NIKE NORDSTROM BY SARRA FLEUR ABOU-EL-HAJ

Jacket and pant by Helmut Lang, Bra by Baserange

 

Photography: Sarra Fleur Abou-El-Haj

Styling: Lauren Bockow

Hair: Erin Piper Herschleb at L’Atelier NYC

Makeup: Misuzu Miyake at Art-Dept

Model: Nike Nordstrom from Muse Models

 

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Coat and pant by Hyke shoes by Jil Sander

 

L: Jacket by Danz, Bra by Fleur Du Mal, R: Jacket by Danz Skirt: Chanel Bra by Fleur Du Mal

 

Bodysuit, Sunglasses, Shoes: Chanel, Panty: Mara Hoffman

 

Bodysuit: Joah Brown, Necklace and Ring: Dior, Skirt: Silk Laundry, Shoes: Balenciaga

 

Sweater and Pant by Fendi, Shoes by Jil Sander, Bracelet and Ring: Agmes

 

Coat by Stella Mccartney, Jacket by Burberry

 

 Jacket by Fendi, Bra and Pant by Joah brown

 

 

WILLA DEVEREUX BY MARIE DAVERÈDE

Saint Laurent dress, Petit Kouraj handbag worn as mask,  Albright Inc. earring

 

Photographer : Marie Daverède @mariedaverede

Stylist : Shandi Alexander @shandilatee

Make-up : Mika Shimoda @mikashimoda01

Hair : Chika Nishiyama @chika_nishiyama

Model : Willa Devereux @willadevereux from @onemanagement

 

 

Balenciaga velvet blue dress, Albright Inc. pearl earrings

 

Magda Butrym red dress, Christopher Kane shoes, Albright Inc pearl earrings

 

Magda Butrym jacket, Laquan smith bralette, Mugler jeans, Christopher Kane shoes

 

Maticevski black tulle shirt, Paco Rabanne white skirt, Balenciaga shoes, Albright Inc pearl earrings, Vintage Jacket

 

Alexander Wang pink shirt, Jacquemus pants, Maticevski tulle veil, Alexandre Vauthier pink velvet shoes, Albright Inc Pearl Earrings

 

Vaquera clear plastic skirt, Amazon rain poncho, Alexandre Vauthier pink  velvet shoes, Albright Inc Pearl Earrings

 

David Koma Gloves, Magda Butrym denim bustier, Emika Paris pants, Albright Inc pearl earrings

 

Richard Quinn pink one piece, Alexander Wang sparkle bag.

VALERIA GOMEZ BY JAHULIE ELIZALDE

Collar – Gothic Renaissance / Dirt Bike Armor – Cycle Gear / Boyshorts – Vex Latex / Sunglasses – Balenciaga / Earrings – Balenciaga / Shoes – Custom by Stylist

Photography – Jahulie Elizalde

Stylist – Jahulie Elizalde

Makeup – Christyna Kay @ Art Department

Hair – Yukie Nammori

Model – Valeria Gomez @ Muse Model MGT

Dress – Kuai Li / Shoes – Custom by stylist / Sunglasses – Diesel / Earrings – Kenneth Jay Lane

 

 

Bodysuit – Vex Latex / Leather Blazer – Ventura / Wader boots – Dicks Sporting

(L): Bodysuit – Vex Latex / Jeans – Desigual (R): Dress – Kuai Li Boots – Max Mara

Top & Collar – Gothic Renaissance / Boyshorts – Vex Latex / Waders – Dicks Sporting goods / Sunglasses – Balenciaga / Dress worn as coat – Vintage

Blazer – Aramide / Trousers – AKNVAS / Bodysuit – Vex Latex / Choker – Saint Laurent / Shoes – Custom by stylist

Bodysuit – Vex Latex / Choker – Saint Laurent

Jacket & Jeans – Desigual / Bodysuit – Vex latex

Collar – Gothic Renaissance / Dirt bike Armor – Cycle Gear / Boyshorts – Vex Latex / Sunglasses – Balenciaga / Earrings – Balenciaga

BEAUTY SCREEN TEST: SAMANTHA SABA

Cuff by Celine

 

Model: Samantha Saba at IMG

Photo: Geoffrey Voight Leung

Styling: Rachel Kozub, courtesy of Albright Fashion Library

Makeup Artist: Anna Kurihara using MAC Cosmetics

Hair Stylist: Chika Nishiyama at 87 Artists using Bumble and Bumble

 

Earring by Annelise Michelson

Earring by Janis Savitt
Choker by Balenciaga
Earrings by Janis Savitt
Earrings – Vintage
Rings by Paula Mendoza
Necklace by Janis Savitt
Necklace by Dannijo
Necklace worn as headpiece – Vintage

BLOODLETTING BY ALICIA STEPP

 

Model – Fish Fiorucci @fishfiorucci @josephcharlesviolaPhotographer – Alicia Stepp @aliciastepptxFashion Stylist – Leslie Rivas @leslierivas_xStyling Assistant – Pamela Cooper @pamela_cooperMakeup & Hair – Bianca Linette Rivas @biancalinettehmuPhoto Assistant – Myckenzee Kunn @myckenzee._.annRetoucher – Sam Retouch @sam.retouch

 

(L): Dress by Fabric Base Inc. Gloves, Stylists Own (R): Jewelry by VITALY , Gloves by Erotic Cabaret Boutique

 

Custom headpiece by Philip Hannel Millinery, Cut out corset and gloves available at Erotic Cabaret Boutique

 

(L): Coat, Vintage available at EverGirl by Dawn Bell, Belt used as neck piece, stylists own, Mesh dress available at Erotic Cabaret Boutique, Boots by Pleaser (R): Top and Pants by Pamela Cooper Studio, Jewelry by VITALY

 

Gown designed by Mysterious by N.P.N, Gloves available at Erotic Cabaret Boutique, Earring – Stylists Own

 

Dress by Fabric Base Inc., Gloves – Stylists own

 

Top and Pants by Pamela Cooper Studio, Jewelry by VITALY

 

Cap – stylists’ own, Corset by Daisy Corsets Erotic Cabaret Boutique,

Shorts by Fendi @ The Webster, Jewelry by VITALY, Boots by Pleaser

 

Hoodie by Balenciaga available at The Webster, Face Mask by Philip Hannel Millinery Harness available at Erotic Cabaret Boutique, Boots by Pleaser

 

SCREEN TEST: KIRA AT VISION LOS ANGELES

Jacket by Saks Potts, Waist cincher by Agent Provocateur

 

Photographer & Makeup: Samuel Paul @ForwardArtists 
Stylist: Kelly Brown

 

Dress by Antonio Marras

 

Dress by A.L.C.

 

Dress by WAYF, Shoes by Antonio Marras

 

Jacket by Simone Rocha, Shoes by Vagabond

 

Dress by Balmain

 

Jacket by Blaze Milano, Gloves and Boots are stylists own

 

Jacket by Blaze Milano, Pants by AGOLDE, Shirt by Mantu, Boots by Kat Maconie

 

Bodysuit by Agent Provocateur, Boots by Balenciaga

 

 

Kinga Trojan by Karl Simone

Hat & Pants by Gaucho, Shirt by Litkovskaya, Jacket by Guvanch

Photographer: Karl Simone, Stylist: Kevin Breen, Model: Kinga @ New York Models, Hair: Linh Nguyen @ See Management, Makeup: Mariko Arai @ The Wall Group using Nars, Casting: Jym Benzing, Studio: Blonde + Co

Bodysuit by Moncler, Shirt by AMI Paris, Shoes by Onlymaker, Hat stylists’ own, Pants by Laerke Valum

Bodysuit by Moncler, Shirt by AMI Paris, Pants by Laerke Valum, Hat stylists’ own

Suit and Shirt by Boss, Corset by Yaqkuoa

Suit by Emporio Armani, Sweater by Missoni

Hoodie by Balenciaga, Dress and Shoes by Tom Ford

Top and Tights by MSGM, Dress by Drome, Tie by Tom Ford, Pants by Todd Snyder

Jacket and Scarf by Joseph Abboud, Shirt by Brunello Cucinelli, Hat stylists’ own

Dress by Victoria Hayes, Shoes by Pierre Hardy

Scarf by Hermes

CAMP IN FASHION – COSTUME INSTITUTE’S SPRING 2019 EXHIBITION AND MET GALA

(New York, October 9, 2018)—The Metropolitan Museum of Art announced today that The Costume Institute’s Spring 2019 exhibition will be Camp: Notes on Fashion, on view from May 9 through September 8, 2019 (preceded on May 6 by The Costume Institute Benefit). Presented in The Met Fifth Avenue’s Iris and B. Gerald Cantor Exhibition Hall, it will explore the origins of the camp aesthetic and how it has evolved from a place of marginality to become an important influence on mainstream culture. Susan Sontag’s 1964 essay Notes on ‘Camp’ provides the framework for the exhibition, which will examine how fashion designers have used their métier as a vehicle to engage with camp in a myriad of compelling, humorous, and sometimes incongruous ways.

“Camp’s disruptive nature and subversion of modern aesthetic values has often been trivialized, but this exhibition will reveal its profound influence on both high art and popular culture,” said Max Hollein, Director of The Met. “By tracing its evolution and highlighting its defining elements, the show will embody the ironic sensibilities of this audacious style, challenge conventional understandings of beauty and taste, and establish the critical role this important genre has played in the history of art and fashion.”

In celebration of the opening, The Costume Institute Benefit, also known as The Met Gala, will take place on Monday, May 6, 2019. The evening’s co-chairs will be Lady Gaga, Alessandro Michele, Harry Styles, Serena Williams, and Anna Wintour. The event is The Costume Institute’s main source of annual funding for exhibitions, publications, acquisitions, and capital improvements.

“Fashion is the most overt and enduring conduit of the camp aesthetic,” said Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute. “Effectively illustrating Sontag’s Notes on ‘Camp,’ the exhibition will advance creative and critical dialogue about the ongoing and ever-evolving impact of camp on fashion.”

The exhibition will feature approximately 175 objects, including womenswear and menswear, as well as sculptures, paintings, and drawings dating from the 17th century to the present. The show’s opening section will position Versailles as a “camp Eden” and address the concept of se camper—”to posture boldly”—in the royal courts of Louis XIV and Louis XV. It will then focus on the figure of the dandy as a “camp ideal” and trace camp’s origins to the queer subcultures of Europe and America in the late 19th and early 20th centuries. In her essay, Sontag defined camp as an aesthetic and outlined its primary characteristics. The largest section of the exhibition will be devoted to how these elements-which include irony, humor, parody, pastiche, artifice, theatricality, and exaggeration-are expressed in fashion.

Designers whose works will be featured in the exhibition include Gilbert Adrian, Cristóbal Balenciaga, Thom Browne, Jean-Charles de Castelbajac, John Galliano (for Martin Margiela, House of Dior, and his own label), Jean Paul Gaultier, Rudi Gernreich, Guccio Gucci, Demna Gvasalia (for Balenciaga and his own label), Marc Jacobs (for Louis Vuitton and his own label), Charles James, Stephen Jones, Christian Lacroix, Karl Lagerfeld (for House of Chanel, Chloe, and his own label), Herbert and Beth Levine, Alessandro Michele (for Gucci), Franco Moschino, Thierry Mugler, Norman Norell, Marjan Pejoski, Paul Poiret, Miuccia Prada, Richard Quinn, Christian Francis Roth, Yves Saint Laurent, Elsa Schiaparelli, Jeremy Scott (for Moschino and his own label), Viktor Horsting and Rolf Snoeren (for Viktor & Rolf), Anna Sui, Philip Treacy, Walter Van Beirendonck, Donatella Versace (for Versace), Gianni Versace, Vivienne Westwood, and Charles Frederick Worth.

The exhibition is organized by Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute, with Karen Van Godtsenhoven, Associate Curator. Theater scenographer Jan Versweyveld, whose work includes Lazarus with David Bowie as well as Broadway productions of A View from the Bridge and The Crucible, will create the exhibition design with The Met’s Design Department. Select mannequin headpieces will be created by Shay Ashual. Raul Avila will produce the gala décor, which he has done since 2007.

A publication by Andrew Bolton with Fabio Cleto, Karen van Godtsenhoven, and Amanda Garfinkel will accompany the exhibition and include new photography by Johnny Dufort. It will be published by The Metropolitan Museum of Art and distributed by Yale University Press.

The exhibition is made possible by Gucci.

Additional support is provided by Condé Nast.

HEAVENLY BODIES: FASHION AND THE CATHOLIC IMAGINATION

Costume Institute Benefit on May 7 with Co-Chairs Amal Clooney, Rihanna, Donatella Versace, and Anna Wintour, and Honorary Chairs Christine and Stephen A. Schwarzman

(New York, November 8, 2017)—The Metropolitan Museum of Art announced today that The Costume Institute’s spring 2018 exhibition will be Heavenly Bodies: Fashion and the Catholic Imagination, on view from May 10 through October 8, 2018 (preceded on May 7 by The Costume Institute Benefit). Presented at The Met Fifth Avenue in both the medieval galleries and the Anna Wintour Costume Center, the show will also occupy The Met Cloisters, creating a trio of distinct gallery locations. The thematic exhibition will feature a dialogue between fashion and masterworks of religious art in The Met collection to examine fashion’s ongoing engagement with the devotional practices and traditions of Catholicism. A group of papal robes and accessories from the Vatican will travel to the United States to serve as the cornerstone of the exhibition, highlighting the enduring influence of liturgical vestments on designers.

“The Catholic imagination is rooted in and sustained by artistic practice, and fashion’s embrace of sacred images, objects, and customs continues the ever-evolving relationship between art and religion,” said Daniel H. Weiss, President and CEO of The Met. “The Museum’s collection of religious art, in combination with the architecture of the medieval galleries and The Cloisters, provides the perfect context for these remarkable fashions.”

In celebration of the opening, the Museum’s Costume Institute Benefit, also known as The Met Gala, will take place on Monday, May 7, 2018. The evening’s co-chairs will be Amal Clooney, Rihanna, Donatella Versace, and Anna Wintour. Christine and Stephen A. Schwarzman will serve as Honorary Chairs. The event is The Costume Institute’s main source of annual funding for exhibitions, publications, acquisitions, and capital improvements.

“Fashion and religion have long been intertwined, mutually inspiring and informing one another,” said Andrew Bolton, Curator in Charge of The Costume Institute. “Although this relationship has been complex and sometimes contested, it has produced some of the most inventive and innovative creations in the history of fashion.”

Exhibition Overview
The exhibition will feature approximately 50 ecclesiastical masterworks from the Sistine Chapel sacristy, many of which have never been seen outside the Vatican. These will be on view in the Anna Wintour Costume Center galleries and will include papal vestments and accessories, such as rings and tiaras, from the 18th to the early 21st century, encompassing more than 15 papacies. The last time the Vatican sent a loan of this magnitude to The Met was in 1983, for The Vatican Collections exhibition, which is the Museum’s third most-visited show.

In addition, approximately 150 ensembles, primarily womenswear, from the early 20th century to the present will be shown in the medieval galleries and The Met Cloisters alongside religious art from The Met collection, providing an interpretative context for fashion’s engagement with Catholicism. The presentation situates these designs within the broader context of religious artistic production to analyze their connection to the historiography of material Christianity and their contribution to the perceptual construction of the Catholic imagination.

Designers in the exhibition will include Azzedine Alaïa, Cristobal Balenciaga, Geoffrey Beene, Marc Bohan (for House of Dior), Thom Browne, Roberto Capucci, Callot Soeurs, Jean Charles de Castelbajac, Gabrielle “Coco” Chanel, Maria Grazia Chiuri (for House of Dior), Domenico Dolce & Stefano Gabbana (for Dolce & Gabbana), John Galliano (for House of Dior), Jean Paul Gaultier, Givenchy, Craig Green, Madame Grès (Alix Barton), Rei Kawakubo (for Comme des Garçons), Christian Lacroix, Karl Lagerfeld (for House of Chanel), Jeanne Lanvin, Shaun Leane, Claire McCardell, Laura and Kate Mulleavy (for Rodarte), Thierry Mugler, Norman Norell, Guo Pei, Maria Grazia Chiuri and Pierpaolo Piccioli (for Valentino), Pierpaolo Piccioli (for Valentino), Elsa Schiaparelli, Raf Simons (for his own label and House of Dior), Riccardo Tisci (for Givenchy), Jun Takahashi (for Undercover), Isabel Toledo, Philip Treacy, Donatella Versace (for Versace), Gianni Versace, Valentina, A.F. Vandevorst, Madeleine Vionnet, and Vivienne Westwood.

Exhibition Credits
The exhibition—a collaboration between The Costume Institute and the Department of Medieval Art and The Cloisters—is organized by Andrew Bolton, Curator in Charge of The Costume Institute, working together with colleagues in The Met’s Medieval department: C. Griffith Mann, Michel David-Weill Curator in Charge of the Department of Medieval Art and The Cloisters; Barbara Drake Boehm, Paul and Jill Ruddock Senior Curator for The Met Cloisters; Helen C. Evans, Mary and Michael Jaharis Curator of Byzantine Art; and Melanie Holcomb, Curator.

Diller Scofidio + Renfro (DS+R), the interdisciplinary architecture and design firm, will create the exhibition design with The Met’s Design Department. Raul Avila will produce the gala décor, which he has done since 2007.

Related Content
A publication by Andrew Bolton will accompany the exhibition and will include texts by authors David Morgan and David Tracy in addition to new photography by Katerina Jebb. It will be published by The Metropolitan Museum of Art and distributed by Yale University Press.

A special feature on the Museum’s website, www.metmuseum.org/HeavenlyBodies, provides further information about the exhibition.

The exhibition is made possible by Christine and Stephen A. Schwarzman, and Versace. Additional support is provided by Condé Nast.

THE WANDERER

Photography by Hadar Pitchon | styling by Marc Anthony George | model Daniël Van Der Deen @ Soul Artist Management

Art direction Louis Liu | Grooming by Michael Fernandez | Editor in Chief Marc Sifuentes | Set Assistant Zack Woods

Vivienne Westwood cardigan, Roberto Cavalli scarf

Roberto Cavalli jacket and jeans, Damir Doma scarf, Versace sandals, Prada bracelets
Thom Browne unitard
Missoni jacket and shorts, Vivienne Westwood tank, Dsquared kilt, Damir Doma scarf, Prada bracelets

Vivienne Westwood sweater, Sacai shirt and shorts

Gucci coat and jacket, Salvatore Ferragamo sweater, Vivienne Westwood pants, Prada bracelets
Versace jacket, pants, and sandals, Michael Kors shirt, Vivienne Westwood knit, Prada socks
Gypsy sport life vest, Versace blazer and sandals, Issey Miyake shirt, Gucci pants, Prada socks
Vivienne Westwood overcoat, Valentino shirt, sweater, and pants
Vivienne Westwood shirt, Balenciaga coat
Prada jacket, shirt, and shorts, Gucci boots