ALUK MALUAL BY JONES.PARIS x ARTHUR BELEBEAU

Hat – Lanvin

 

Creative Direction : Kathelia PHURUNGRUANG-JONES

Photographer : Arthur BELEBEAU

Makeup: Yoriko FUJITA

Hair : Yuri KATO

Stylist : Anak ANAN

Model: Aluk Malual @women360paris

 

Mugler skirt, Maison Margiela shoes, Lanvin Hat

Uma wang Coat and Shoes, Fendi Earrings, HOOJET Bag

Balmain Blazer

Fendi Earrings, Dries Van Noten Coat, Kolor shoes, Uma Wang Necklace

Dries Van Noten Coat, Uma Wang Necklace

Dries Van Noten Coat, Uma Wang Necklace

 

GREECE DREAM BY GREG SWALES

John wears Sèfr blue jacket from Neighbour, Gentle Monster x Moncler sunglasses from Roden Gray. 

 

GREECE DREAM

Photographer: Greg Swales

Stylist: Leila Bani

Makeup & Grooming: Maria Walton @ Nobasura

Photo Assist: Alex Guiry

Stylist assist: Hana Pesut

Models: Anastasia & Akoy with Family Management 

Claire Ross with Key Models

John Deng with Liz Bell Agency

 

John wears Sèfr blue jacket from Neighbour, Song For The Mute black knit pants and Gentle Monster x Moncler sunglasses from Roden Gray. 

Akoy wears sage bustier top by Ganni from One Of A Few, vintage black Alexander McQueen pants, white Margiela shoes, Patou collar from Bacci’s

Anastasia wears Ganni dress from One Of A Few, X9 swimsuit (worn over), models own jewellery, Dries Van Noten boots from Bacci’s

Claire wears vintage knit Prada bralette, Shyfuck Originals shorts, X9 bikinis string bikini bottoms, Sacai boots, Haider Ackerman jacket

John wears Song For The Mute green jacket from Roden Gray.

Akoy wears Ganni multi colour knit bottoms from One Of A Few, Good Night Day taupe sweater from One Of A Few

Claire wears Old Fashioned Standards hat, Dries Van Noten belt, Deta brown knit bra & briefs from One Of A Few

Akoy wear Maryam Nassir Zaden blue track pants and Deta blue knit bra & briefs from One Of A Few

John wears multicolor mohair sweater and jeans by Marni from Roden Gray, model’s own Crocs, Paloma Wool necklace from One Of A Few

Anastasia wears Blazer and blouse by Ganni from One Of A Few, Eckhaus Latta x UGG sandals 

Akoy wears Alicia Grunert feathered skirt, stylist’s own metal bra, Shyfuck Originals long sleeve sheer top, model’s own shoes

Claire wears Clyde cowboy hat from One Of A Few, Shyfuck Originals polo tee, Eckhaus Latta dress (worn underneath)

John wears ERL floral pink shirt and Marni jeans from Roden Gray, rus x maar hats grey cap from One Of A Few

John by Jil Sander vest, OAMC black pants, and Asics x COMME des GARCONS sneakers from Roden Gray

Akoy wears Shyfuck Originals bra, Christina Sabaiduc robe, Utility Palace bleach dyed pants from One Of A Few, Y3 slides

John wears Namesake JiyongKim knit hat, windbreaker and shorts from Roden Gray

Akoy wears Ganni multi colour knit tie bottoms from One Of A Few, Good Night Day taupe sweater from One Of A Few, oxblood Marni sneakers

Anastasia wears ARQ taupe bikesuit from One Of A Few, Y3 desert boots , models own sweater

Claire wears Ganni multi colour knit tank from One Of A Few, William Okpo hat, Paloma Wool knit shorts from One Of A Few, Sacai platform hiking boot

AUSTIN MAHONE BY MARCUS DERRICOTTÉ

Turtleneck. Dries Van Noten
Sweater. Kiko Kostadinov

 

 

Photographer: Marcus Derricotte @mderricotte
Stylist: Douglas VanLaningham @dvlstylist
Styling Asst: Jose Santiago 
Hair: Stefani Annaliese @stefaniannaliese
Makeup: Paloma Alcantar @palomamua

 

 

Cardigan. Marni
Tank top. Dries Van Noten
Trousers. OAMC

 

Tank top. Dries Van Noten
Trousers. OAMC
Belt. Maison Margiela

 

 

Tank top(in hand). Dries Van Noten
Trousers. OAMC
Belt. Maison Margiela

 

 

Sweater. Maison Margiela
Jeans. Maison Margiela
Necklace. Vitaly

 

 

Sweater vest. Dries Van Noten
Trousers. Raf Simons

 

 

Blazer. Raf Simons
Shirt. Maison Margiela
Trouser. Maison Margiela

 

 

Shirt. Bottega Veneta
Trouser. Botter
Belt. Maison Margiela

 

 

Tshirt. Saint Laurent
Underwear. Calvin Klein
Jeans. Martine Rose

 

PATRYK LAWRY BY CHRIS FUCILE

Shirt/Pant: Dries Van Noten, Necklace: Vivienne Westwood, Shoes: New Balance

 

Photography by Chris Fucile

Styling by Dylan Wayne

Model – Patryk Lawry at Heroes

Full Look: Dries Van Noten

 

Jacket: Vintage, Pants: Levi’s, Tank: Stylist’s own

 

 

Blazer: Dries Van Noten, Scarf and Boots: Saint Laurent

DIGITAL COVER: DIEGO BONETA

Jacket by Dsquared2

 

Photography by: Emilio G Hernandez

Styling & Interview by: Marc Sifuentes

Creative Direction: Louis Liu

Grooming by: Benjamin Thigpen

Location: @alloy.bk @168plymouth @rebeccarobertsoninteriors

 

Some might call it fate when an 11-year-old Diego Boneta won a televised singing competition with his rendition of a classic Luis Miguel hit song “La Chica del Bikini Azul”. Fast forward 20 years later, and Boneta is not only the star of the three season Netflix hit series Luis Miguel: The Series, but was an integral part in creating the series as Executive Producer to the project. Not one to shy away from a challenge, Boneta recreated and re-recorded some of Miguel’s top hits for the series, a nearly impossible task for those that understand the complexity of Miguel’s catalog of music.  

Boneta spoke to Iris Covet Book about the time and preparation involved in playing the legendary crooner and the craft of perfecting a beloved real life character while still making it his own. Boneta also discusses the inspiration behind producing, starting his own production company, and his determination to open more doors for Latino actors.

 

Suit by TEDDY VONRANSON, Jewelry by Konstantino

 

The Luis Miguel series has been a huge hit for Netflix for three seasons, but I want to go back to the beginning and talk about your process preparing to play the role of this international superstar.

Of course. Well, when I got offered the part I knew the challenge it would entail because Luis Miguel is somebody who is still very relevant and more importantly still alive. Normally a show like this happens once the artist has passed away. I knew that there was only one way to do this right and that was to really take the preparation part seriously, even more seriously than the actual shooting. It was the first time that I worked on a movie that was a full transformative role and becoming someone else is very, very intense. 

It’s me becoming someone else, and not only acting but also singing. I basically took a year to just work on that. I had a vocal coach, Ron Anderson, and then I had my acting coach, Juan Carlos Corazza, helping me on the acting front, and I was also an Executive Producer on the series! It’s the most demanding project I’ve ever been a part of. 

Some people might not know that you originally are from a musical background ,you were in a singing competition show at eleven years old and starring opposite Tom Cruise in the movie musical Rock of Ages. Did you know that you would have to take on the responsibility of re-recording all of the songs in the series in your own voice?

I sat down with Jamie Foxx one day,I’ve been a big fan of his work and his Oscar winning performance in the movie Ray about Ray Charles, I think he absolutely crushed that movie, and what he told me was, “the key is to do everything.” You know, he told me if we recreate all the songs, don’t stop there. I needed to recreate the music videos, the album covers,even the prop pictures on the set had to be me. He was also the person to say I needed to sing in the series. You know, Luis Miguel has crazy pipes. He’s one of the best singers of all time. And I wanted to give it a shot. I wasn’t sure if I was going to be able to do it. Ron Anderson, who was the vocal coach of Rock of Ages, helped me try to replicate the sound of Luis Miguel. It was like learning how to sing again. Going from changing your vibrato, to seeing where you have to place your voice to sound closer to his tone, to how to pronounce his vowels, where he places each vowel. It was crazy, and that’s all I did for a year. 

 

Full look by Thom Browne, Jewelry by Konstantino

 

If you didn’t have the musical background, do you think you would have taken on that challenge or is that part of your personality to push yourself out of your comfort zone? 

I don’t think I would’ve been able to do it without having a musical background. Because Luis has one of those voices that, I mean, what that man can do with his voice is insane. I don’t think I would have been able to do it without having my 20 years of vocal training. 

A key part of the success was having Kiko Cibrian, who produced a lot of Luis’ records, produce this soundtrack. All the songs were re-recorded, all the instruments were re-recorded. So I wasn’t just singing over recorded tracks. Kiko made sure we re-recorded every single song. A lot of those songs were written and recorded back in the 90’s by Kiko, so it was incredible to have him as the music producer for all three seasons of the soundtracks. 

And what about Luis Miguel? Did he have any advice for you during the recording process?

Well, I met him before we started shooting. There’s actually a scene in season three that recreates when we met. He shared some very personal stories with me and he told me ‘this is just for you for no one else, use it for your interpretation’. We hung out a few more times and he got to listen to the songs. He was extremely nice and very supportive. After seeing the show he said, ‘Man, you killed it.’ Hearing that from the person that you’re playing, I don’t think you can get any better than that. 

 

Full Look by Alexander McQueen

 

You prepared for this role for over a year, when did you feel that you had mastered the part? 

I’d say whenever we started doing rehearsals in Mexico City, before we started shooting with the director. He’s really the one that found the tone for the show. In those rehearsals, in talking to him, going over the scenes and just playing with the script, that’s where we found it. 

Just knowing and having that confidence that there was nothing else I could have done to prepare anymore. I had done my homework and no one knew the character better than I did. That gave me the freedom and the confidence to know that I was ready.

You also put in the work to be in a makeup chair for 4 to 6 hours a day getting your prosthetics on. What was that experience like? 

That was a whole different ball game because it’s not just putting on the prosthetics and then boom you’re the part, you know? Studying him and being him for 33 years of his life, from 17 to 50 years old. Studying each of those stages of his life, changing the mannerisms and the way he spoke throughout his life. 

The hardest part was trying to understand and imagine what life must have been like for him. The prosthetics consisted of six hours of makeup, wigs and body suits everyday to become that older Luis Miguel. The team behind it was amazing. Bill Corso is a two time Academy Award winning special effects makeup artist alongside Alfredo Moda, an amazing Mexican makeup artist.The fusion between both teams was a really cool experience, and they paid attention to the smallest details

 

Full Look by Zegna

 

This series is your first project as an Executive Producer, and I was reading that Mark Burnett called you and threw out the idea. Had the thought of being an EP ever occurred to you before this project? Is that a role you were interested in?

I worked with Tom Cruise in Rock of Ages and observed how he did business and how he manages his career in-between making movies. He was always working on the next thing and working through pre-production on another. I thought that’s what I wanted to do. 

Mark Burnett and I worked together on a TV show called the Dovekeepers, back in 2014. And I told Mark I really wanted to get into producing. It’s not something that I want just to have a vanity credit. I actually wanted to learn all the in’s and out’s. So when Luis Miguel came around, he called me and said ‘I have the perfect project. There is no script but I know you’re very familiar with the music, with his life, with his story. Be a part of this production team and let’s do this together.’

Producing together was the best part of the learning experience. Fully learning before there is even any scripts, no actor, no one cast yet. Really shaping this project from the very beginning. That was the best part and I got a big satisfaction out of it.

Full look by Casablanca, Jewelry by Konstantino

So tell me more about your production company Three Amigos. What is your team’s vision? 

We see it as a media company because of our focus on television, film, books, and broadcasts. We want to find projects that show Latinos in an uplifting light. We are so excited to team up with some of the best filmmakers in the industry. At the moment, we are working on a romantic comedy with Paramount called At Midnight, it’s something of a fusion between Hollywood and Mexico. Today, with more opportunities through streaming services, the business is realizing that people don’t really care as much about the language as they do about a relatable and interesting story. Spanish is a global language. There are a lot of hugely successful Spanish speaking shows watched all over the world and we are looking forward to being a major player in bringing quality content to a global audience.

Full Look by Dries Van Noten

 

There has always been a lack of representation in Hollywood for the Latin community, and a lot of the roles that were out there leaned towards a certain stereotype. Did you ever have to confront a time where there were roles being pitched to you that were not a good fit for you as a representative of the Latin community. 

I think times have definitely changed from when I first moved to LA in 2007. There are more roles and better roles. But back then, yes, it was difficult to get good latino roles. 

There are plenty of actors of different races out there that can play different nationalities, and so can we. So yes, I think things are better today. I think they’re moving in the right direction. There’s still a lot of work to do. There’s still a lot of room to grow and improve and that’s why I’m so passionate about my production company Three Amigos, which is creating those vehicles for other actors as well. 

 

Suit and Pant by Zegna, Jewelry by Konstantino

 

Shot at 168 Plymouth, the last historic factory to residential loft conversions in Brooklyn’s Dumbo neighborhood, composed of two 100-year-old paint factory buildings which have been attentively transformed by Alloy Development’s architecture team. Pictured is the new Brick and Timber model residence with interior design by Rebecca Robertson Interiors.

ADOT BY GREG SWALES

Courrèges dress from Albright fashion library, Sunglasses – Miu Miu, Boots – Marc Jacobs

 

 

Photography GREG SWALES @gregswalesart

Styling LEILA BANI @leilareira

Model ADOT GAK @adotthegreatt

 

 

Courrèges coat from Albright fashion library 

 

 

Courrèges dress from Albright fashion library

 

 

Lace bodysuit by Haus Zuk, Eyewear by Sara Armstrong , Tube top by Yard666Sale, Beaded briefs from Albright fashion library 

 

 

Evan Clayton hood, Earrings from Lara Koleji 

 

 

Jacquemus belt, Vintage comme des garcons jacket from Lara Koleji, Leather shorts from Albright Fashion Library

 

 

Y3 bustier custom painted by Shyfuck, vintage D&G bike shorts from Albright fashion library, 

Sleeve is stylist’s own

 

 

Custom bustier by Shyfuck, Gareth Pugh skirt and Marc Jacobs platform shoes from Albright fashion library

 

 

Comme Des Garçons top and leather shorts from Albright fashion library, Pink leg straps are stylist’s own, Dries Van Noten sandals

SCREEN TEST: TREVOR SIGNORINO

Photographer: Brendan Wixted @brendanwixted_
Model: Trevor Signorino @trevorsiggs
Stylist: Charlie Ward @charliewardstyles
Agency for model and stylist Good Talent Management @goodtalentmanagement
Hair: Taichi Saito @taichi424
Make-up Artist: Megan Kelly @megankellybeauty
Kimono – Vintage, Pants – Versace
Jacket – Alyx Studios, Pants – Givenchy
Jacket, pants and boots – TEDDY VONRANSON
Jacket – TEDDY VONRANSON
Tank – Sunspel
Jacket – Alyx Studios
Shirt – CMMN SWDN, Pants – Dries Van Noten, Suspenders – Brooks Brothers
Gloves – Saint Laurent

OLIVER BY KARL SIMONE

Shirt by Givenchy, Pants by Lanvin, Shoes by Dolce and Gabbana

Photographer: Karl Simone @karl_simone
Stylist: Charlie Ward @charliewardstyles
Model: Oliver Kludjeson @oliverkludjeson
Agency: The Society Management @thesocietynyc

Vest by MSGM, Jeans by Tanaka, Belt by Gucci

Shirt by Dries Van Noten, Pants by YSL, Loafers by Prada, Hat by Stetson

Blazer by YSL, Tank by Lanvin, Vintage Boxer Shorts

Overcoat by The Salting, Joggers by Burberry, Boots by Givenchy

Shirt by Dries Van Noten, Hat by Stetson

Blazer by YSL, Tank by Lanvin

Shirt by Givenchy

LAST NIGHT I DREAMT THAT SOMEBODY LOVED ME

Photography by Hadar Pitchon | Styling by Marc Anthony George

Grooming by Mike Fernandez using Evo Hair Products and Glossier on skin

Coat by Adrienne Landau, Suit by Vivienne Westwood, Vintage shirt from Screaming Mimi’s Vintage, Necklace, stylist’s studio, Rings by Joy of Crystals

Coat and shirt by Dries Van Noten, Shawl by Screaming Mimi’s Vintage, Necklace by Joy of Crystals

Jacket by Just Cavalli, Rings by Joy of Crystals

Vintage robe and scarf from Screaming Mimi’s Vintage, Fur Shawl by Adrienne Landau

Coat by John Varvatos, Shirt and undershirt by Burberry, Vintage scarf from Screaming Mimi’s Vintage

Sweater by JW Anderson

Vintage shirt from Screaming Mimi’s Vintage, Pants by Jil Sander, Scarf by John Varvatos, Vintage scarf clip, stylist’s own, Rings by Joy of Crystals, (right pinky) Ring by Alexis Bitar

Suit, shirt and boots by Roberto Cavalli, Vintage neckpiece from Screaming Mimi’s, Vintage Pocket square by Ralph Lauren

Coat and pants by Valentino, Vintage shirt hat and necklace from Screaming Mimi’s Vintage, Rings by Joy of Crystals (right pinky) Ring by Alexis Bittar

Coat, sweater and pants by Versace, Necklace by Screaming Mimi’s Vintage, Boots by John Varvatos

Special Thanks to Cole Harrell and Tai Heng Cheng for opening their home in Tuxedo, New York for our location