JOEY KING

Dress by Zhivago

Photography by Greg Swales | Styling by Lisa Jarvis | Creative Direction by Louis Liu | Hair by Dimitri Giannetos | Makeup by Jamie Greenberg | Interview by Benjamin Price

Equipped with a dazzling personality, expressive eyes, charming sense of humor, and a girl-next-door smile, it is no wonder that 19 year-old Joey King has found herself to be one of the most promising young actors in Hollywood today. In what stands to be her most emotionally challenging role to date, Joey King has transformed herself into the abused victim-turned-convicted-killer Gypsy Rose Blanchard for Hulu’s new series The Act. Gypsy Rose lived in an environment of abuse, manipulation, dependence, and exploitation at the hands of her mother Dee Dee Blanchard, played by the Academy Award winning actress Patricia Arquette, which Joey King portrays in a shockingly sincere and earnest performance in this disturbing, re-telling of true events.

Joey King’s career and devoted fan following surged after her performance in Netflix’s The Kissing Booth, which was one of the streaming service’s most watched and re-watched films – landing the cast a sequel to be released sometime in 2020. Now, in her new role for Hulu’s latest series The Act, King proves her acting can range from cute, romantic comedy ingenue to psychologically disturbing and multi-dimensional true-crime dramatic starlet.

Taking a break from filming her upcoming productions, Joey King takes the stage as Iris Covet Book’s spring cover. The teenage actress sat down with Iris Covet Book to discuss The Act, the importance of badass women and minorities in Hollywood, and why she would love to direct the next Girl,Interrupted.

 

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Hi Joey!

Hi, how are you?

I’m doing well, thank you – Ok, so let’s jump into this! Can you tell us about your start as an actress at 4 years old? Did you think as a kid that you would be starring in major film and television projects today?

No, definitely not! But it’s interesting because when I started acting, my very first job was actually a LIFE cereal commercial. I thought this was what I was always going to do and had no doubt about that, but I never imagined I would be where I am today. It’s just been an insane journey and opportunity to be where I am, and to meet the people I have met along the way. I have been so incredibly lucky.

That’s a good point. Making the right connections is important in any career – especially as a young actress in the industry I imagine it can be hard to trust everyone.

Exactly! With all of the things that have happened in the past few years with the Times Up Movement and Me Too, I think it’s so exciting to see what new things are happening and how people can feel more safe in the industry. I’ve been in this business for a pretty long time and I feel like I have been pretty lucky to have avoided most of that. I mean of course I have experienced it every now and then, but I know what it looks like, I know how to stay clear, and I haven’t seen a really really dark side as much as other people have. And I feel very lucky for that.

And starting out young would definitely teach you what to avoid later on as you grow and mature by meeting more experienced actors who can show you the lay of the land. And speaking of the Times Up Movement and what’s going on in America at-large, but specifically in Hollywood, what changes have you seen personally in the industry?

I see a lot of inclusiveness and I think it’s beautiful. I just think it’s fucking awesome that more African American people and more Asian people get to tell their stories on-screen more often now, and that’s a new thing to see. I’m really happy that I get to see more of that. It’s great that I am not just being cast to be the daughter anymore, or the little best friend role, and seeing the change in available roles for young women like me is really exciting. I love it so much and I hope we get to continue on this path because things are really starting to change for the better!

It seems to be a really exciting time to be an actor or actress right now. It brings to mind Reese Witherspoon’s production company that works with female-led and female-centric stories, and I wonder if you have any interest in going into writing or producing something like that?

I do! I’m always amazed by writers and directors and how you can come up with a story in your mind and translate it onto paper. I’d love to learn more about the writing process and to direct one day. I feel like now that I am a bit older I have such an interest with what goes on behind the scenes, like I love to hear the Director of Photography talk about the shots, the order of the scenes, and all of those things. I am actually paying attention, and it’s so cool to see how much work and thought goes into making a film or TV show. It’s the coolest thing in the world! I am amazed every day with what they do.

It’s such an exciting time to be listening and aware of all of the different stories out there, especially with social media. You have nearly 9 million Instagram followers and have the ability to tell your story to all those people around the world. How do you feel as an actress and role model to have access to all of your fans directly?

It’s so cool! I get to hear from people every day who look up to me, and I am lucky to have them. My fans are so so sweet, and I am excited that I get to have such direct contact with them. I mean, they are the reason that I am where I am, you know? The Kissing Booth couldn’t have the success that it had without them and some fans watched it over and over again and because of that it became Netflix’s #1 movie in 2018!

 

Dress by Murmur

Dress by Stella McCartney, Jacket by Roberto Cavalli

Paris Hilton said in The American Meme documentary that she loves her fans because she can feel so alone on the road, and doing press, and she feels like her fans are like her family.

Absolutely! I totally agree with that, and I love that she said that. It’s true, like now I am filming in Georgia and working every day, but when I have free time it’s nice to hear from my fans and feel their support through social media.

Yeah absolutely! To pivot the conversation a bit, I really want to hear more about your upcoming role as Gypsy Rose Blanchard on Hulu’s The Act.

Yes! I’ve actually really never been able to transform myself like this before and this is the first time where I can become a different person – a real person! She is alive and in prison as we speak, and the experience has just been incredible! Playing Gypsy was weird…I want to do right by her and I want people to understand her situation, and why she did what she did. Not that what she did was right, but I also don’t think that she deserved to be completely blasted for her thought process. And working with Patricia Arquette is just genuinely the greatest experience of my life.

Were you able to meet Gypsy to prepare for the role or during the process? Does she know about it?

I know that she knows about that show, but I wasn’t able to contact her. I would have loved to get to know more about her as a person, but all I can do is research her story and try to do the best I can and do right by her.

When the story of Gypsy Rose and Dee Dee came out three years ago were you aware of it? Did you watch the HBO documentary?

When I got the call to come in and read for Gypsy I had heard of the story, but I didn’t know a lot and hadn’t seen the documentary. I watched it before the audition and was like, “Are you freaking kidding me??” I went into the audition and was so nervous, but I am so happy that I got to portray her story.

Was there a lot of added pressure playing somebody real? Many actors and actresses have said it can be a bigger challenge.

It is a challenge, and I want people to understand and think about this, and I have conflicting emotions myself over Gypsy. She was raised by a master manipulator and so she kind of became one herself. I understand why a lot of people have a hard time sympathizing with her but I also think this show will hopefully open people’s eyes and show how messed up the conditions really were. It’s a lot of pressure playing a real person, one who is literally just sitting in prison right now, but at the same time I feel really good about it. I hope that I am doing right by her and if she sees it one day she will be like, “Thank God they portrayed me that way!” The series is partially fictional, it is a TV show, but a lot of the shit we are putting in there is true as hell!  

This is one of those stories, like you were saying earlier, that needs to be told. And it’s a story that people can see multiple sides of this very famous, national news story retold in a different way.

Absolutely and there are parts of the show where you will start to feel bad for DeeDee or maybe not like Gypsy very much. The show goes over several years of their life, and you can’t help but go through a lot of emotions while watching it.

It’s real life and there are multiple dimensions and you won’t always like it. I think that’s what is so amazing for actors today because it seems like there are so many dimensional roles for women.

It’s amazing how many female directors we have on the show! It is so awesome getting to work with these super smart women. I have a lot of “firsts” on this show, and these amazing male and female directors made me feel safe to try new, uncomfortable, and weird things.

 

Blouse by Queenie Cao, Pants by Marc Jacobs

Dress and Shoes by Versace

How was the experience as an actress immersing yourself into such a dark space?

It really feels like being born again into this world. I’ve never been able to experience this before, and I am so lucky to have Patricia Arquette by my side every day because she was so supportive, she is so talented, and just a super kind person. And I know being her shooting partner that there are no judgments ever, and I feel like it is honestly so important who you work with because you are in such a vulnerable place as an actor. If you feel judged or feel that the other person is not there for you 100%, then it’s really freaking hard to do your job. She has just been the best partner, and I am so grateful for her, and I am so excited to have everyone see her work on the show. She’s mind-blowing–I mean it’s fucking Patricia Arquette!

Yeah that’s such an amazing opportunity! Have you had any moments while working with her where she has shown you a new layer of the craft?

Definitely! Patricia has definitely shown me a new way of looking at acting. She has such great advice, personally and professionally. She’s just so amazing and I have learned so much from her in the past three months that we have worked together.

That’s fantastic, you are so lucky to have that opportunity.

I know, I can’t believe it! Like every day I’m like, “Oh my god, I get to work again!”

(laughing) That’s great! Are there any other projects that you can hint at in pre-production?

Yes! But…I can’t tell you about any of them. (laughs) I am going to be in Georgia for awhile, and I cannot wait to start doing more press for The Act’s premiere.

What advice would you give another young actress? What would you warn them about?

I would absolutely warn them of people trying to use them or people being friends for the wrong reason, and when you find someone who is there for the right reasons then you have to be sure to hold onto them. Whether it’s a friend, a relationship, a peer, or a mentor, just make sure to hold onto the good people and steer clear of the bullshit! (laughs)

I think that’s good advice for everybody!

I think so too! And it’s so hard to find the right people, but you know I am so lucky to have my family. Not everyone has a strong and supportive family, and if you don’t then you need to surround yourself with really great people and create your own family. It’s going to be hard and it will take awhile, you’re going to cry a few times, but in the end it’ll be worth it!

I love that, that’s good advice! Following-up on our discussion of #TimesUp, minority roles, and the great projects coming out, especially in today’s political climate, is there any movie that you would want to re-tell from your perspective or some story that you would love to produce or direct one day?

Oh my god! That’s such a good question… I don’t know…if I would want to retell a story and direct it myself…the movie I really am thinking about is Girl, Interrupted. I don’t know why that is the first thing that came to mind, but I would love to direct the shit out of that.

Oh my god! Please do that! That’s one of my favorite movies of all time, but I would definitely be very critical of it because it’s just such a fantastic movie.

I would expect nothing but honesty from you! (both laugh) I love that movie so much and I am so happy you love it too. If I were to ever direct something, then that is the first movie to come to mind. I honestly would be open to anything. I have a lot more to learn about this business and a lot more to experience, so I couldn’t tell you exactly what my directorial debut would be just yet!

Well even if it is not Girl, Interrupted, then I think that theme that we have been discussing of women’s stories is so important and telling female-centric, multi-dimensional stories like that would be a great path for you.

I agree with you, that shit’s awesome!

 

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Special Thanks to Hammer and Spear in Los Angeles and Larissa Saenz at i-D Public Relations

WILD COUNTRY

Coat by Harris Wharf London, Hoodie by The Rail, Necklace by Tevin Vincent, Cowboy Hat Stylist’s Own

Photography by Samuel Ramirez | Styling by Ton Aguilar | Grooming by Jojo Torres | Model: Lucas Satherly @ IMG

Jacket by Represent, Pants by Dior Homme, Necklace by Tevin Vincent

 

Bodysuit by Madewell

 

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EMMIE

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Photography by Raul Romo (@raulromo) | Styling by Katie Qian (@katieqian) | Hair and Makeup by Francie Tomalonis (@francieluxe) | Model is Emmie Nielsen @ IMG (@emmienielsen @imgmodels)

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Dress by Maison the Faux, Shoes by Nike

Dress by Maison the Faux, Shoes by Nike

Jacket by Malan Breton, Earrings by Ettika

Jacket by Malan Breton, Earrings by Ettika

Dress by Pam Hogg, Earrings by Ettika

Earrings by Ettika

LOS ANGELES FEMALE FILMMAKERS FESTIVAL

This weekend Passerbuys and Women & Film will present the first annual Female Filmmakers Festival (FFFEST), a 3-day screening and talk series dedicated to celebrating accomplished female filmmakers and empowering women who want to break into the industry.

FFFEST will take place from October 12th through October 14th at the Downtown Independent theater in Los Angeles, California and will foster a community for female filmmakers to share resources, guidance and inspiration.

FFFEST’s diverse program includes feature-length such as the critically-acclaimed SKATE KITCHEN directed by Crystal Moselle, the award-winning MOSSANE directed by the first Sub-Saharan African woman director, Safi Faye  and short films such as the premiere of MAVERICK by Cara Stricker. Between screenings, FFFEST will host exclusive talks featuring some of the top women working in the contemporary film industry such as Sarah Finn (Casting Director, Black Panther), Lake Bell (Director, In A World), Jameela Jamil (Actress, The Good Place) and Natalie Farrey (Head of Vice Film) as they provide answers to the most pertinent questions facing women working in film today.

The primary mission of the Female Filmmakers Festival is to inspire more women to make films by celebrating the women leading the way, and by creating a space where women can share information amongst each other.

FFFEST has also teamed up with women-owned and women-led fashion brand VEDA to create custom merch for the festival where a portion of proceeds from every sale will go to Camp Reel Stories.

“I founded Passerbuys out of a desire to have women share resources and information amongst one another. As a lifelong fan of cinema, it felt natural to transfer such ethos to a film festival. There are a number of great organizations supporting women in film, and I see FFFEST’s role as a space to bring them together and hopefully become a tradition to celebrate and support female filmmakers.” – Clémence Polès, Founder of Passerbuys and Co-Founder of FFFEST “Women & Film was created to celebrate the women directors that have paved the way as well as the trailblazers and contemporary women of cinema. Our goal is to act as both a learning tool and source of inspiration among filmmakers, both accomplished and budding. We want FFFEST to create a sense of community for women in film in the hopes that more stories by and about women get made.” – Natalie Fält, Founder of Women & Film and Co-Founder of FFFEST

“Women are responsible for creating some of the greatest works of film in the history of cinema, yet the mass media has rarely depicted or celebrated women behind the camera. In response to that, we saw FFFEST as an opportunity for our audience to celebrate the women who’ve made strides in film and continue to today, and to inspire budding women filmmakers to join the industry and share their stories.” – Mimi Packer, Co-Founder of FFFEST

“We have stories to tell and we have a different perspective. Women in general tend to be more emotionally connected and in-tune with their surroundings but the demands of life can cause creative complacency. fffest was created to reawaken these hidden narratives and provide a platform to inspire more women to bring their stories to life.” – Dasha Faires, Co-Founder of FFFEST

For more information, please visit https://fffest.org/

WEB EXCLUSIVE – LEX SCOTT DAVIS

Leather Jacket by All Saints, Bra by For Love and Lemons, Vintage Leather Pants

Talent: Lex Scott Davis | Photographer: Raul Romo | Stylist: Mimi Le | Hair Stylist: Malaika Frazier | Makeup Artist: Rob Scheppy @ The Only Agency

Lex Scott Davis started off as a dancer but soon diverged onto the road towards acting in commercials and television and eventually starring in one of this summers blockbuster hits. After landing the role of Toni Braxton in the television-movie Toni Braxton: Unbreak My Heart, the snowball started rolling and Davis’ career has taken off. Now starring as the lead heroine in The First Purge, Lex Scott Davis is a no-nonsense force on-screen, and her performances in The First Purge and SuperFly have proved that Davis is here to stay.

In this exclusive interview with Iris Covet Book, we learned more about her role in the latest installment of the Purge thriller franchise and how the film and her character resonated with her personal story.

Where are you from originally?

I’m originally from Baltimore, Maryland, then made the move to Philly, then New York, and now Los Angeles. The move to New York was challenging in the beginning,  especially when you don’t have family there. New York wasn’t necessarily the safest place either. Living in Bed-Stuy, Brooklyn and commuting to work in the city everyday was a culture shock, but also a great growing experience.

When did you first know that you wanted to go into acting?

I went to Drexel University in Philadelphia and majored in dance and physical therapy. I started to grow out of it; I didn’t see the longevity of becoming a dancer. So in my third year in the program I decided to leave and move to NYC where I started acting classes at the New York Film Academy.

Was there a certain incident that confirmed in your mind you needed to pursue acting?

When I begin to realize that dancing had a cap to it. I think after a certain age you either become a teacher or a choreographer and I knew that wasn’t what I wanted for myself.  I understood from a very young age that I loved performing, so for me it was like ‘what can I do that will allow me to perform for people the rest of my life?’ and the answer was acting. You never run out of opportunities as an actor. They will always need some 80-year-old black lady to come in and play someone’s grandma, you know what I mean? (Laughing). 

How do you compare the differences between living and working in New York versus Los Angeles?

Well, they were two totally different experiences for me. NY was really about school and learning the craft of acting and when I moved to LA it was all about auditions and hustling for the jobs. When I first moved to LA I realized I wasn’t really as prepared as I would like to have been. I knew I couldn’t just dive straight into grabbing a professional acting job. I definitely had to work my way up with commercials and stage plays until I eventually found my way into the audition for the Toni Braxton biopic which was the first real opportunity within my first year of living in LA.

Dress by Stella McCartney

Leather Jacket by All Saints

How was it to work alongside Toni Braxton on the production of her biopic?

When I booked the movie my manager called to tell me I had to be on a plane to meet her in Vegas the next day.  I attended her show that night and she pulled me up on stage. That was our first time ever meeting. She was very involved in all the pre-production, table reads, and made herself available to us if we ever had any questions. She would do whatever it took for us to get to know her. I choose to be more of an observer and watched her every move, even when she didn’t know she was being watched (laughs). I wanted to see how she interacted with people and the little nuances that she does.  I think I learned more about her that way.

Tell us about your latest film The First Purge. What should fans know going in?

Well I think each Purge is a stand alone story, so you don’t have to see the previous movies to understand this one. And this is the prequel, so it’s setting you up for the previous ones. It’s not a horror slasher film like some would assume, it’s actually way more evolved. The film is more of an action thriller and has a refreshing storyline where we get to see young black people being the hero’s of their community. It’s really fun to watch and I don’t want to give too much away but it’s very exciting. Oh, and the music is DOPE.  

Tell us a how you prepared for your role in The First Purge?

This role was so hard, and I fought very hard to get it. I went in to audition at least four times in a pretty rigorous process. In terms of preparation–I felt I could really relate to the script because of how I grew up, the people I grew up with, and the circumstances these characters lived with that were very relatable to me.  I’m from Baltimore and was raised around the circumstances of lower income neighborhoods.

So you felt a strong connection to your character?

It’s a relatable story. Nia’s story isn’t exactly my story or how I grew up but it’s definitely a story that I know and it is close to me. I think it’s relatable to any woman in this scenario.  Nia is taking care of her brother and her household. She’s working multiple jobs to make sure her family is supported and is a strong voice for her community. I know a lot of women who are that person. Women who are trying to make things work despite their circumstances, who push for resistance against the political matters at hand that are up against them.

Bikini Top by All Saints, Pants by Stella McCartney, Heels by Jimmy Choo

Jacket by Stella McCartney, Bra by Thistle and Spire, Pants by COS

We get to see a small glimpse of you as an action hero in The First Purge. Do you see yourself playing more parts like this?

Yes, definitely. I remember one of my earlier experiences that made me want to be an actor was when my mother took me to see Tomb Raider when I was young. Seeing Angelina Jolie in a kick ass role made me say, “Oh my god, I want to do that!” She was so beautiful and so physical and strong, and that was something I could relate to at the time because I had the dance background. To see her on the same playing field as men, and showing that dominance and strength, was amazing to me.

Is there a favorite movie that you would love to star in if there were ever a remake?

I would love to be in a role similar to Charlize Theron’s character in Monster.  To be someone that is so put-together but then stripped down from all of that and completely raw. Seeing a different component of her level of acting and the layers and complexity of the role is to bring truth to the story. It’s equally as beautiful as when she’s all done up and doing her J’adore commercial. It was just a brilliant film. My mother showed me that film years ago. (Laughs)

What advice would you give to aspiring actors?

Even while Toni Braxton happened for me within my first year, a lot of people didn’t see the other side when I was working at a salon. I worked for a massage therapy office, I was driving a Lyft–there were so many things going on. It certainly wasn’t easy. Yes, I acknowledge it was quicker than some to obtain, but it certainly wasn’t handed to me. There was a lot of hard work in between.

Nothing is by coincidence, and I’m a firm believer that if you truly love and are persistent in the thing you know you can do, then keep on doing it. What people don’t always see is that on a day-to-day basis actors are handed a handful of auditions a week and it only takes one of those for something to happen. My advice would be to keep being persistent and to not be defeated by the ‘no’s’. Remember those ‘no’s’ are leading up to that ‘yes’, and it’s not by coincidence. Maybe the role that passed on you allows you to find a role thats going to catapult you into that big break. Everything happens for a reason.

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WEB EXCLUSIVE – VENUS OF VENICE

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Photographer: Emily Soto
Makeup: Natasha Severino @ Forward Artists
Hair: Dimitris Giannetos @ Forward Artists
Model:  Madison Tabeek @ Next Models

Dress and Boots by Moschino Couture | T-shirt by Black Beat Rags | Diamonds by Chris Aire Beverly Hills

Top and Skirt by Victoria Hayes | Belt by Prada | Earrings by Jennifer Fisher

Sequined Jumpsuit by Dundas | Boots by Moschino | Earrings by Chris Aire Beverly Hills

Choker by Moschino | Dress by Carolina Sarria | Fur by Georgine

Choker by Moschino | Dress and Fur by TKTKT

Top by Victoria Hayes | Diamond Stud Earrings by Chris Aire Beverly Hills

Top by Victoria Hayes | Diamond Stud Earrings by Chris Aire Beverly Hills

Dress by Off-White | Boots by Moschino | Earrings by Jennifer Fisher

EXCLUSIVE: ERIKA JAYNE


Photography by Alexandra Gavillet | Styling by Rafael Linares @ Art Department | Interview by Cecily Strong

From dancing on gin-soaked stages in the dive bars of West Hollywood, navigating the many dramas of the Real Housewives of Beverly Hills, to being immortally satirized on Saturday Night Live, the reality star, pop culture icon, and now New York Times best-selling author is taking the world by storm.

Erika Jayne is embracing opportunities with open arms, switching at the drop of a hat between author, international performer, “housewife,” and the icon we didn’t even know we needed. The Real Housewives franchises are filled with meme-worthy moments, unforgettable quotes, and exciting drama, but few women from the reality series have become household names to the degree of Erika Girardi, AKA Erika Jayne. In an exclusive interview between Erika and Saturday Night Live’s Cecily Strong, who parodied Jayne on the legendary sketch show and cemented Erika’s status as a cultural touchstone, the two women discuss ageism in the entertainment industry, creating a public persona, and her new Simon & Schuster bestselling book, Pretty Mess.

Jacket by Tom Ford, Earrings by House of Emmanuele

Earrings by House of Emmanuele

Hello! How are you Erika?

Hi Cecily, I am so good—it’s so nice to talk to you.

You too, what a treat! I am such a fan! A real fan, not just an Instagram fan. I am so excited. I’ve been bragging to everyone at SNL about getting to do this interview! So, starting with your new book, how did the idea to publish a memoir take off?

I was approached to do the book and said yes because these days I am just saying yes to everything. Obviously, you see a little bit of it on TV, but sharing 45 minutes of screen time with five other women is difficult. Writing a memoir is a way to give the audience a more in-depth peek into my life.

How open are you in this book and are you nervous about revealing too much?

There’s always the version of the truth which you can never tell or else all of your friends and family will never talk to you again (laughs), and then there is the book that I wrote, and then there is the book that got published – which went through two legal processes. Hopefully it works out well and people like it.

(laughs) What was the most challenging part writing the book?

Well, my mother and I were discussing how my father left when I was nine months old, and then she remarried and divorced again. I feel like I had blocked out that part of my childhood. I went back with her trying to piece it all back together. I was looking at it through 46 year-old eyes and thinking it was basically ten years of bullshit!

Do you think that your childhood experiences are the reason that you have this amazing life and personality and are so fabulous and youthful—or in other words, do you think that you’re basking in the things you didn’t have in your childhood?

I feel like I’m eternally 16. I had a nice car, a hot boyfriend, good grades, was performing all the time, and I looked cute. I don’t know if that’s because of my childhood, but I definitely know that all of that has an effect on you growing up.

Well, I understand feeling like you’re eternally a teenager because I feel like I’m 16 even though I’m like… 34, but have you confronted ageism in your industry? Is it something you even think about? I know I don’t think about it much.

Good, and I’m glad you don’t, and the only time I do is when someone tells me, “Oh, aren’t you a little too old to be doing this?” and I’m like, “No, actually I’m not.” I think that it’s important to keep doing it and keep pushing and dreaming because that’s an old way of thinking that is falling by the wayside as women continue to improve and show how powerful we are. You know, when you’re in your 40’s you’re not dead, you’re not done! I feel the most powerful now. I didn’t feel powerful in my 20’s, I was a ding-dong!

I couldn’t wait to turn 30 because I thought, “Finally, people will take me seriously!” And I can’t imagine someone saying to you that you’re too old, that’s insane to me. I’d be like, “Just watch me perform!”

Thank you! Could you imagine telling a man that? Could you imagine telling a man, “Sir, don’t you think you’re a little too old to be running the company?” It’s not fair for us to get a tap on the shoulder like, “Sit down honey, you’ve had enough fun, you’ve had your day, people don’t find you attractive, you can’t sell anything, and your time is up” No! I’m not going to do that.

Good, me neither. We’re taking a vow! What do you hope that people take away from your book and your personal story?

First off, I want people to laugh and have fun. It’s an easy read and a fun read, and if one person walks away inspired to go to dance class again or back to college or just see that, through this human story, we are all the same. My experience is just this way, but it’s the same bullshit for everybody, so don’t quit. You never know what the future holds.

So let’s talk about your persona Erika Jayne, how she was born and how you found her within yourself?

I was about 35 years old, had been married to Tom for six or seven years, and had been exclusively living his lifestyle. I was going to every event and socializing with a whole new set of very educated, super interesting people. I am glad I did it because it was an invaluable education, but it wasn’t me. I was wealthy and living in a bubble where I would shop, go to the gym, and then go to dinners, but what the fuck was I really doing with myself? I longed to go out, create again, and have my own identity.

I just don’t think that Tom expected the book deal, concerts, or this interview in my future. I don’t think anybody did! I started to create on my own, it was something that I loved, and here we are today. And thank God he has been so supportive. I have learned so much, and I am really grateful because without him I wouldn’t be here at all.

That’s so great, and good for you two! You’re a great example for couples. So, when did you get your big break and what was the beginning of your career as Erika Jayne like?

Well, if you take the Erika Jayne Project, it was very small potatoes. It started at my kitchen table and it was just something that I wanted to do. I created the persona with a friend of mine from high school. He took me to a producer friend of his and we made the Pretty Mess album, and I started to perform because that’s what I really love to do. It was the typical beginning. A few people in some terrible dump, no one paying attention, and just begging to get on stage. I thought to myself, “I don’t have to fucking do this, I’m rich! What the fuck am I doing?” (Cecily laughs) I hate to break it down and sound so rude, but there are a lot of naysayers and rejection. I kept putting one foot in front of the other and building it, and slowly but surely people started to pay more attention and come to my shows. The biggest break into pop culture was definitely being cast in the Real Housewives because it took Erika Jayne out of the clubs and into people’s homes, and she even became a parody on Saturday Night Live! (laughs) But I think the most interesting thing was seeing young women, like high school and college-aged girls tell me how much they love my music and style, and I’m like, “Wow, really? I’m old enough to be your mom.” That acknowledgement makes it all worth it.

 

Jacket by Vitor Zerbinato, Dress by Nookie, Boots by Christian Louboutin, Earrings and Ring by Glynneth B.

Jacket by Vitor Zerbinato

Most of my circle of friends are gay men, and so I’m curious when did your relationship with the gay community start?

Children’s theater! (laughs)

Oh my God! Same for me! I was raised in a theater in Chicago by a group of gay men.

That was where I started! And then I went to a performing arts high school where everyone in dance and theater was gay, even our instructors were gay. They were always a part of my life. These are my people and that’s that.

Right, it’s so true, and it’s so funny that I had a very similar experience. When my parents split up I felt that the gay men of my Chicago theater were raising me while my family was a mess.

And I think that’s a wonderful thing to have and I can’t imagine life without gay people in it. They are my closest confidants.

Now what about drag culture? Has drag had an influence on your life and career?

I mean, just take one look at me! What do you think? (laughs) Of course! I love drag because you get to transform into a superhuman. It’s a true art form that is not for the faint of heart. Your costumes, hair, makeup, the whole look, and your style of drag too! There are so many different styles.

What style would you be?

Hooker drag! I want to be hooker drag (both laugh). Are you kidding? Basically that’s what I already am so why not? Keep it going!

So let’s talk Housewives of Beverly Hills! Obviously I am a huge fan, but how has being on the show changed your life? Cameras catching you crying, drunk…I drink a lot, so I could never do reality TV.

I don’t really like crying on camera because you are embarrassed worldwide, and that sucks. But without that exposure I wouldn’t be talking to Cecily Strong and I wouldn’t have a book out today! See what I’m saying? You have to roll with the punches and make the best of it. At the end of the day, it is reality television and I try to be as authentic as I can and have a good time doing it!

As I say in my book, it’s like professional wrestling. There are heroes, villains, costumes, pyrotechnics, but at the end of the day the injuries are real! It’s like we are participating in this absurd narrative, but these are still my feelings and sometimes they get really hurt.

People are awful! Celebrity in general, people feel like they have some sort of ownership over you, and because you get to do your job they get to hurl insults at you. It seems even worse for people in reality TV because it is your name and your life.

Thank god I am 46 and not 26! I have lived a full life, have a successful marriage, had an unsuccessful marriage, I have an adult child, I can pay the bills. Forget it, if I were a kid and did not know who I was, I may not have made it and I would have been crazy-town. Honestly, I consider myself pretty fucking normal.

I think about that all the time. Like I was crazy enough at 22—

Right! I didn’t need anyone telling me I sucked and was awful and should kill myself. You can imagine how the younger ones feel.

I will say that my favorite piece of advice I’ve ever gotten, and I don’t mean to name drop, but it was from Jim Carey at a host dinner for SNL and he told me “Don’t ever let anyone tell you the narrative of your career.”

He’s right, and thank you for sharing that. I’ll split when I’m ready and I’ll do what I need to do. That’s very well said.

Well, thank you Jim Carey! So, what’s next for you? What do you see in the future?

I am on my way to a book signing in New Jersey which is right across the street from a terrible go-go place I used to go-go in when I was younger.

Wow.

I know, it’s really interesting, Cecily. I’m continuing to create, and there’s going to be more music and more shows, and who knows what’s coming, but I feel like it’s going to be really good.

 

Jacket by The Blonds, Bangles, Cuffs, Earrings and Hat by Glynneth B.

Jumpsuit by Any Old Iron, Shoes by Christian Louboutin

Dress by Gucci

Makeup by Etienne Ortega @ The Only Agency using NARS and KKW Beauty, Hair by Castillo @ Tack Artist Group using Sexy Hair styling products & T3 styling tools, Art Direction Louis Liu, Editor-in-Chief Marc Sifuentes, Photo Assistant Mallory, DP Vanessa Konn, Gaffer Zachary Burnett, Production Assistant Benjamin Price, Produced by XTheStudio.com, Special Thanks to Jack Ketsoyan, Laia and Mikey Minden

EXCLUSIVE: RICKY MARTIN

Jacket by Tom Ford

Photography by Greg Swales
Styling and Interview by Marc Sifuentes

Taking over the legendary Sin City strip, making history as the first Latino to headline a Las Vegas residency, and jumping headlong into the world of acting, Ricky Martin shows he is one of the most intriguing and impactful entertainers of our time.

Father, husband, singer, dancer, and actor. Ricky Martin is constantly juggling his many roles with seemingly effortless ease. Currently a resident on the Vegas strip at the Park Theater at Monte Carlo for his solo show, Martin is also eager to further pursue his acting career, release a new album, create a new world tour, and continue helping the people of Puerto Rico and the victims of human trafficking. Filled with love, down-to-earth spirituality, and an effervescent charm, Ricky Martin has proven himself to be an everlasting icon of pop culture.

In an exclusive interview with Iris Covet Book Editor-in-Chief Marc Sifuentes, the Puerto Rican star gets personal about his daily life with his husband and twins, life in the limelight, and his continuous efforts to make the world a better place.

Hi Ricky! I wanted to thank you for doing this interview and for being so fun and easy-going on the day of the shoot.

Well, thank you! You and your team were amazing and had such a beautiful energy in the studio.

Thank you! So, I want to start with asking about your second “back by popular demand” Vegas residency at the Park Theater, what is the key to producing such a successful and in-demand show?

I give credit to the people that I work with: the producers, directors, all of the people behind the scenes, the musicians, and the dancers. It really takes a village, and I wouldn’t be able to do this show without an amazing group of people behind me. I’m happy to have these talented producers and directors who can translate my vision and make it magic! To be the first Latino male to have a residency in Vegas is a big responsibility. What I love about this show is having the opportunity to perform every night in front of a very international crowd. Just to be on stage and see all of these faces from all over the world really motivates and inspires me. What I want to do is break boundaries and unite cultures. To see the crowd disconnect from their everyday problems in life and leave the theater with a smile is a very beautiful thing. I wish we could do this show for many more years.

Will you be taking this show on the road at the end of it’s Vegas run?

Well since I have an exclusivity contract I won’t be able to take this particular show on the road or perform it outside of the Park Theater. But I will hopefully be on the road touring a new show next year through Latin America and the United States. The idea is to take a new show all over the world, hopefully by next year.

I was watching clips of the show and it just looks amazing, you seem larger than life and so confident. Do you ever feel insecure? And if you do, what do you tell yourself to get out of that headspace?

I am very insecure. I am insecure when I write music, when I perform, when I act…but what gets me through are my years of experience. I am human and I go through a lot of highs and lows before I go on stage. If you see the show, for the first song I’m coming down from a 300-foot drop! I may look super confident, but I’m not! (laughs) I suffer from vertigo and it can be very difficult to focus, but it is part of confronting my demons and breaking that trauma that triggers my vertigo. By the time the music starts, I just have to forget everything and jump into storytelling mode.

Well it’s been getting really great reviews! Would you consider extending your residency for a third round?

Oh, I would love that! And funny you should ask because that’s exactly what we are in discussions about at the moment, and if we do, I will need to create a whole new show for the international audience.

jacket and t-shirt by Philipp Plein, jeans by Tom Ford, rings by John Hardy

t-shirt by Philipp Plein, jeans by Tom Ford, ring by John Hardy

shirt by Ferragamo, jeans by Tom Ford

You recently teased your fans with a new single, “Fiebre”, when can we expect a new full length album?

I am thinking hopefully by the beginning of next year, but right now we have been pretty focused on the Vegas show and American Crime Story, which we were shooting for eight months. Today, the record company no longer needs the record out at a very specific time so the artists have more freedom, and if a song is ready then I can just release it. Obviously numbers are important in this industry, but it gives us an idea of what the audience likes or dislikes, and I have never felt more relaxed doing music.

Since you mentioned American Crime Story, how did you become involved and what made you say yes to the story?

A few years ago I had the opportunity to work with Ryan Murphy on an episode of Glee. We’ve kept in touch and he invited me to dinner to tell me that he thinks he has a role for me. Once I read the script I immediately said yes because it was personal. I knew I wanted to be a part of telling Versace’s story. I wanted to remind the viewers the injustice behind what happened. Because it’s not how Gianni Versace died, but how we allowed it to happen. What angers me most is that Cunanan was on the FBI’s Most Wanted List, living on Miami Beach which is a very small community, but the FBI turned the other way because he was a gay man killing gay men. There is no denying to me that this was really an issue of homophobia. I think we did a great job covering that aspect of the story.

I read that Ryan Murphy wants to give you your own show, any word on that project?

Well he told me about it and then made it public, and I got really excited! We haven’t spoken in detail about it because he is transitioning from one network to another and he told me that he will be busy until June, but I’m not in a rush. (laughs) I would love to do something behind the scenes as well. But no, we haven’t talked about it yet.

You brought up the issue of homophobia and it made me think of your new music video. “Fiebre” and of course American Crime Story both show you openly embracing your sexuality. After being forced into the closet for so long, how does it feel for you to finally be able to express being gay through your music videos and now your acting roles?

Amazing! If I could go back and come out in the late ‘90s or early 2000’s then I would, because it felt amazing to come out. When I talk to people who are struggling with their identity, I tell them that it may be bumpy for awhile but in the long run the love that I received from my friends, family, from social media…it was spectacular. I know this is not the case for everyone but at the end of the day it is about dignity and self love.

You recently received a Trailblazer award from The LGBT Community Center in NYC, what did receiving that award mean to you?

Well like receiving any award, it is a big responsibility, but at the end of the day I am proud because it lets me talk about where I have been, who I am, and what I did to finally understand my real essence. In my case, I get to share my story. I meet so many people in the streets or on social media who tell me, “Ricky, thank you so much because I know what you went through and I can better understand my gay father, gay uncle, gay brother, lesbian aunt…” and I think it is a beautiful thing and it is important.

I wanted to talk about your husband, artist Jwan Yosef, a bit. You met on Instagram and I was reading you instant messaged for six months before meeting—

Yes! And nothing sexy! It was very romantic. We talked a lot just about our problems and lives. I never even heard his voice until six months later when I went to visit him in London, where he was based. I said to myself, “This is it. I just met the man who I am going to marry.” Two years later we were married. He is a great man, he loves my kids, and we have so many things in common.

He is a conceptual painter and I have mad respect and admiration for what he does. When I see him and his creative process… it is so sexy. I just love when he locks himself in his studio and starts creating. I become a fly on the wall, watching him paint and create works of art. I am in love, man, I am so in love.

jacket by DSquared2, ring by John Hardy


shirt, pants, and sneakers by Dior Homme, rings by John Hardy

 

shirt, pants, and shoes by Louis Vuitton, rings by John Hardy

You’ve mentioned in the past that you want more children, what do you love about being a father and what is the most challenging part of raising twins?

Yes, I want more; I’m just getting started! If it was my decision I would have six more, but Jwan says let’s take it one step at a time. (laughs) With kids, and I’m sure every parent out there will say this, but everything is new every day and being a single father with twins was extremely challenging, especially in the first year. No one is sleeping, and it’s two against one. Now that they’re older it’s still two against one, but they are amazing kids and the bonding time over the first year was so important. I took a sabbatical, and I did not accept any help. I wanted to do it all, change every diaper, bathe them everyday, and the relationship I have with my kids… there’s just so much love. They are almost 10 years old and this is when dads stop being cool and they start making fun of you! I’m really happy because I’m not there yet with them (laughs).

I’m sure your spirituality plays a big part in your parenting too, what helped you to discover your spirituality?

When we talk about spirituality we go back in time. Religion has nothing to do with spirituality, but I would say that growing up Catholic, even being an altar boy, was too much for me. I kept searching and looking for other philosophies and dogmas to ascribe to. There was a moment where I was obsessed with India and going about four times a year because they call it the “Cradle of Spirituality.”Then my kids became my religion. It doesn’t matter how late I go to bed, I religiously wake up at 7:00 a.m. everyday to have breakfast with them, and that bonding experience with the three of us is the only way I want to start my day. But once a Catholic, always a Catholic. To this day I sometimes look to God when the boys ask me questions because they ask some really hard questions, and I just want to give them the right answer.

I want to talk about Puerto Rico, from your experience can you give us an update on how the country is doing currently? I know that you were and still are very involved in fundraising after hurricane Maria.

Oh man, well 43% of the island still has no power, and if you go up to the more rural mountain areas, even now nine month later, people still have no power, no running water, and are bathing in the river and using candlelight. It is really frustrating and I wish the federal government would have done more. You have to wonder, if this were any other city in the continental US, would we ever hear that nine months later people have no power? No, I don’t think that would happen. But we have to do our part, and Puerto Ricans have experienced a great level of compassion, empathy, and care from volunteers, and the country has become creative and adapted. This too shall pass, but it will take a long time to go back to normal.

Another cause that is close to your heart is bringing awareness to human trafficking, can you explain where this compassion comes from and tell us more about the Ricky Martin Foundation?

With natural disasters like hurricanes for example, the community becomes more vulnerable and human traffickers take advantage. Traffickers come to the island and see all of these people who have lost everything and need money to buy things, and these kids end up selling their bodies or getting forced into pornography.

jacket by Valentino, shirt by COS

 

sweater by COS, pants by Dior Homme, rings by John Hardy

How did it first come to your attention?

More than a decade ago a friend of mine was building an orphanage in India, and this was when I was looking for any excuse to go to India. I flew to Calcutta, and he took me to the slums and said, “Come on, let’s rescue girls!” I had no idea what this meant, but when I got to the slums he started to point out girls like, “You see those three? They could be forced into prostitution.” and I’m standing there like, “What?! What do you mean? That girl must be five and her sister must be eight and her older sister must be eleven” and he says, “Yes, Rick. This is human trafficking. These girls live on the streets and they need money to help their family and they get paid for selling their bodies.” I was so astounded and went back home and started to educate myself on the subject. I went to Congress and told them we needed to bring more awareness to this global $150 billion industry. The victims are sex slaves.

Did you know there are more slaves today then back in the slave trade of the 18th century? Today, as soon as you open your computer you could easily fall victim to a criminal persuading you into the world of prostitution.

It’s encouraging to hear you are using your platform to educate others of these injustices.

It’s not easy. Ten years ago I wanted to stop. I said I couldn’t do it anymore because we couldn’t keep up. We were working so hard but I felt like I didn’t see any change. My mentor looked at me and said, “Ricky, you’ve got to stop being so arrogant. Who do you think you are? Do you think you will change the world? You’re not Superman! How about focusing on saving one life? And one life can become two.” We went back and built a holistic center in Puerto Rico in an area affected by trafficking, and right now we have 132 children coming to the center. We are educating them about human trafficking and opening their eyes to the predators. It’s a lifetime commitment. We are not going to save everyone, but we will save one person at a time.

What else can we expect from you this year?

I’m getting more prepared as an actor, meeting with great writers, producers, and directors and I think there are some great opportunities on the table. I am so lucky to be at a place where I can pick and choose the projects that speak to me. Aside from still making my music, I really want to jump into acting more and playing amazing roles that can have a positive impact on society. My acting career is very personal to me right now; I am obsessed and don’t want to stop!

coat and shirt by Prada, pants by COS, sneakers by Dior Homme, ring by John Hardy

Hair by Joey Nieves @ Grey Matter LA using Hanz de Fuko, Makeup by Maital Sabban @ MS Management, BTS Video by Lavoisier Clemente, Photo Assistant Amanda Yanez, Art Direction by Louis Liu, Editor-in-Chief Marc Sifuentes, Production by Benjamin Price

EXCLUSIVE: EVA LONGORIA


Dress by Helo Rocha, Earrings by Bulgari

Photography by Greg Swales  | Styling by Charlene Roxborough | Interview by Olivia Munn

Inspired by David Hockney’s series of pool polaroid collages, Eva Longoria becomes a modern day Venus in the waters of the Waldorf Astoria Beverly Hills as she celebrates the miracle of motherhood.

They say there’s no rest for the weary, but Eva Longoria is anything but weary. Co-starring alongside Anna Faris and Eugenio Derbez in the remake of the Goldie Hawn fan-favorite Overboard, producing a new television show entitled The Grand Hotel, throwing her hat into the television directing ring with the ABC hit Blackish, designing an eponymous fashion line, being the face of L’Oreal, championing the Time’s Up Movement, and carrying her first child would even make Wonder Woman tired, but Longoria sees no reason to slow down. Amidst these ever unfolding projects, Eva spent an afternoon with Iris Covet Book for an exclusive photoshoot at the Waldorf Astoria Beverly Hills, channeling the glamour of the poolside scenes of Old Hollywood.

Longoria began her career competing in the pageant circuit of her hometown of Corpus Christi, Texas, eventually moving to Los Angeles, playing small roles in daytime TV until landing her big break in the hit television series Desperate Housewives. After eight seasons of success on the ABC show, Eva put her political interest to work by touring across the U.S. with Barack Obama on his re-election campaign, finding a personal and ardent activist voice for immigration reform. Keeping up at marathon pace, Longoria continued her work in Hollywood, while balancing multiple businesses and projects in the world of fashion and restaurants. With her first child on the way, it seems like the perfect time for Longoria to celebrate her many achievements including her greatest one to date, becoming a mother.

Eva has granted Iris Covet Book the exclusive opportunity to document this miraculous moment in her life, her first pregnancy. Interviewed by friend and fellow actress Olivia Munn, Eva Longoria is glowing and glamorous as ever, lounging pool-side in Beverly Hills.

 

Dress by Nili Lotan, Earrings and Bracelet by Bulgari

Dress by Nili Lotan, Earrings and Necklace by Bulgari

Hi Eva! It’s so funny, I was just thinking about us in Miami because usually women are so tired at the beginning of their pregnancy, but I was the one sleeping all day, and you were staying up with me all night and still getting up early in the mornings! (laughs)

I know, I have it reversed… I am so tired now! I was doing so well and had so much energy, running around directing and producing. Then about a week ago I just hit a wall and now get knocked-out four times a day. This was what everyone was talking about! (laughs)

Have you had to pull back on a lot of your projects? It felt like you had a new show to direct every day.

Yeah, my Hollywood Walk of Fame ceremony was the last official thing I had to do for work, and I have some press for Overboard left to do. I was on the Ellen show the other day and I felt like I was going to fall asleep, like uncontrollable sleep, and I was like, “Ellen, if I fall asleep can you edit around it?” (laughs)

You’re growing like literal body parts inside of you and that takes a lot of energy!

Yeah it takes so much energy making a human. (laughs)

So, I heard that the cover story you shot for Iris Covet Book is the only magazine cover you shot while pregnant?

Yes it is!

I cannot believe this is your only magazine shoot while pregnant! Did it feel weird?

It was so awesome and freeing because I didn’t have to suck in! You know how it is on a shoot or on the red carpet and you have to suck in and pay attention to your posture? But this time I was just letting it all hang out! (both laugh)

You were telling me that now the dialogue has changed with the paparazzi from when they would take pictures of you before—

Oh yeah! Before I was pregnant, I would just be eating a burger or something and they would write, “Baby Bump Watch!” (laughs) When we found out I was pregnant, my husband Pepe was worried about hiding it, and I said, “It doesn’t matter, they say I’m pregnant all the time. It’s fine.” And then the paparazzi would say “Oh, Eva’s getting fat! Eva’s overeating!” and I’m like, “No, no, no! Now I’m really pregnant!” (laughs)

One thing I don’t think people realize about you is that it’s not fun to be around this constant speculation, but you just let it roll off your back and it’s so admirable. I have learned a lot from you because of that.

I think I’ve always been like that. I grew up with three older sisters so I think I developed a thick skin. I read this amazing book called The Four Agreements by Don Miguel Ruiz and one of the agreements is to not take things personally. It stuck out to me because I really never let things get to me. I try not to be affected by a bad audition, not getting the part in a movie, having a bad breakup. I was kind of born optimistic and it was how I grew up. We were a family of four daughters who were all very sharing and loving. My parents always taught me that failure was just another step to success.

I’ve thought about that a lot, and I was talking to a friend who did not get a role recently and told her what you told me when you had gone out for some big movie and did not get the part, but right after that denial you got Desperate Housewives. At that moment, getting a big movie could have really catapulted your career and it’s hard to see that in a positive light. Were you bummed at all or did you just move on?

Well you know I really just forgot about it! Like what part? Which movie? Maybe I’m not that invested! (laughs) But no, I remember when I got that call I said, “Oh, ok no problem!” If it’s your role, it’s your role. There’s no one who can play your role and nobody can take it from you.

Right, that’s true. You’re just able to roll through so much in life and still look so freaking young! It’s so interesting to think of you as a first time mother. You are just so nurturing and it is so weird to think of you as having your first child because I feel like there’s no big change. You’ll have the baby and keep rolling. Does it feel like a shock to you?

My friends always say the same thing, that I have been a mother to so many in my life. But I’m not freaked out at all, even with all of the other mother’s advice and everyone telling me how exhausted I’m going to be and blah blah blah, I’m like… yeah, that sounds about right. There’s nothing new that is being said to me or that I haven’t already read which…I mean, unless a monkey comes out of me, nothing is really going to shock me! (both laugh)

And even if a little maltese came out of you, you would just say, “Ok, so I had a dog!” and keep on rolling. (both laugh)

Yeah, I’d roll with it! And i’m not saying it is going to be easy because motherhood is never easy, but Im just saying that I’m prepared for the challenges in the greatest way possible.

Is there anything that worries you?

Health always worries me. You just don’t know what can happen with their health at any stage of life. From the time of their birth, to walking, to teething, to their first heartbreak. I want to protect my child from everything in the world, but there are certain things you won’t be able to.

Honestly, I think one of the best ways to protect your child from heartbreak is picking the right partner and Pepe, your husband, is literally one of the best human beings I have ever met. I love him so much and he is just one of those people who instantly becomes family. I think picking a great father for your child is so important, and your son will have it made with the two of you as his parents.

He really is the greatest human being in the world and he’s an amazing dad and husband. We can talk about anything from our day-to-day, politics, world events, or artificial intelligence, but at the same time we can just watch TV and he’ll laugh at me when I turn on my crime shows. There couldn’t be a better person made for me in the world. He is such a good father, so I already know that he will be a good father to our son. It feels like we’ve been together forever, but it also feels new and fresh every day.

Speaking of spirituality and being connected to people, how does the experience of being pregnant affect you spiritually, if at all?

It’s funny because the minute I got pregnant I wanted to know everything that was happening in my body. Not only physically, like “What to Expect When You’re Expecting”, but also spiritually. It is the greatest change you can experience, creating another human. My friend, Deepak Chopra, wrote a book about spirituality and pregnancy and it was just what I needed because it takes you through the whole pregnancy journey and what is happening metaphysically, physically, spiritually, what your baby can hear, when he can smell. He spoke about being careful of the images you take in because the baby can absorb fear from even a scary movie, for example.

It’s true, the baby is absorbing the energy around you. I read this interesting story about these horses which were the top competitors in all of the horse races and they were clones. The interesting thing is that the horse which was cloned had an incident with a water hose that hit him in the face and from then on he was always afraid of water hoses, and then his clone was born and since birth that clone horse would freak out in the same way whenever he saw a water hose. It raises the question of where our memories lie. People think it is our brain, but it is really in every cell of our body. So it makes sense that your baby is not only absorbing the food and drink but also the energy that is around you and produced by you.

Yes— energy, thoughts, meditation. I was really obsessed from the beginning wondering what is he feeling? What is he hearing? What is he thinking?

Bodysuit with mesh by Naked Wardrobe, Choker and Rings by David Webb, Robe by Ralph Lauren, Sunglasses by Celine

Bodysuit by Wolford, Wrap Dress by Murmur and Ring by David Webb

Bodysuit by Wolford, Ring and Necklace by David Webb

I learned a lot about sound therapy and it is really interesting because you can use this sound tool with the baby and it relaxes them, and then whenever they hear it again they instantly go into a state of relaxation.

No way! Well I’ve been playing meditation music with him and I do aromatherapy. I sleep with an essential oil diffuser with lavender oil at night, but that sound therapy sounds amazing!

To switch gears a bit, you are in the remake of Overboard which is such a beloved and highly anticipated release, is it a lot of pressure on you to work on a new rendition of such a classic movie?

Yeah…well it’s funny because I don’t have as much pressure as Anna Faris! She ran into Goldie and Kurt and they were like, “We heard you were doing Overboard”, and I would have freaked out! But it’s different because it’s a change in gender and it’s a much more contemporary version of the idea. It’s current for the time. I don’t think you could do the original today due to where we are socially. It’s funny, and I am such a big Anna Faris fan. I just think she’s a comedy genius. Eugenio Derbez, who is just the biggest Latin star ever, plays a wealthy playboy with a ton of money. It was so much fun shooting with them and playing with them, and seeing the movie was so exciting. People are going to love it!

Oh, I can’t wait to watch it! So you’ve directed the season finale of Blackish which is such a big show. It’s such a big deal to direct a season finale, and I know you want to direct more, but do you have a movie that you want to do?

Well I’ve been offered a couple of movies that I didn’t really connect to. I didn’t feel like I had a perspective to offer, and as a director I think that’s everything. I just love the medium of television, the pace of television, and working with actors who really know their characters. Not too much actor directing or motivation because they really know their role better than you do. So you’re really there to create camera choreography and make it better. I’d love to do a feature film, and I’ve been looking for one, but it’s just such a time commitment. You prep for six months, shoot for four months, and edit for a year…so it’s really just two years of your life dedicated to one project, one idea. It has to speak to me and I have to have a point of view and something to contribute. There’s a relevance and a purpose for a movie to be out there, even if it is just to make people laugh. I haven’t found that perfect script for me yet.

You have a project called Grand Hotel which you produced, did you direct as well?

No, I just produced it, but I will be directing if we go to series.

Was it hard to produce it then step back and let someone else take the director’s chair?

Well that’s why we usually pick a collaborative person, and Ken Olin (This Is Us) is an amazing director and was really perfect for this project. He brought so much to this project and I was excited to work with him, observe him, and have him mentor and teach me. He was so amazing and collaborative, and I asked him all of these questions like, “Why would you put the camera here instead of here? Why would you put the lens here instead of here?” I’m super nosy and curious and not scared to ask questions. So just using that opportunity to learn from someone who has been in the industry for a very long time was invaluable.

I think that is why you can do so many things and do them so well because you are so collaborative. I think the most successful people are some of the nicest and most collaborative, and you really show that with everything you do. You launched your eponymous clothing line in 2016. What have you learned from that process as a designer?

Well I’ve been sewing since I was seven, so for me it was a natural extension of what I wanted to do in my life. I love clothing, seams, textiles, and garment construction. It was really exciting, but also a completely different language for me. It’s a totally different industry and I’m not one of those celebrities who’s just like, “Put my name on a label! Look at my shirt!” I really wanted to get into the process, not just design, but everything from sourcing to design to marketing. It’s different press, different events, and the fashion world is its own animal. To jump in and navigate that was definitely challenging but so exciting because it challenged me in a different way then acting, producing or directing.

And I had no idea that you had a Master’s degree in Chicano studies. How did you have the time to get a Master’s degree!?

When I started it I was on Desperate Housewives and we were the #1 show in the world, and I was going to night school… it was crazy. It stressed me out, overwhelmed me, and I didn’t want the news to get to the press in case I didn’t finish. I was just taking classes, but the press found out and I was like, “Great, now I have to finish!” (laughs)

So were you in a private class or being taught with other students?

Yeah I was with other students, but they were graduate courses so they were smaller classes. I was with all these 22 year-olds who were way smarter than me! I’m sure people thought I would be the intimidating one, like a big star coming in, but it was the other way around. I walked in and they were like, “So, the Oedipus theory is applicable to…” and I was like, “Wait? I’m sorry…what is that…?” (laughs)

You know, it is so interesting what your intuition can pull you towards, like when I saw you give your speech at the DNC which was so eloquent and so articulate and smart and thought-provoking and it makes sense because all of those things that you spoke about were so powerful not just to the Latino community but to minorities in general. As an Asian-American, I felt that it connected us all whether going through those experiences or not.

I loved that time of my life because Desperate Housewives had ended and I was focusing all of my time on getting Obama re-elected, and so I spent eight months on the road with him and the campaign. People don’t realize how hard it is to be President because the states are all so different. We are so lucky to live in such a diverse country, but to unite all of those states is such a challenge because of our different needs and values. Just to travel the country and listen to all of these people was such a lesson in and of itself. I encourage it on a global level to reach across our state and country borders to learn about each other. I wish everyone could do what I did and listen to the people and hear their differences, but yet realize that we are all Americans and have that commonality.

We are all human beings and we are all trying to do our best, but we live in a time where people are being specifically targeted. Specifically, the Latin community. When you spoke at the DNC you did not mince words on your stance on immigration, and now we are forced to deal with the attack on DACA, The Dreamers and deportation. It makes me wonder if you have any advice you would give to young people who may be facing this reality?

There are so many things we can do to help The Dreamers who are great citizens, have a lot to contribute, and have been contributing with no criminal history. There are many great organizations, and a lot of progress is done locally on a state level. I know this is a national topic that has been on the administration’s agenda for many many decades, but a lot of these rules, regulations, and policies are on a state level—so figuring out what you can do locally is very important.

What’s interesting to me is that you are so busy and are doing so many things but you are also a huge philanthropist and activist. We are in such an amazing time in our world right now with the Time’s Up Movement and women’s rights being up front and center. What do you think is next for gender equality, and how do we keep pushing forward so justice continues on for future generations?

I think that’s it. We have to keep putting on pressure. There’s the private sector and the public sector, and in the private sector you can hold people accountable and create change in your industry. We started the Time’s Up movement in our industry, but it is not for actors, it is for all women in every industry to make sure men and women have a safe work environment. And something like that should be guaranteed and should be a no-brainer. Everyone should have a safe work environment. That’s when you should approach the problem through many aspects whether it is through legislation like equal pay, a pipeline for leadership from more women, and then there are just so many things we have to work for in the interest of gender equality. There are so many systematic barriers which have been ingrained, subconscious biases that people never see, and just getting our stories out and hearing women’s side is game-changing.

Allowing other people to tell their story and listen and be outraged, and whether you love this person or this actor, it doesn’t matter. People that you love can have dark and disappointing sides, and the line needs to be drawn.

Out of all of the hats you wear—from acting, directing, producing, designing, philanthropy—which do you connect to the most and which gives you the most excitement?

Definitely my family and friends give me the most excitement. You would think it would be my job, but there are so many adventures, so many great things in our life that happen to us, and if you can’t share that with your family and friends then none of it matters!

 

Vest by Maison Martin Margiela, Bottoms by Wolford

Hair by Ken Paves, Makeup by Elan Bongiorno @ Rouge Artists using Tatcha, BTS Video by Lavoisier Clemente, Photo Assistant Amanda Yanez, Art Direction by Louis Liu, Editor-in-Chief Marc Sifuentes, Production Assistant Benjamin Price, Special Thanks to Waldorf Astoria Beverly Hills, Christina Vu, Kendal Hurley of Ballantines PR, Liza Anderson and Whitney Peterson of Anderson Group PR, Marcel Pariseau of True PR

STUDIO VISITS – TALI LENNOX

Away from her newly adopted home of Los Angeles, multidisciplinary artist Tali Lennox takes us inside her New York loft to share her daring, emotional paintings and collages that capture the fleeting nature of memories.

Dress by Burberry
Portrait Photography by Tiffany Nicholson | Interview by Anna Furman

In Tali Lennox’s self portraits, her face is often obscured by charcoal-black facial masks or distorted by bulging eyes and drooly, menacing expressions. When she paints figures, their identities are kept hidden and their facial features are imbued with an abstract, spectral quality. The British-born artist, daughter of singer Annie Lennox and film producer/ director Uri Fruchtmann, has made a name for herself in art and in fashion. At the age of seventeen, Tali began walking runway shows for the likes of Miu Miu and Roberto Cavalli (most recently, she starred in the lingerie brand Agent Provocateur’s tastefully noir-inspired campaign as well as the international campaign for David Webb shot by Inez and Vinoodh).

In 2015, she spent a month in residency at New York’s Catherine Ahnell Gallery, and the following year, mounted an exhibit inside the storied Chelsea Hotel. Both shows explored Western attitudes toward aging and the role memory plays in our collective conscience. She represented grooming habits as odd, culturally specific acts, and took a close look at ordinary gestures (holding a glass, washing one’s face)–encouraging viewers to reexamine their own everyday lives. Elements of Lennox’s portraiture–unusual head-to-body proportions, sanguine facial expressions–invite comparisons to celebrated American painter Alice Neel.

After tragically losing her boyfriend to a kayak accident two years ago, Lennox moved across the country to start a new chapter of her twenties in East Los Angeles. IRIS Covet Book sat down with Tali to chat about maintaining a bicoastal lifestyle, painting in solitude, and our shared admiration for the artist Tracey Emin.

Nose Bleed, 2017

 ‘Inhale the Oasis’ collage, 2016

‘Mood Swings’ Collage, 2016

Hi! How’s your morning been?

Very quiet. My roommates are both away right now so it’s just me in our treehouse-y home. My favorite hours to paint are either first thing in the morning or late at night so that’s what I did. I’ve had a full day of painting reclusiveness.

What are you painting right now?

I’m working on a painting of my friend Lili. It involves blood, tan lines, and pink silk. I’ve been curious about what it is to be a woman capturing other women. I want to gently challenge the viewer’s own awareness of sexuality. I love to paint nudes, skin, boobs… it interests me to figure out how my perspective differs from that of a man’s, which can come from such an objectified angle.

I’ve had a morbid curiosity since I was a child. I’m fascinated with gore and ghosts. I like to add in elements like blood and drool to my recent portraits, to explore the lines of attraction and repulsion. Recently, I posted a picture of spilled red ink on a mattress and it wound up in the newspaper because people thought it was period blood. Men and women were commenting on it–calling it disgusting. I wasn’t even trying to suggest or make a point about period blood when I took the photograph, but it did get me thinking. It’s a little absurd that women have been having periods since the beginning of humanity and yet people still find it so outrageous.

You relocated to Los Angeles from New York, but you still live in both cities. Why did you decide to move?

I’m in Silver Lake mostly. I love having trees outside my window, and the sense of vast space in LA gives my ideas a certain expansiveness. LA is weird and faded. It’s hard to grasp reality here, which I find so inspiring. I go to New York City every couple of months and it’s always just a big slice of cake–in a wonderful and somewhat overwhelming sense.


Dress by Burberry

What do you miss most about NY when you’re away?

Chinatown, the movie theaters, Serendipity, 24-hour delis, the Met, exchanging a hello with a man who looks like Santa Claus who sits outside my building every morning, the raging desire for a strong coffee in the morning.

Your Instagram bio says that you’re a painter slash jellyfish breeder. Jellyfish? Breeder? Please elaborate.

Really the jellyfish breeder thing is just to be silly. I mean, social media should never be taken too seriously. I do have a fascination with sea creatures though. It stems from childhood. I remember being completely hypnotized by fishmongers when I was probably four years old. I loved looking at the fish scales and the variety of colors, and experiencing the strange smells. I would secretly touch the dead fish when no one was looking. I’ve always been curious about the things others might find gross.

Do you have a regular routine for your creative work? Where is your studio?

I have a rough routine, without regular hours. Right now I paint most often from my room, which I like because I can paint at any hour. Sometimes I like to work late into the night. A lot of people like separating themselves from their work, but I find that working where I live heightens my relationship to the paintings. I mean, I literally wake up and fall asleep seeing it, so I really need to like what I’m doing because there’s no escaping it.

Do you listen to music while you’re working or do you prefer silence?

I like to listen to a lot of film soundtracks. Hitchcock soundtracks are great. Jonny Greenwood, Disney scores, Alan Watts and Ram Dass are great when you don’t want to feel like you’re falling down a vortex of isolation. And when I need a little energy, I’ll put on the Fat White Family’s Champagne Holocaust album.

What are you reading right now? Either book or magazine-wise or just a lingering link in your browser tabs?

I’m about to finish Norwegian Wood by Haruki Murakami–it’s utterly beautiful. For a quick bedtime chapter or two, I’ll read Anaïs Nin.

Tell me about when you first started painting.

I’ve been drawing and painting forever, or at least since I was very young. I was the kind of kid to stay in the art room at school during break time. When I was nineteen, I moved to New York and started to develop my work with oil painting. I had been modeling full time since I was seventeen. I guess I was looking for a sense of identity outside of that world. Painting builds such a private relationship with oneself. It’s lonely and frustrating–but wonderful.

Kaya, 2017

You were raised by world-famous parents– Scottish singer Annie Lennox and producer Uri Fruchtmann – in the UK. Can you tell me a bit about your childhood?

I grew up between north and west London and went to a pretty liberal school called King Alfred’s, where it was encouraged to be open minded and independent. Honestly, I didn’t feel like there was a difference between my mum and anyone else’s. I was raised with pretty strong values.

How has your mom’s creative work influenced your approach to art-making?

My mum came up with all the visual concepts for her videos and took a lot of risks. She has always been unafraid to express herself, which has encouraged me to keep exploring and experimenting.

I love how you painted terry cloth in that series of self-portraits where you’re wearing a bathrobe and charcoal face masks–what other textures or surfaces are you drawn to painting?

I absolutely love painting breasts. Nipples though can take a very, very long time to get right.

You’ve talked about how your painting practice helped you cope with the loss of your boyfriend, who died in 2015 after a tragic kayak accident. Have you found other practices to be helpful for emotional processing and healing?

I talk a LOT. I’m very open with people I trust. I’ve also explored a lot of energy practices, mindfulness, being able to truly sit with one’s emotion, being present with what comes up. I’m all for feeling fully, releasing, and clearing the way.

What visual artists do you look to for inspiration?

It changes all the time, but lately I love looking at Gerald Brockhurst’s paintings. His paintings are eerie and bold and often have an unsettling quality. I love paintings of the past, before so much technology existed, with female subjects. From the Pre-Raphaelite period, John William Waterhouse and from Baroque times, the painter Georges de La Tour. From the Renaissance, Sandro Botticelli. Their technical skill and level of imagination is simply mind blowing.

Do you have any upcoming shows or creative projects?

I would love to do video and performance art pieces. And curate experiential art shows. My last show was throughout The Chelsea Hotel, and my aim was to alter the viewer’s perspective of reality. So I’d love to continue mind-bending experiments in obscure locations.

Do you have a dream collaborator? Any particular artist or designer, dead or alive?

I would love to connect with Tracey Emin. I have so much admiration for the vulnerable honesty in her work. Gustav Klimt for his imagination and mad technical skill. And Hieronymus Bosch because he created vast realms, centuries before there was even electricity, and that fucking blows my mind.


Dress by Burberry

Hair by Austin Burns using Oribe, Makeup by Tonya Riner using NARS cosmetics, Art Direction by Louis Liu, Editor Marc Sifuentes, Production by Benjamin Price

All artwork © Tali Lennox, images courtesy of the artist