

Scarf by Fendi | Glasses by Micheal Kors

WEB EXCLUSIVE – PAINT IT RED


Earrings by Victoria Hayes

Photography by Dustin MansyurStyling by Airik Prince | Model Marina Nery @ IMG models
Makeup by Nina Soriano of Artists and Company using Makeup Forever USA
Hair by Gonn Kinoshita using TIGI BedheadNails by Jini Lim using Chanel Le Vernis


Earring by
Slight Jewelry


Blouse by Chikimiki, Ring by Slight Jewelry


Earrings by Victoria Hayes


Earrings by Victoria Hayes, Dress by Georgine


Jacket by Victoria Hayes, Blouse by Chikimiki

RICHARD AVEDON: NOTHING PERSONAL

 New York—Pace Gallery and Pace/MacGill Gallery are honored to announce their representation of The Richard Avedon Foundation with an exhibition of Richard Avedon’s photographs and extensive archival materials drawn from Nothing Personal, Avedon’s 1964 collaboration with James Baldwin. This will be the first comprehensive presentation of this period of Avedon’s work and will be on view at 537 West 24th Street from November 17, 2017 through January 13, 2018. To coincide with the occasion, TASCHEN will republish a facsimile edition of Nothing Personal with an accompanying booklet containing a new introduction by Pulitzer Prize-winning critic Hilton Als and rare and unpublished Avedon photographs.Native New Yorkers Richard Avedon (1923-2004) and James Baldwin (1924-1987) met as students at DeWitt Clinton High School in the Bronx in the late 1930s. They became friends while writing for and editing The Magpie, the school’s literary magazine. Even as teenagers, they, in their writing, dealt with profound issues of race, mortality, and, as Avedon wrote, “the future of humanity” as World War II closed in on them.

George Wallace, Governor of Alabama, November 1963 Photograph by Richard Avedon © The Richard Avedon Foundation

In January of 1963, Avedon photographed Baldwin for a magazine assignment and suggested that they work on a book about life in America. Baldwin readily agreed. “This book,” said Baldwin at the time, “examines some national and contemporary phenomena in an attempt to discover why we live the way we do. We are afflicted by an ignorance of our natures vaster and more dangerous than our ignorance of life on Mars.”

Corresponding frequently with Baldwin, Avedon traveled extensively in 1963 and 1964 photographing portraits for the book while Baldwin wrote the essay. They met up periodically to share and discuss their progress. The collaboration resulted in some of Avedon’s most pivotal portraiture of his middle career, from civil rights icons (Malcolm X) to staunch segregationists (George Wallace); to aging stars (Joe Louis) and young fame seekers (Fabian); to powerful politicians (Adam Clayton Powell) and ordinary citizens; to young idealists (Julian Bond) and elderly pacifists (Norman Thomas); to patients committed to a mental institution who seek love, comfort, and some semblance of consideration.

At the core of the photographs – almost all of which will be on view at Pace Gallery – is the question of how Americans understand race relations and their own identities, and, by extension, the identities and civil rights of others.

“Both Avedon and Baldwin cared deeply about what was (or was not) going on in America in the early 1960s. It was an explosive time, not unlike the one we live in today. The events enveloping our country provoked Avedon’s careful reflection and examination of the place and its people. There is a lot to learn from looking at this prophetic work and considering the very profound statement it makes.”—Peter MacGill

Marilyn Monroe, actress, May 1957 Photograph by Richard Avedon © The Richard Avedon Foundation

Nothing Personal was originally designed by Marvin Israel and published by Atheneum in November of 1964 under the aegis of legendary editor Simon Michael Bessie. Though denounced at the time of publication, Nothing Personal is now recognized as a masterwork whose powerful message of a confused and often compromised society seeking fleeting moments of joy, grace and occasional redemption remains equally relevant more than a half-century later.

Richard Avedon (1932–was born in New York City in 1923 and joined the Young Men’s Hebrew Association camera club at the age of 12. After serving as a Photographer’s Mate Second Class in the U.S. Merchant Marine during World War II, he began working as a freelance photographer, primarily for Harper’s Bazaar, in 1944. Under the tutelage of Alexey Brodovitch, Avedon quickly became the magazine’s lead photographer, while also creating formal portraits for many other sources, including his own portfolio.

First showcased in Edward Steichen’s Family of Man exhibition at The Museum of Modern Art in 1955, Avedon’s work has appeared in numerous exhibitions worldwide. His first retrospective was held at the Smithsonian Institution in Washington,

D.C. in 1962 and was followed by solo exhibitions at the Minneapolis Institute of Art (1970), The Museum of Modern Art, New York (1974), the Amon Carter Museum of American Art (1985), and the Whitney Museum of American Art (1994), among others. Avedon was the first living photographer to receive two shows at The Metropolitan Museum of Art in New York (1978 and 2002).

Avedon died while working on an assignment called “Democracy” for The New Yorker during the 2004 presidential election. During his lifetime, he established The Richard Avedon Foundation in New York City, which now houses his archive and works with curators and collectors around the world.

Patients in a mental institution, February 1963 Photograph by Richard Avedon © The Richard Avedon Foundation

Pace/MacGill, one of the world’s leading photography galleries has been dedicated to advancing fine art photography for over 30 years. Known for discovering artists, representinv masters, and placing important collections and archives into major public institutions, Pace/MacGill has presented some 200 exhibitions and published numerous catalogues on modern and contemporary photography. Founded in 1983 by Peter MacGill, in collaboration with Arne Glimcher of Pace and Richard Solomon of Pace Editions, Pace/MacGill is located at 32 East 57th Street in New York City.

Pace is a leading contemporary art gallery representing many of the most significant international artists and estates of the twentieth and twenty-first centuries. Founded by Arne Glimcher in Boston in 1960 and currently led by Marc Glimcher, Pace has been a constant, vital force in the art world and has introduced many renowned artists’ work to the public for the first time. Pace has mounted more than 900 exhibitions, including scholarly shows that have subsequently traveled to museums, and published over 450 exhibition catalogues. Today, Pace has nine locations worldwide: three galleries in New York; one in London; one in Palo Alto, California; one in Beijing; and spaces in Hong Kong, Paris, and Seoul. In 2016, the gallery launched Pace Art + Technology, a new program dedicated to showcasing interdisciplinary art groups, collectives and studios whose works explore the confluence of art and technology.

 Members of the Student Nonviolent Coordinating Committee, March 1963 Photograph by Richard Avedon © The Richard Avedon Foundation

Santa Monica Beach, September 1963 Photograph by Richard Avedon © The Richard Avedon Foundation

William Casby, born in slavery, March 1963 Photograph by Richard Avedon © The Richard Avedon Foundation

THE WEBSTER OPENS ITS NEWEST LOCATION IN NYC

With the store originating from the tropics of South Beach and having expanded to Houston, Costa Mesa, and Bal Harbour—it was only natural for The Webster to house their new location in the heart of New York City’s, Soho. Laure Heriard Dubreuil, founder of the luxury retailer, has mirrored the same opulent brand formula with a new ingredient—Webster Home. The six story building will handle pieces by Italian artist Gaetano Pesce, Pierre Frey fabrics that are exclusive to The Webster, and Nada Debs brass candy colored pebble table. Throughout the renovation of their new location The Webster befriended Maxi Cohen, photographer, video artist, and neighbor whose piece is now featured on the third floor.

The store is thoughtfully filled with French 50’s sconce lights and wall papers from the 20’s and 30’s and does the historical 1878, 12,000-square-foot building proud. Turn of the century light wells guide you onto a vintage loading dock entrance, and step out into a room that’s a fusion of new and retrograded pieces mirroring the original Webster store, which was redeveloped with the help and design of Christopher Osvai.

Filling the six floored location are thirty male designers and 68 women designers, including but not limited to Isa Arfen, Julien David, and jewelry by Anita Ko, The Webster combines high end clothing interwoven amongst art deco and one of a kind installations. Sculptures such as Aaron Young’s “Below the Underdog, 2010” is set amongst thoughtfully chosen menswear on the fourth floor.

For more information about the founder, Laure Heriard Dubreuil, check out her Iris Woman feature!

All photos by Andrew Rowat courtesy of Karla Otto Public Relations

The Webster flagship retail store located at 29 Greene Street in New York, NY opening in Nov 2017.

 

The Webster flagship retail store located at 29 Greene Street in New York, NY opening in Nov 2017.

 

The Webster flagship retail store located at 29 Greene Street in New York, NY opening in Nov 2017.

 

The Webster flagship retail store located at 29 Greene Street in New York, NY opening in Nov 2017.

 

The Webster flagship retail store located at 29 Greene Street in New York, NY opening in Nov 2017.

 

The Webster, located at 29 Greene Street, opened to the public Monday, November 6, 2017

Shop online here

THE LADY IS A VAMP

Although not one of the typical fashion hubs like New York, Milan, or Paris, Eastern European designers have been vying for attention and pushing the limit in fashion over the past decade. From Vetements to Gosha Rubchinskiy, Eastern Europe has become the leader in fashion and leaving us all wanting a piece of the former Eastern Bloc. We have cast a spotlight on the creatives of one country, Ukraine, and the designers who have managed to enter the global stage.

Photography by Mikhail Vovk @mikhailvovk | Styling  by Nika Kovtsur @nikakovtsur | Beauty by Liudmila Agakhanova @agakhanova_liu | Model Anna Rudenko @rudenkoannaua (MAG @modelagentgroup)

Vest by Alonova

Leather coat, pants and shoes by Alonova, Earrings by J.W. Anderson

Total look by Ostel

Blouse by Dafna May, Belt by Alonova, Trousers by Ostel, Earrings Stylist’s own

Trousers by Ostel, Jacket and Shoes by Dafna May

Suit by Nadia Yurkiv, Brooch Stylist’s own

Total look by Alonova

Suit by Nadia Yurkiv, Earrings Stylist’s own

Total look by Alonova

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Style Assistant – Jacob Kotlik @jacobkotlik

BASTING BEYOND THE BINARY – BINDLE AND KEEP

Interview by Rishabh Manocha
All photos courtesy of Bindle & Keep

Adherence to gender conformity, an understated air of snobbery and implicit conservatism are aspects that best describe the setting of a traditional bespoke tailor’s shop. At the forefront of challenging these norms in the garb of a more inclusive world is Daniel Friedman, founder of Bindle & Keep. His firm is dedicated to creating bespoke garments for an audience that seeks to find comfort beyond the dichotomized notion of gender.

Perhaps modernity’s greatest challenge is to acknowledge that there is a landscape beyond the confines of a binary system of identification. This world is best perpetuated in clothing. This space most often concealed, whose glimpses we catch in the fleeting moments of idiosyncrasy remains largely in the shadows of our zeitgeist. And while it exerts a tremendous influence on our times, its most intrinsic needs go unnoticed. The whimsical fantasy of couture or the sombre refinement of tailoring don’t entirely please an audience that seeks both and none.

Design Semantics

Mr. Friedman hails from an architecture background which ascertains his ability to convince one of his imaginative prowess. “Trust is a very important factor in the design process,” he states, adding how pivotal it is to assure the clients that their vision and characteristics will not be compromised in the name of tradition or artistry. Running a business with a ninety-percent cis female and trans male consumer isn’t all that assumptive in nature, and indeed calls for the usage of sensitive language. “Triggers form an integral part of the garment. They can be visual, linguistic or sartorial. And, we translate them into a living portrait of the client in the form of clothing,” adds Friedman. It is years’ worth of social conditioning that is challenged in an in-depth conversation that resembles more of a holistic therapy session. The design process then begins and is followed by several weeks of comprehensive communication and fittings to achieve the desired perfection.

 

Heritage & Space

“Whilst we have great reverence for the tradition and craftsmanship of bespoke tailoring on Savile Row, I feel our clients feel neglected in the binary of the traditional tailoring system,” Friedman claims in a rather pensive tone. The idea of the business is to not only to provide well-fitted, superbly crafted garments but also to create a safe space for the diversity of people. “Our essence is not customary, we are not tipping our hats to one lineage or another, but rather working off the vulnerabilities and strengths of our clients that become apparent in form, shape and structure,” Friedman goes on to explain. The ethos of the business is not to undermine the value of binary, but rather to provide an alternative to people whose needs would otherwise be uncatered.

 

The Business of Bespoke

“We’ve created over seven thousand suits since our foundation in 2011,” exclaims Friedman. He started the business out of his apartment to provide not only a philosophical alternative, but also a monetary one. The business focuses on the usage of the finest fabrics from the likes of Scabal, Abraham Moon to Holland & Sherry. Unlike most bespoke businesses, the price points are much more palatable starting at $995 for a two piece suit. While design, pattern  and fittings are undertaken in the New York studio, garment construction takes place at a small-scale, ethically-run factory in Thailand. “ The demand is on the rise, and our challenge is to keep up the quality with the demand, hence the ten week timeline from inception to completion,” concludes Friedman.

Form, function and feasibility are chief tenets that this firm has well perfected. With the quality of old-world tailoring, sensitivity of a therapist and feasibility in price-point and convenience, Bindle & Keep is indeed an ingenious social and sartorial endeavour to address the concerns of the often singled out.

For more information, or schedule an appointment, visit:
http://www.bindleandkeep.com/