ADOT BY GREG SWALES

Courrèges dress from Albright fashion library, Sunglasses – Miu Miu, Boots – Marc Jacobs

 

 

Photography GREG SWALES @gregswalesart

Styling LEILA BANI @leilareira

Model ADOT GAK @adotthegreatt

 

 

Courrèges coat from Albright fashion library 

 

 

Courrèges dress from Albright fashion library

 

 

Lace bodysuit by Haus Zuk, Eyewear by Sara Armstrong , Tube top by Yard666Sale, Beaded briefs from Albright fashion library 

 

 

Evan Clayton hood, Earrings from Lara Koleji 

 

 

Jacquemus belt, Vintage comme des garcons jacket from Lara Koleji, Leather shorts from Albright Fashion Library

 

 

Y3 bustier custom painted by Shyfuck, vintage D&G bike shorts from Albright fashion library, 

Sleeve is stylist’s own

 

 

Custom bustier by Shyfuck, Gareth Pugh skirt and Marc Jacobs platform shoes from Albright fashion library

 

 

Comme Des Garçons top and leather shorts from Albright fashion library, Pink leg straps are stylist’s own, Dries Van Noten sandals

WILLOW SHIELDS STAR OF NEW NETFLIX SERIES SPINNING OUT

Dress and Coat by Versace

Photographers: Fionayeduardo @fionayeduardo
Art Direction: Louis Liu @herecomeslouis
Styling: Marc Sifuentes @marc.sifuentes
Hair: Austin Burns @austinkburns
Make-up: Agus Suga @Agus Suga
Production Assistant: Benjamin Price @benprice4real
Location: Colony Studios @colonystudios

Interview by Regina Moretto

Top by Marc Jacobs

Hunger Games alum Willow Shields deftly navigates her acting career with the confident beauty and grace of an ice skater. 

The beguiling illusion of easy jumps and spins requires many hours of handwork and tenacity; quite similar to the dedication, preparation and training expected of an actor, which makes watching this young star transcend new roles all the more intriguing.  Starting out with a box office smash at the early age of 12, surrounded by the likes of Jennifer Lawrence, Julianne Moore, and Philip Seymour Hoffman, the precedent was set for Shield’s strong work ethic which helps drive her blossoming career. 

We sat down with Shields amidst her busy schedule to talk about her latest project; Netflix series Spinning Out.  Spinning Out, created by Samantha Stratton, is a series based on a figure skating Olympic hopeful struggling to balance her dreams of competition and the state of her family’s battle with mental health all while her dream of winning takes a dizzying hold.  Never one to remain idle for too long, Shields shared with us a few additional projects her fans can look forward to seeing her in soon. 

Sweater by Proenza Schouler White Label, Hat by Dara Senders

When did you know you wanted to be an actor?

I started acting when I was about seven but working on my first big film and experiencing the creativity and tight knit community involved in the acting world was when I knew I would love this job.

What was your first big break into entertainment?

I did an episode of a show called In Plain Site when I was about eight and that was my first experience on set. But I guess my big break into entertainment was two years later when I did the first Hunger Games film.

Fans know you from your role as Primrose Everdeen in The Hunger Games, can you tell us the best part of working on these films?

I truly feel like I learned so much from working on these films. I grew up on set for five years learning from the most brilliant actors from Jennifer Lawrence, to Julianne Moore, Philip Seymour Hoffman, and so many more but aside from being able to watch and learn from them everyday I was also able to witness other brilliance from the technical side of filmmaking watching our director Francis Lawrence working. I feel like after those films I had more of an understanding about filmmaking and every detail that goes into making a great film.

Being cast in Hunger Games at age 12 and being surrounded by a cast of seasoned actors, what are the most important lesson you learned on set with this crew?

To work hard, show up on time but to also give yourself room to be creative and have fun at the same time.

Do you have any funny or memorable Hunger Games stories you could share?

We had so many cast members as a part of our whole series that there was always so many fun stories being told everyday on set. When you’re in a room with Jennifer Lawrence and Woody Harrelson, you know you’re gonna be laughing all day with those two.

Jacket by Zadig & Voltaire

 

Tell us about your new Netflix series Spinning Out and how did you land the central role as Serena Baker?

Spinning Out was a very exciting project for me after reading the script. The story elements are something I’d never seen in a show before and it deals with a lot of pivotal emotional and physical stories that I feel need to be seen.
I fell in love with the character of Serena because she feels like a real teenage girl who’s very complicated. She has a very unusual home life and deals with a lot of emotional ups and downs between her family life and her time in competitive figure skating. It felt like a bit of a dream come true to play a figure skater as well.

Your character is training for ice-skating  competitions, did you have any formal training in your past?

I did not. I came into this show with zero ice skating abilities but I trained for about two months everyday prior to filming the show. My goal was not only to be able to do as much of my own skating as possible but also experience what it was like to train that hard everyday. I came home black and blue all over my body from falling everyday but it helped me understand my character Serena and how figure skaters train.

The show brought on Sarah Kawahara, a former figure skater and Emmy winning choreographer who has worked on “Blades of Glory” and “I, Tonya”…what was it like to work with Sarah on this series?

Sarah is phenomenal. We were all so excited to work with someone so brilliant in this specific field. She helped us train in Toronto and choreographed all of our routines. The coolest thing about Sarah is she was right there with us on set when we filmed these scenes so any detail that was off she was able to help us fix in order to pull off all of the intense skating involved in our story.

Coat by Kenzo, Top by Zadig & Voltaire

 

Did you have any difficulties learning to ice skate or learning the choreography for the series and how did you work through these challenges?

It’s definitely one of the most challenging things I’ve ever done. I trained for hours everyday and was so determined to learn as much as I could. But one of the most challenging things I did was for the final episode of the show I did a portion of my routine in front of an actual crowd of about five hundred extras so it really felt like a performance for me. Which is both stressful and exciting.

In what way is the character you play in this project different from the roles you’ve played in the past?

Her athleticism is unlike any character I’ve played in the past so that’s very different for me. But just like any young woman she’s full of so much life, emotion, drive, and confusion in her teenage life so those were similarities that I’ve seen in characters I’ve played in the past.

The series seems to focus on mental health.  What steps did you take to ensure your role was true to her character when handling her mother and sisters disorders?

My first step was to allow room for Kaya and January (my sister and mom in the show) to dive into those emotions and have room to experience that. I tried everyday to approach playing Serena in a very honest way, I thought through a lot of what she would go through on a daily basis living with her mom and sister who are both bi polar and how hard that truly is for a young woman who is struggling herself with things. But at the end of the day they love each other more than anyone and that was most important to portray.

Top and Skirt by Marc Jacobs

How have your fans reacted to your role in Spinning Out?

They are so excited! It feels great to have fans that follow and appreciate any project I’m a part of.

Can you tell us anything about your upcoming projects When Time Got Louder and A Fall From Grace?

I am currently filming When Time Got Louder in Vancouver and it’s been an incredible experience. Our story is complex and raw following my character Abbie and her family including her brother Kayden who has non verbal autism. Abbie leaves home to go to school and falls in love with a girl named Karly while at college but struggles with being away from Kayden after being there for him his whole life.

Do you have any other projects coming down the pipeline that you can tell us about?

Nothing I can talk about yet haha

Do you have a daily mantra?

Just to be open minded and open to learning from your accomplishments and mistakes throughout everyday.

Coat by Kenzo, Top by Zadig & Voltaire, Turtleneck by Victoria Hayes

 

CANDY PERFUME GIRL

Jacket by Michael Kors Collection | Earrings by G.Sherman Jewels | Feather Collar by BINCbodyBaubles
Fragrance: LOST CHERRY by Tom Ford

Photography: Katie Borrazzo (@katieborrazzo) | Model: Clare Crawford at IMG Models (@clareacrawford) | Styling: Kingsley Osuji (@kingsley_nyc) | Hair: Erin Taylor (@erintaylorhair) using Wella Stay Firm + Wella Stay Essentiel | Makeup: Megan Kelly (@megankellybeauty) using Mehron | Set Design: Karen DeMaio Weber (@kwyoyo) | Set Assistant: Jana Bergstedt (@janadoesthings)

Dress by Kalmanovich | Earrings by Rainbow Unicorn Birthday Surprise | Socks Stylist’s Own | Shoes by Erdem

Dress by Alena Akhmadullina | Earrings by Rainbow Unicorn Birthday Surprise

Jacket and Shirt by Gucci | Earrings and Ring by Rainbow Unicorn Birthday Surprise | Leggings by Alena Akhmadullina | Shoes by Clergerie Paris

Dress by Alena Akhmadullina | Earrings by Rainbow Unicorn Birthday Surprise | Shoes by Marc Jacobs

Dresses, Earrings, Ring, and Shoes by Versace | Socks Stylist’s Own

Jacket and Dress by Tom Ford | Earrings by Rainbow Unicorn Birthday Surprise

Dress by Erdem | Pink Cotton (worn as bow) by Erdem | Earrings by Rainbow Unicorn Birthday Surprise | Bracelet by Marc Jacobs

Top, Bow Collar, Bracelet, Bow Belt, Pants, Socks, Shoes by Marc Jacobs | Earrings by Rainbow Unicorn Birthday Surprise

Dress by Kalmanovich | Earrings by Rainbow Unicorn Birthday Surprise

Dress and Pink Cotton (worn as bow) by Erdem | Earrings by Rainbow Unicorn Birthday Surprise | Bracelet by Marc Jacobs | Socks and Shoes by Erdem

JOEY KING

Dress by Zhivago

Photography by Greg Swales | Styling by Lisa Jarvis | Creative Direction by Louis Liu | Hair by Dimitri Giannetos | Makeup by Jamie Greenberg | Interview by Benjamin Price

Equipped with a dazzling personality, expressive eyes, charming sense of humor, and a girl-next-door smile, it is no wonder that 19 year-old Joey King has found herself to be one of the most promising young actors in Hollywood today. In what stands to be her most emotionally challenging role to date, Joey King has transformed herself into the abused victim-turned-convicted-killer Gypsy Rose Blanchard for Hulu’s new series The Act. Gypsy Rose lived in an environment of abuse, manipulation, dependence, and exploitation at the hands of her mother Dee Dee Blanchard, played by the Academy Award winning actress Patricia Arquette, which Joey King portrays in a shockingly sincere and earnest performance in this disturbing, re-telling of true events.

Joey King’s career and devoted fan following surged after her performance in Netflix’s The Kissing Booth, which was one of the streaming service’s most watched and re-watched films – landing the cast a sequel to be released sometime in 2020. Now, in her new role for Hulu’s latest series The Act, King proves her acting can range from cute, romantic comedy ingenue to psychologically disturbing and multi-dimensional true-crime dramatic starlet.

Taking a break from filming her upcoming productions, Joey King takes the stage as Iris Covet Book’s spring cover. The teenage actress sat down with Iris Covet Book to discuss The Act, the importance of badass women and minorities in Hollywood, and why she would love to direct the next Girl,Interrupted.

 

Dress by Zhivago

Hi Joey!

Hi, how are you?

I’m doing well, thank you – Ok, so let’s jump into this! Can you tell us about your start as an actress at 4 years old? Did you think as a kid that you would be starring in major film and television projects today?

No, definitely not! But it’s interesting because when I started acting, my very first job was actually a LIFE cereal commercial. I thought this was what I was always going to do and had no doubt about that, but I never imagined I would be where I am today. It’s just been an insane journey and opportunity to be where I am, and to meet the people I have met along the way. I have been so incredibly lucky.

That’s a good point. Making the right connections is important in any career – especially as a young actress in the industry I imagine it can be hard to trust everyone.

Exactly! With all of the things that have happened in the past few years with the Times Up Movement and Me Too, I think it’s so exciting to see what new things are happening and how people can feel more safe in the industry. I’ve been in this business for a pretty long time and I feel like I have been pretty lucky to have avoided most of that. I mean of course I have experienced it every now and then, but I know what it looks like, I know how to stay clear, and I haven’t seen a really really dark side as much as other people have. And I feel very lucky for that.

And starting out young would definitely teach you what to avoid later on as you grow and mature by meeting more experienced actors who can show you the lay of the land. And speaking of the Times Up Movement and what’s going on in America at-large, but specifically in Hollywood, what changes have you seen personally in the industry?

I see a lot of inclusiveness and I think it’s beautiful. I just think it’s fucking awesome that more African American people and more Asian people get to tell their stories on-screen more often now, and that’s a new thing to see. I’m really happy that I get to see more of that. It’s great that I am not just being cast to be the daughter anymore, or the little best friend role, and seeing the change in available roles for young women like me is really exciting. I love it so much and I hope we get to continue on this path because things are really starting to change for the better!

It seems to be a really exciting time to be an actor or actress right now. It brings to mind Reese Witherspoon’s production company that works with female-led and female-centric stories, and I wonder if you have any interest in going into writing or producing something like that?

I do! I’m always amazed by writers and directors and how you can come up with a story in your mind and translate it onto paper. I’d love to learn more about the writing process and to direct one day. I feel like now that I am a bit older I have such an interest with what goes on behind the scenes, like I love to hear the Director of Photography talk about the shots, the order of the scenes, and all of those things. I am actually paying attention, and it’s so cool to see how much work and thought goes into making a film or TV show. It’s the coolest thing in the world! I am amazed every day with what they do.

It’s such an exciting time to be listening and aware of all of the different stories out there, especially with social media. You have nearly 9 million Instagram followers and have the ability to tell your story to all those people around the world. How do you feel as an actress and role model to have access to all of your fans directly?

It’s so cool! I get to hear from people every day who look up to me, and I am lucky to have them. My fans are so so sweet, and I am excited that I get to have such direct contact with them. I mean, they are the reason that I am where I am, you know? The Kissing Booth couldn’t have the success that it had without them and some fans watched it over and over again and because of that it became Netflix’s #1 movie in 2018!

 

Dress by Murmur

Dress by Stella McCartney, Jacket by Roberto Cavalli

Paris Hilton said in The American Meme documentary that she loves her fans because she can feel so alone on the road, and doing press, and she feels like her fans are like her family.

Absolutely! I totally agree with that, and I love that she said that. It’s true, like now I am filming in Georgia and working every day, but when I have free time it’s nice to hear from my fans and feel their support through social media.

Yeah absolutely! To pivot the conversation a bit, I really want to hear more about your upcoming role as Gypsy Rose Blanchard on Hulu’s The Act.

Yes! I’ve actually really never been able to transform myself like this before and this is the first time where I can become a different person – a real person! She is alive and in prison as we speak, and the experience has just been incredible! Playing Gypsy was weird…I want to do right by her and I want people to understand her situation, and why she did what she did. Not that what she did was right, but I also don’t think that she deserved to be completely blasted for her thought process. And working with Patricia Arquette is just genuinely the greatest experience of my life.

Were you able to meet Gypsy to prepare for the role or during the process? Does she know about it?

I know that she knows about that show, but I wasn’t able to contact her. I would have loved to get to know more about her as a person, but all I can do is research her story and try to do the best I can and do right by her.

When the story of Gypsy Rose and Dee Dee came out three years ago were you aware of it? Did you watch the HBO documentary?

When I got the call to come in and read for Gypsy I had heard of the story, but I didn’t know a lot and hadn’t seen the documentary. I watched it before the audition and was like, “Are you freaking kidding me??” I went into the audition and was so nervous, but I am so happy that I got to portray her story.

Was there a lot of added pressure playing somebody real? Many actors and actresses have said it can be a bigger challenge.

It is a challenge, and I want people to understand and think about this, and I have conflicting emotions myself over Gypsy. She was raised by a master manipulator and so she kind of became one herself. I understand why a lot of people have a hard time sympathizing with her but I also think this show will hopefully open people’s eyes and show how messed up the conditions really were. It’s a lot of pressure playing a real person, one who is literally just sitting in prison right now, but at the same time I feel really good about it. I hope that I am doing right by her and if she sees it one day she will be like, “Thank God they portrayed me that way!” The series is partially fictional, it is a TV show, but a lot of the shit we are putting in there is true as hell!  

This is one of those stories, like you were saying earlier, that needs to be told. And it’s a story that people can see multiple sides of this very famous, national news story retold in a different way.

Absolutely and there are parts of the show where you will start to feel bad for DeeDee or maybe not like Gypsy very much. The show goes over several years of their life, and you can’t help but go through a lot of emotions while watching it.

It’s real life and there are multiple dimensions and you won’t always like it. I think that’s what is so amazing for actors today because it seems like there are so many dimensional roles for women.

It’s amazing how many female directors we have on the show! It is so awesome getting to work with these super smart women. I have a lot of “firsts” on this show, and these amazing male and female directors made me feel safe to try new, uncomfortable, and weird things.

 

Blouse by Queenie Cao, Pants by Marc Jacobs

Dress and Shoes by Versace

How was the experience as an actress immersing yourself into such a dark space?

It really feels like being born again into this world. I’ve never been able to experience this before, and I am so lucky to have Patricia Arquette by my side every day because she was so supportive, she is so talented, and just a super kind person. And I know being her shooting partner that there are no judgments ever, and I feel like it is honestly so important who you work with because you are in such a vulnerable place as an actor. If you feel judged or feel that the other person is not there for you 100%, then it’s really freaking hard to do your job. She has just been the best partner, and I am so grateful for her, and I am so excited to have everyone see her work on the show. She’s mind-blowing–I mean it’s fucking Patricia Arquette!

Yeah that’s such an amazing opportunity! Have you had any moments while working with her where she has shown you a new layer of the craft?

Definitely! Patricia has definitely shown me a new way of looking at acting. She has such great advice, personally and professionally. She’s just so amazing and I have learned so much from her in the past three months that we have worked together.

That’s fantastic, you are so lucky to have that opportunity.

I know, I can’t believe it! Like every day I’m like, “Oh my god, I get to work again!”

(laughing) That’s great! Are there any other projects that you can hint at in pre-production?

Yes! But…I can’t tell you about any of them. (laughs) I am going to be in Georgia for awhile, and I cannot wait to start doing more press for The Act’s premiere.

What advice would you give another young actress? What would you warn them about?

I would absolutely warn them of people trying to use them or people being friends for the wrong reason, and when you find someone who is there for the right reasons then you have to be sure to hold onto them. Whether it’s a friend, a relationship, a peer, or a mentor, just make sure to hold onto the good people and steer clear of the bullshit! (laughs)

I think that’s good advice for everybody!

I think so too! And it’s so hard to find the right people, but you know I am so lucky to have my family. Not everyone has a strong and supportive family, and if you don’t then you need to surround yourself with really great people and create your own family. It’s going to be hard and it will take awhile, you’re going to cry a few times, but in the end it’ll be worth it!

I love that, that’s good advice! Following-up on our discussion of #TimesUp, minority roles, and the great projects coming out, especially in today’s political climate, is there any movie that you would want to re-tell from your perspective or some story that you would love to produce or direct one day?

Oh my god! That’s such a good question… I don’t know…if I would want to retell a story and direct it myself…the movie I really am thinking about is Girl, Interrupted. I don’t know why that is the first thing that came to mind, but I would love to direct the shit out of that.

Oh my god! Please do that! That’s one of my favorite movies of all time, but I would definitely be very critical of it because it’s just such a fantastic movie.

I would expect nothing but honesty from you! (both laugh) I love that movie so much and I am so happy you love it too. If I were to ever direct something, then that is the first movie to come to mind. I honestly would be open to anything. I have a lot more to learn about this business and a lot more to experience, so I couldn’t tell you exactly what my directorial debut would be just yet!

Well even if it is not Girl, Interrupted, then I think that theme that we have been discussing of women’s stories is so important and telling female-centric, multi-dimensional stories like that would be a great path for you.

I agree with you, that shit’s awesome!

 

Dress by Murmur

Special Thanks to Hammer and Spear in Los Angeles and Larissa Saenz at i-D Public Relations

WHO WILL STOP THE RAIN

Full look by JUUN.J, Shoes by Ellery

Photography: Dennis Tejero (@dennistejero) | Model: Brynn Bonner at Red Models (@theloneblackrose) | Styling: Cornelius Lafayette (@corneliuslafayette) | Makeup: Michael Chua (@michaelchuabeauty) | Hair: Jenni Wimmerstedt (@ivainsane) | Casting: Eric Cano (@cano_castings)| Photo Assistants: Tim Tamayo (@jalatimyo) and Bryant Lopez (@bryantglopez) | Retouching by Lara Ostertag

Full Look by Ellery

Full Look by Ellery

Jacket by N. Hoolywood, Coat by Christopher Kane, Pants by MISBHV, Bag by Thom Browne

Shirt by N. Hoolywood, Vest by MISBHV

Blazer by Thom Browne, Vest and Skirt by Alexander Wang, Shoes by N. Hoolywood

Blazer by Moon Choi, Pants by N. Hoolywood x Dickies

Full Look by Camilla & Marc, Shoes by N. Hoolywood

Full Look by JUUN.J, Shoes by Ellery

Full Look by JUUN.J, Shoes by Ellery

WINDOW SHOPPING

Photography by Ruo Bing Li
Styling by Krisana Sotelo @ The Only Agency
Model Alexandra Elizabeth @ The Society

Silk green and black print dress and silk black belt worn over the shoulder by Marc Jacobs, Vinyl body corset by Alexander Wang, Crystal headband and kitten heels by Tom Ford, Spandex liquid leggings Stylist own

Sofa – Cloud by Richard Shemtov, Table – Double Zero by Richard Shemtov

Green and black print, silk dress and black silk belt worn over the shoulder by Marc Jacobs, Vinyl body corset by Alexander Wang, Crystal headband and kitten heels by Tom Ford, Spandex liquid leggings Stylist own

Sofa – Cloud by Richard Shemtov, Table – Double Zero by Richard Shemtov

Black velvet embroidered cape by Erdem, black latex cape + crystal and latex belt worn over the neck by Tableaux Vivents, crystal earrings and hair clip by Area

Mirror – Ledge by Michael Solis, Desk – Halo by Karim Rashid

Crystal embroidered colorful dress by Tom Ford, clear vinyl jacket by Philipp Plein, crystal embroidered kitten heels by Tom Ford, green spandex liquid full bodysuit stylist own, pastel pink pop socks by Maria La Rosa

Dining Table and Chairs – Margot by Sarah Fels, Stool – Jedi by Richard Shemtov

Crystal embroidered colorful dress by Tom Ford, clear vinyl jacket by Philipp Plein, crystal embroidered kitten heels by Tom Ford, green spandex liquid full bodysuit stylist own, pastel pink pop socks by Maria La Rosa

Dining Table and Chairs – Margot by Sarah Fels, Stool – Jedi by Richard Shemtov

Green and pink sequin dress with nude body cape by Gucci, Pink spandex leggings stylists own, pink pop socks by Falke, crystal sandal by Area

Sofa – landscape by Nina Edwards Anker

Pastel fur coat by Sies Marjan, turquoise sequin arm bands by DSquared2, purple latex liquid full bodysuit stylist’s own, pink pop socks by Maria La Rosa, crystal sneakers by Gucci

Cabinet – Fu Console by Nick Dine

Grey wool sweater with stones by Christopher Kane, metal mesh skirt worn around the neck by Paco Rabanne

Sofa – Deluxe by Richard Shemtov, Table – Four Forty by Michael Solis

Grey wool sweater with stones by Christopher Kane, metal mesh skirt worn around the neck by Paco Rabanne

Sofa – Deluxe by Richard Shemtov, Table – Four Forty by Michael Solis

Crystal and tulle sheer top by Givenchy, latex skirt with crystals by Tableaux Vivents, blue spandex liquid full bodysuit stylist own, crystal and mesh stockings by Area, vinyl and leather heel by Alexander Wang

Bench – Pipeline by Harry Allen

Iridescent vinyl jacket by Area, mesh nude gloves by Carolina Amato, pink pop socks by Maria La Rosa, crystal multi-colored sneakers by Gucci

Sofa – Stealth by Richard Shemtov

Makeup by Liset Garza @ The Wall Group using MAC Cosmetics
Hair by Yukiko Tajima @See Management
Production by Benjamin Price of LEO Creatives
Fashion Assistants Patrick Surach and Ashley Wooten
Production intern Louis Kang
Special thanks to Aaron Shemtov of Dune, for more information visit: dune-ny.com

WEB EXCLUSIVE: SPEED RACER

Top by Linder, Pants stylist own, Necklace by Laruicci, Shoes by Yuulyie

Photography by  Allegra Messina, Model Jieun Hyeon at Supreme, Fashion Styling by Kimberly Nguyen, Prop Styling by Bradley Armstrong, Hair by Jenni Iva Wimmerstedt, Makeup by Michael Chua using MAC Cosmetics

Sweater by Rag and Bone, Skirt by Livné, Gloves by Wing & Weft, Fishnet stockings by We Love Colors

Jacket by Adam Selman, Earrings by Laruicci, Gloves by Wing & Weft

Button-Down Top by Marcelo Burlon

Leather jacket by REDValentino, Top by Tommy Hilfiger, Skirt by Tommy Hilfiger, Boots by REDValentino, Bag by Yuulyie

Top by Maje, Earrings by Laruicci, Skirt by Linder

Top by Versus Versace, Jacket by Versus Versace, Pants by DROMe, Boots by Adam Selman

Jacket by Belstaff, Trouser by Maje

Top by Versus Versace, Jacket by Versus Versace, Gloves by Wing & Weft

T-shirt and Top by Kenzo, Skirt by Kenzo, Gloves by Wing & Weft, Earrings by Lauricci

CAMP IN FASHION – COSTUME INSTITUTE’S SPRING 2019 EXHIBITION AND MET GALA

(New York, October 9, 2018)—The Metropolitan Museum of Art announced today that The Costume Institute’s Spring 2019 exhibition will be Camp: Notes on Fashion, on view from May 9 through September 8, 2019 (preceded on May 6 by The Costume Institute Benefit). Presented in The Met Fifth Avenue’s Iris and B. Gerald Cantor Exhibition Hall, it will explore the origins of the camp aesthetic and how it has evolved from a place of marginality to become an important influence on mainstream culture. Susan Sontag’s 1964 essay Notes on ‘Camp’ provides the framework for the exhibition, which will examine how fashion designers have used their métier as a vehicle to engage with camp in a myriad of compelling, humorous, and sometimes incongruous ways.

“Camp’s disruptive nature and subversion of modern aesthetic values has often been trivialized, but this exhibition will reveal its profound influence on both high art and popular culture,” said Max Hollein, Director of The Met. “By tracing its evolution and highlighting its defining elements, the show will embody the ironic sensibilities of this audacious style, challenge conventional understandings of beauty and taste, and establish the critical role this important genre has played in the history of art and fashion.”

In celebration of the opening, The Costume Institute Benefit, also known as The Met Gala, will take place on Monday, May 6, 2019. The evening’s co-chairs will be Lady Gaga, Alessandro Michele, Harry Styles, Serena Williams, and Anna Wintour. The event is The Costume Institute’s main source of annual funding for exhibitions, publications, acquisitions, and capital improvements.

“Fashion is the most overt and enduring conduit of the camp aesthetic,” said Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute. “Effectively illustrating Sontag’s Notes on ‘Camp,’ the exhibition will advance creative and critical dialogue about the ongoing and ever-evolving impact of camp on fashion.”

The exhibition will feature approximately 175 objects, including womenswear and menswear, as well as sculptures, paintings, and drawings dating from the 17th century to the present. The show’s opening section will position Versailles as a “camp Eden” and address the concept of se camper—”to posture boldly”—in the royal courts of Louis XIV and Louis XV. It will then focus on the figure of the dandy as a “camp ideal” and trace camp’s origins to the queer subcultures of Europe and America in the late 19th and early 20th centuries. In her essay, Sontag defined camp as an aesthetic and outlined its primary characteristics. The largest section of the exhibition will be devoted to how these elements-which include irony, humor, parody, pastiche, artifice, theatricality, and exaggeration-are expressed in fashion.

Designers whose works will be featured in the exhibition include Gilbert Adrian, Cristóbal Balenciaga, Thom Browne, Jean-Charles de Castelbajac, John Galliano (for Martin Margiela, House of Dior, and his own label), Jean Paul Gaultier, Rudi Gernreich, Guccio Gucci, Demna Gvasalia (for Balenciaga and his own label), Marc Jacobs (for Louis Vuitton and his own label), Charles James, Stephen Jones, Christian Lacroix, Karl Lagerfeld (for House of Chanel, Chloe, and his own label), Herbert and Beth Levine, Alessandro Michele (for Gucci), Franco Moschino, Thierry Mugler, Norman Norell, Marjan Pejoski, Paul Poiret, Miuccia Prada, Richard Quinn, Christian Francis Roth, Yves Saint Laurent, Elsa Schiaparelli, Jeremy Scott (for Moschino and his own label), Viktor Horsting and Rolf Snoeren (for Viktor & Rolf), Anna Sui, Philip Treacy, Walter Van Beirendonck, Donatella Versace (for Versace), Gianni Versace, Vivienne Westwood, and Charles Frederick Worth.

The exhibition is organized by Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute, with Karen Van Godtsenhoven, Associate Curator. Theater scenographer Jan Versweyveld, whose work includes Lazarus with David Bowie as well as Broadway productions of A View from the Bridge and The Crucible, will create the exhibition design with The Met’s Design Department. Select mannequin headpieces will be created by Shay Ashual. Raul Avila will produce the gala décor, which he has done since 2007.

A publication by Andrew Bolton with Fabio Cleto, Karen van Godtsenhoven, and Amanda Garfinkel will accompany the exhibition and include new photography by Johnny Dufort. It will be published by The Metropolitan Museum of Art and distributed by Yale University Press.

The exhibition is made possible by Gucci.

Additional support is provided by Condé Nast.

WEB EXCLUSIVE – TIE ME WITH A SCARF AND JEWELS

Photography by Rosamagda Taverna | Fashion Editor & Stylist Stesy | Makeup and Hair by Adelina Popa | Model Sophia @Mp Management

Scarf by Emilio Pucci | Earrings by Iosselliani

Scarf by Mario Dice | Earrings by Dior | Brooch by Rosantica | Shirt by Dondup

Scarf by Gucci | Bra by La Perla | Earrings by Iosselliani

Scarf by Hermes | Earrings and necklaces by Iosselliani

Scarf by Fendi | Glasses by Micheal Kors

TATJANA PATITZ

Known as one of the original supermodels and fashion icons, Tatjana Patitz takes on a trip through the dreamy, psychedelic landscape of a deserted beach.

Dress by Lana Mueller

 

Photography by Djeneba Aduayom | Styling by Sarah Toshiko West | Model Tatjana Patitz @ The Model CoOp

Hair by Preston Wada using Kevin Murphy, Makeup by Amy Clarke using skincare by Patyka, makeup by Vapour Beauty, Art Direction by David Moran, Stylist Assistants Taylor Murray and Andrew Earley, Production Assistant Tommy Johnson


Sweater by Issey Miyake


Coat by Versace and Dress by Lana Mueller


Dress by Lana Mueller, Earrings by Lucky Brand


Jumpsuit by Julia Clancey


Turtleneck by Jil Sander, Dress by Peggy Hartano


Dress by Prada

Dress by Julia Clancey

Coat by Missoni, Dress by House of CB

Dress by Aya By DK, Skirt by Jil Sander

 Cape by Sebastian Gunawan