WEB EXCLUSIVE: WICKED LITTLE TOWN
Dress by Cheng
Dress by Cheng
Dress by Michael Kors
Dress by Cheng
Dress by Cheng
Dress by Michael Kors
(New York, October 9, 2018)—The Metropolitan Museum of Art announced today that The Costume Institute’s Spring 2019 exhibition will be Camp: Notes on Fashion, on view from May 9 through September 8, 2019 (preceded on May 6 by The Costume Institute Benefit). Presented in The Met Fifth Avenue’s Iris and B. Gerald Cantor Exhibition Hall, it will explore the origins of the camp aesthetic and how it has evolved from a place of marginality to become an important influence on mainstream culture. Susan Sontag’s 1964 essay Notes on ‘Camp’ provides the framework for the exhibition, which will examine how fashion designers have used their métier as a vehicle to engage with camp in a myriad of compelling, humorous, and sometimes incongruous ways.
“Camp’s disruptive nature and subversion of modern aesthetic values has often been trivialized, but this exhibition will reveal its profound influence on both high art and popular culture,” said Max Hollein, Director of The Met. “By tracing its evolution and highlighting its defining elements, the show will embody the ironic sensibilities of this audacious style, challenge conventional understandings of beauty and taste, and establish the critical role this important genre has played in the history of art and fashion.”
In celebration of the opening, The Costume Institute Benefit, also known as The Met Gala, will take place on Monday, May 6, 2019. The evening’s co-chairs will be Lady Gaga, Alessandro Michele, Harry Styles, Serena Williams, and Anna Wintour. The event is The Costume Institute’s main source of annual funding for exhibitions, publications, acquisitions, and capital improvements.
“Fashion is the most overt and enduring conduit of the camp aesthetic,” said Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute. “Effectively illustrating Sontag’s Notes on ‘Camp,’ the exhibition will advance creative and critical dialogue about the ongoing and ever-evolving impact of camp on fashion.”
The exhibition will feature approximately 175 objects, including womenswear and menswear, as well as sculptures, paintings, and drawings dating from the 17th century to the present. The show’s opening section will position Versailles as a “camp Eden” and address the concept of se camper—”to posture boldly”—in the royal courts of Louis XIV and Louis XV. It will then focus on the figure of the dandy as a “camp ideal” and trace camp’s origins to the queer subcultures of Europe and America in the late 19th and early 20th centuries. In her essay, Sontag defined camp as an aesthetic and outlined its primary characteristics. The largest section of the exhibition will be devoted to how these elements-which include irony, humor, parody, pastiche, artifice, theatricality, and exaggeration-are expressed in fashion.
Designers whose works will be featured in the exhibition include Gilbert Adrian, Cristóbal Balenciaga, Thom Browne, Jean-Charles de Castelbajac, John Galliano (for Martin Margiela, House of Dior, and his own label), Jean Paul Gaultier, Rudi Gernreich, Guccio Gucci, Demna Gvasalia (for Balenciaga and his own label), Marc Jacobs (for Louis Vuitton and his own label), Charles James, Stephen Jones, Christian Lacroix, Karl Lagerfeld (for House of Chanel, Chloe, and his own label), Herbert and Beth Levine, Alessandro Michele (for Gucci), Franco Moschino, Thierry Mugler, Norman Norell, Marjan Pejoski, Paul Poiret, Miuccia Prada, Richard Quinn, Christian Francis Roth, Yves Saint Laurent, Elsa Schiaparelli, Jeremy Scott (for Moschino and his own label), Viktor Horsting and Rolf Snoeren (for Viktor & Rolf), Anna Sui, Philip Treacy, Walter Van Beirendonck, Donatella Versace (for Versace), Gianni Versace, Vivienne Westwood, and Charles Frederick Worth.
The exhibition is organized by Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute, with Karen Van Godtsenhoven, Associate Curator. Theater scenographer Jan Versweyveld, whose work includes Lazarus with David Bowie as well as Broadway productions of A View from the Bridge and The Crucible, will create the exhibition design with The Met’s Design Department. Select mannequin headpieces will be created by Shay Ashual. Raul Avila will produce the gala décor, which he has done since 2007.
A publication by Andrew Bolton with Fabio Cleto, Karen van Godtsenhoven, and Amanda Garfinkel will accompany the exhibition and include new photography by Johnny Dufort. It will be published by The Metropolitan Museum of Art and distributed by Yale University Press.
The exhibition is made possible by Gucci.
Additional support is provided by Condé Nast.
Actress, model, and bona-fide trendsetter Hari Nef has made her feature film debut this week, in the electrifying social media horror movie ‘Assassination Nation.’ She stars as Becks, one of four high school girls caught up in a violent frenzy of small-town hysteria after a mass leak of private cell phone data. Hilton Dresden sat down with her to chat about the nuanced role, her dream collaborators, and how she’s carving her own path in Hollywood.
Interview by Hilton Dresden
VICTORIA HAYES jacket
VICTORIA HAYES jacket and pants
Photography by Alejandro Cabezut @alejandrocabezut
Styling by Charlie Ward (@charliewardstyles)
Makeup / Grooming by Jenny Sauce
Hair by Jenni Wimmerstedt
Model Sehan @ Wilhelmina
Styling Assistant Zach Mauer
Photo Assistant Katherine Solomon
Total Look by Calvin Klein 205W39NYC
Total Look by Prada
From dancing on gin-soaked stages in the dive bars of West Hollywood, navigating the many dramas of the Real Housewives of Beverly Hills, to being immortally satirized on Saturday Night Live, the reality star, pop culture icon, and now New York Times best-selling author is taking the world by storm.
Erika Jayne is embracing opportunities with open arms, switching at the drop of a hat between author, international performer, “housewife,” and the icon we didn’t even know we needed. The Real Housewives franchises are filled with meme-worthy moments, unforgettable quotes, and exciting drama, but few women from the reality series have become household names to the degree of Erika Girardi, AKA Erika Jayne. In an exclusive interview between Erika and Saturday Night Live’s Cecily Strong, who parodied Jayne on the legendary sketch show and cemented Erika’s status as a cultural touchstone, the two women discuss ageism in the entertainment industry, creating a public persona, and her new Simon & Schuster bestselling book, Pretty Mess.
Jacket by Tom Ford, Earrings by House of Emmanuele
Earrings by House of Emmanuele
Hello! How are you Erika?
Hi Cecily, I am so goodit’s so nice to talk to you.
You too, what a treat! I am such a fan! A real fan, not just an Instagram fan. I am so excited. I’ve been bragging to everyone at SNL about getting to do this interview! So, starting with your new book, how did the idea to publish a memoir take off?
I was approached to do the book and said yes because these days I am just saying yes to everything. Obviously, you see a little bit of it on TV, but sharing 45 minutes of screen time with five other women is difficult. Writing a memoir is a way to give the audience a more in-depth peek into my life.
How open are you in this book and are you nervous about revealing too much?
There’s always the version of the truth which you can never tell or else all of your friends and family will never talk to you again (laughs), and then there is the book that I wrote, and then there is the book that got published – which went through two legal processes. Hopefully it works out well and people like it.
(laughs) What was the most challenging part writing the book?
Well, my mother and I were discussing how my father left when I was nine months old, and then she remarried and divorced again. I feel like I had blocked out that part of my childhood. I went back with her trying to piece it all back together. I was looking at it through 46 year-old eyes and thinking it was basically ten years of bullshit!
Do you think that your childhood experiences are the reason that you have this amazing life and personality and are so fabulous and youthful—or in other words, do you think that you’re basking in the things you didn’t have in your childhood?
I feel like I’m eternally 16. I had a nice car, a hot boyfriend, good grades, was performing all the time, and I looked cute. I don’t know if that’s because of my childhood, but I definitely know that all of that has an effect on you growing up.
Well, I understand feeling like you’re eternally a teenager because I feel like I’m 16 even though I’m like… 34, but have you confronted ageism in your industry? Is it something you even think about? I know I don’t think about it much.
Good, and I’m glad you don’t, and the only time I do is when someone tells me, “Oh, aren’t you a little too old to be doing this?” and I’m like, “No, actually I’m not.” I think that it’s important to keep doing it and keep pushing and dreaming because that’s an old way of thinking that is falling by the wayside as women continue to improve and show how powerful we are. You know, when you’re in your 40’s you’re not dead, you’re not done! I feel the most powerful now. I didn’t feel powerful in my 20’s, I was a ding-dong!
I couldn’t wait to turn 30 because I thought, “Finally, people will take me seriously!” And I can’t imagine someone saying to you that you’re too old, that’s insane to me. I’d be like, “Just watch me perform!”
Thank you! Could you imagine telling a man that? Could you imagine telling a man, “Sir, don’t you think you’re a little too old to be running the company?” It’s not fair for us to get a tap on the shoulder like, “Sit down honey, you’ve had enough fun, you’ve had your day, people don’t find you attractive, you can’t sell anything, and your time is up” No! I’m not going to do that.
Good, me neither. We’re taking a vow! What do you hope that people take away from your book and your personal story?
First off, I want people to laugh and have fun. It’s an easy read and a fun read, and if one person walks away inspired to go to dance class again or back to college or just see that, through this human story, we are all the same. My experience is just this way, but it’s the same bullshit for everybody, so don’t quit. You never know what the future holds.
So let’s talk about your persona Erika Jayne, how she was born and how you found her within yourself?
I was about 35 years old, had been married to Tom for six or seven years, and had been exclusively living his lifestyle. I was going to every event and socializing with a whole new set of very educated, super interesting people. I am glad I did it because it was an invaluable education, but it wasn’t me. I was wealthy and living in a bubble where I would shop, go to the gym, and then go to dinners, but what the fuck was I really doing with myself? I longed to go out, create again, and have my own identity.
I just don’t think that Tom expected the book deal, concerts, or this interview in my future. I don’t think anybody did! I started to create on my own, it was something that I loved, and here we are today. And thank God he has been so supportive. I have learned so much, and I am really grateful because without him I wouldn’t be here at all.
That’s so great, and good for you two! You’re a great example for couples. So, when did you get your big break and what was the beginning of your career as Erika Jayne like?
Well, if you take the Erika Jayne Project, it was very small potatoes. It started at my kitchen table and it was just something that I wanted to do. I created the persona with a friend of mine from high school. He took me to a producer friend of his and we made the Pretty Mess album, and I started to perform because that’s what I really love to do. It was the typical beginning. A few people in some terrible dump, no one paying attention, and just begging to get on stage. I thought to myself, “I don’t have to fucking do this, I’m rich! What the fuck am I doing?” (Cecily laughs) I hate to break it down and sound so rude, but there are a lot of naysayers and rejection. I kept putting one foot in front of the other and building it, and slowly but surely people started to pay more attention and come to my shows. The biggest break into pop culture was definitely being cast in the Real Housewives because it took Erika Jayne out of the clubs and into people’s homes, and she even became a parody on Saturday Night Live! (laughs) But I think the most interesting thing was seeing young women, like high school and college-aged girls tell me how much they love my music and style, and I’m like, “Wow, really? I’m old enough to be your mom.” That acknowledgement makes it all worth it.
Jacket by Vitor Zerbinato, Dress by Nookie, Boots by Christian Louboutin, Earrings and Ring by Glynneth B.
Jacket by Vitor Zerbinato
Most of my circle of friends are gay men, and so I’m curious when did your relationship with the gay community start?
Children’s theater! (laughs)
Oh my God! Same for me! I was raised in a theater in Chicago by a group of gay men.
That was where I started! And then I went to a performing arts high school where everyone in dance and theater was gay, even our instructors were gay. They were always a part of my life. These are my people and that’s that.
Right, it’s so true, and it’s so funny that I had a very similar experience. When my parents split up I felt that the gay men of my Chicago theater were raising me while my family was a mess.
And I think that’s a wonderful thing to have and I can’t imagine life without gay people in it. They are my closest confidants.
Now what about drag culture? Has drag had an influence on your life and career?
I mean, just take one look at me! What do you think? (laughs) Of course! I love drag because you get to transform into a superhuman. It’s a true art form that is not for the faint of heart. Your costumes, hair, makeup, the whole look, and your style of drag too! There are so many different styles.
What style would you be?
Hooker drag! I want to be hooker drag (both laugh). Are you kidding? Basically that’s what I already am so why not? Keep it going!
So let’s talk Housewives of Beverly Hills! Obviously I am a huge fan, but how has being on the show changed your life? Cameras catching you crying, drunk…I drink a lot, so I could never do reality TV.
I don’t really like crying on camera because you are embarrassed worldwide, and that sucks. But without that exposure I wouldn’t be talking to Cecily Strong and I wouldn’t have a book out today! See what I’m saying? You have to roll with the punches and make the best of it. At the end of the day, it is reality television and I try to be as authentic as I can and have a good time doing it!
As I say in my book, it’s like professional wrestling. There are heroes, villains, costumes, pyrotechnics, but at the end of the day the injuries are real! It’s like we are participating in this absurd narrative, but these are still my feelings and sometimes they get really hurt.
People are awful! Celebrity in general, people feel like they have some sort of ownership over you, and because you get to do your job they get to hurl insults at you. It seems even worse for people in reality TV because it is your name and your life.
Thank god I am 46 and not 26! I have lived a full life, have a successful marriage, had an unsuccessful marriage, I have an adult child, I can pay the bills. Forget it, if I were a kid and did not know who I was, I may not have made it and I would have been crazy-town. Honestly, I consider myself pretty fucking normal.
I think about that all the time. Like I was crazy enough at 22—
Right! I didn’t need anyone telling me I sucked and was awful and should kill myself. You can imagine how the younger ones feel.
I will say that my favorite piece of advice I’ve ever gotten, and I don’t mean to name drop, but it was from Jim Carey at a host dinner for SNL and he told me “Don’t ever let anyone tell you the narrative of your career.”
He’s right, and thank you for sharing that. I’ll split when I’m ready and I’ll do what I need to do. That’s very well said.
Well, thank you Jim Carey! So, what’s next for you? What do you see in the future?
I am on my way to a book signing in New Jersey which is right across the street from a terrible go-go place I used to go-go in when I was younger.
I know, it’s really interesting, Cecily. I’m continuing to create, and there’s going to be more music and more shows, and who knows what’s coming, but I feel like it’s going to be really good.
Jacket by The Blonds, Bangles, Cuffs, Earrings and Hat by Glynneth B.
Jumpsuit by Any Old Iron, Shoes by Christian Louboutin
Dress by Gucci
Makeup by Etienne Ortega @ The Only Agency using NARS and KKW Beauty, Hair by Castillo @ Tack Artist Group using Sexy Hair styling products & T3 styling tools, Art Direction Louis Liu, Editor-in-Chief Marc Sifuentes, Photo Assistant Mallory, DP Vanessa Konn, Gaffer Zachary Burnett, Production Assistant Benjamin Price, Produced by XTheStudio.com, Special Thanks to Jack Ketsoyan, Laia and Mikey Minden
Photography by Rosamagda Taverna | Fashion Editor & Stylist Stesy | Makeup and Hair by Adelina Popa | Model Sophia @Mp Management
By: Sarah Conboy
From Left to Right: Bella Hadid, Kim Kardashian, and Kendall Jenner
On Monday, May 7th, the Metropolitan Museum of Art in New York City hosted its annual gala in conjunction with the Anna Wintour Costume Center. Sponsored by Versace, Christine and Stephen A. Schwarzman, and Condé Nast, the exhibition’s theme is “Heavenly Bodies: Fashion and the Catholic Imagination.” The show traces fashion’s connection to Catholicism, including pieces from designers such as Azzedine Alaïa, Cristóbal Balenciaga, Dolce & Gabbana, Jean Paul Gaultier, Christian LaCroix, and more. As a special addition, the show presents a number of garments and accessories loaned from the Vatican’s collection at the Sistine Chapel sacristy.
Spanning not only the Costume Center, but the Byzantine and medieval galleries at The Met 5th Avenue and The Met Cloisters uptown, “Heavenly Bodies” was organized by Andrew Bolton, Curator in Charge of The Costume Institute. This year’s co-chairs included Rihanna (who dressed for the Gala in a papal-inspired look by Maison Margiela), Amal Clooney (dressed in a Richard Quinn, recent recipient of the Queen Elizabeth II Award for British Design), Donatella Versace (dressed in a beaded Atelier Versace number), and of course, Anna Wintour (dressed in a glittering Chanel Haute Couture gown).
Rihanna in custom Maison Martin Margiela
Frances McDormand in Valentino Haute Couture
Guests included a number of A-List celebrities and public figures. Kate Moss attended for the first time since 2009, showcasing her supermodel figure in a short, black Saint Laurent by Anthony Vaccarello dress. Other models making a cameo at the Gala were the likes of Kendall Jenner, the Hadid sisters, Ashley Graham, and Joan Smalls. Virgins to The Met Gala—pun intended—included debuts from Cardi B (guest of Moschino’s Jeremy Scott), and SZA. Other musicians at the Gala were man-of-the-moment Donald Glover, Solange Knowles, Nicki Minaj, and Katy Perry. A number of award-winning actors came, from George Clooney (supporting wife and co-chair Amal) to Blake Lively, Frances McDormand, and Chadwick Boseman amongst many more. On the designer front, the Olsen twins, of The Row, attended, as well as Off-White’s Virgil Abloh, and Gucci’s Alessandro Michele, accompanied by muses Jared Leto and Lana Del Rey. Couples Hailey Baldwin and Shawn Mendes, and Elon Musk and Grimes, made their first public appearances at the event.
Once inside, guests were treated to a seated dinner, and a preview of the exhibition before it officially opens to the public. As we imagined, the night closed with an on-theme performance by Madonna, who aptly sang “Like a Prayer” and “Hallelujah.” A number of after-parties were thrown to continue the festivities, most notably a post-Gala party hosted by Donatella Versace at the Mark Hotel.
“Heavenly Bodies: Fashion and the Catholic Imagination” officially opens at the Metropolitan Museum of Art on May 10th, and will run through October 8th.
Madonna in custom Jean Paul Gaultier
Lana Del Rey in custom Gucci
Jennifer Lopez in custom Balmain accompanied by Alex Rodriguez
Harry Styles has released the music video for his new single “Kiwi.” Directed by acclaimed duo Us (Chris Barrett and Luke Taylor), the video was shot in the UK and features young breakout actress Beau Gadsdon (Rogue One: A Star Wars Story).
Photography by Hadar Pitchon | Styling by Marc Anthony George
Coat by Adrienne Landau, Suit by Vivienne Westwood, Vintage shirt from Screaming Mimi’s Vintage, Necklace, stylist’s studio, Rings by Joy of Crystals
Coat and shirt by Dries Van Noten, Shawl by Screaming Mimi’s Vintage, Necklace by Joy of Crystals
Jacket by Just Cavalli, Rings by Joy of Crystals
Vintage robe and scarf from Screaming Mimi’s Vintage, Fur Shawl by Adrienne Landau
Coat by John Varvatos, Shirt and undershirt by Burberry, Vintage scarf from Screaming Mimi’s Vintage
Sweater by JW Anderson
Vintage shirt from Screaming Mimi’s Vintage, Pants by Jil Sander, Scarf by John Varvatos, Vintage scarf clip, stylist’s own, Rings by Joy of Crystals, (right pinky) Ring by Alexis Bitar
Suit, shirt and boots by Roberto Cavalli, Vintage neckpiece from Screaming Mimi’s, Vintage Pocket square by Ralph Lauren
Coat and pants by Valentino, Vintage shirt hat and necklace from Screaming Mimi’s Vintage, Rings by Joy of Crystals (right pinky) Ring by Alexis Bittar
Coat, sweater and pants by Versace, Necklace by Screaming Mimi’s Vintage, Boots by John Varvatos
Grooming by Mike Fernandez using Evo Hair Products and Glossier on skin, Editor Marc Sifuentes, Production by XTheStudio, Special Thanks to Cole Harrell and Tai Heng Cheng for opening their home in Tuxedo, New York for our location.